- •Г.Ф.Крівчикова
- •Педагогічних внз денних та заочних форм навчання
- •Видано за рахунок автора
- •© Харківський націоальний університет імені г.С.Сковороди
- •© Г.Ф.Крівчикова
- •Contents
- •Module 1
- •Module 2
- •Requirements to the course of english literature
- •Завдання вивчення дисципліни
- •Завданнями навчальної дисципліни є формування наступних умінь:
- •Glossary of literary terms
- •How to prepare a book review
- •Critical Comments
- •Critical Reading includes:
- •Module 1 lecture #1. Anglo-Saxon (Old) Literature (450-1066)
- •Lecture # 3 The writers of the Medieval English Literature
- •Lecture # 4 The Literature of the 15th Century
- •Lecture # 5 The Literature of the Renaissance (1509-1660)
- •Lecture # 6 William Shakespeare (1564-1616)
- •Lecture # 7 The Puritan Period – the third period of English Renaissance (1616 – 1660)
- •Excerpt I [the hall heorot is attacked by grendel]
- •Excerpt II [the feast at heorot]
- •Excerpt III
- •In due season
- •Excerpt IV [beowulf's fight with the dragon]
- •Excerpt IV [beowulf’s funeral]
- •2. Anglo-Saxon Riddles
- •Riddle 1
- •Riddle 2
- •Is strangely born. Savage and fierce,
- •Is harder than ground, smarter than men.
- •In beautiful tones, teems with children,
- •Riddle 3
- •I must eagerly obey my servant,
- •Riddle 4
- •Riddle 5.
- •Riddle 6.
- •Riddle 7
- •The battle of maldon
- •Seminar #2 Geoffrey Chaucer “Canterbury Tales”
- •Summing up study questions.
- •2. "General Prologue" to Canterbury Tales
- •4. The Knight's Tale
- •5. The Miller’s Tale.
- •3. "The Pardoner's Prologue and Tale."
- •7. The Wife of Bath's Tale. (Батской ткачихи)
- •Seminar #3 English Folk Ballads
- •The banks of allan water
- •The two magicians
- •The tree ravens
- •The cruel brother
- •With a hey ho and a lillie gay
- •The cruel sister
- •The wife of usher’s well
- •Bonny barbara allan
- •8.The farmer’s curst wife
- •10. Robin hood and little john
- •Seminar #4. William Shakespeare "othello". Questions on the structure of "othello".
- •Questions to discuss
- •Analysing literary devices
- •Analyzing Style
- •5. Fill in the style chart.
- •Edmund spencer sonnet 75
- •William shakespeare
- •Sonnet 18
- •William shakespeare Sonnet 130
- •William shakespeare Sonnet 116
- •William shakespeare Sonnet 60
- •William shakespeare Sonnet 147
- •Ben johnson poem
- •John donne holy sonnet X
- •Individual work
- •Lecture # 10 The Romantic Period (1780 – 1830)
- •Lecture # 11 High Victorian Literature (1830 - 1880)
- •Lecture # 12 Late Victorian and Edwardian Literature (1880 - 1910)
- •Lecture # 13 English Literature of the 20th century (the period between 1910 – 1938)
- •Modernism and its Alternatives
- •The Theatre of Absurd.
- •Lecture # 14 English Literature of the 20th century
- •Lecture # 15 English Literature of the 20th century
- •Jonathan swift "gulliver's travels" Study Questions
- •William blake "the tiger" (from “Songs of Experience)
- •(From Songs of Innocence) The Chimney-Sweeper
- •(From “Songs of Experience”) The Chimney-Sweeper
- •Songs of Innocence Nurse's Song
- •Songs of Experience Nurse's Song
- •John keats "on first looking into chapman's homer".
- •John keats
- •William wordsworth "london, 1802".
- •William blake london
- •William wordsworth " composed upon westminster bridge ".
- •S.T.Coleridge From the rime of the ancient mariner
- •George Gordon Byron From don juan
- •Percy Bysshe Shelly Ode to the West Wind
- •Seminar #9 charles dickens "great expectations" summary questions
- •(Chapters 20-31)
- •Techniques and language
- •Characters’ struggle to cut off or separate part of their lives:
- •Read and analyse a play by one of the writers of the period.
- •Read a play by Harold Pinter
- •2. Write an analysis of one of the short stories of an English writer of the 20th century analyzing a short story.
- •Point of view
- •1. First-Person Central.
- •2. First Person Minor
- •3. Third - Person Limited.
- •4. Third - Person Central:
- •5. Third - Person Omniscient.
- •One can analyse the point of view by answering the following questions about a given story:
- •General questions for story analysis and interpretation.
- •Individual work
- •Оценивание работы студентов
- •61002, М.Харків, вул.Сумська, 37. Тел.(057)700-53-51.
George Gordon Byron From don juan
The following passage below is a description of the charming Donna Julia, a close acquaintance of Don Juan’s mother.
61
Her glossy1 hair was clustered2 o'er a brow
Bright with intelligence, and fair, and smooth;
Her eyebrow3's shape was like the aerial4 bow,
Her cheek all purple with the beam5 of youth,
5 Mounting, at times, to a transparent glow,
As if her veins ran6 lightning; she, in sooth7,
Possessed an air and grace by no means common:
Her stature tall - I hate a dumpy8 woman.
62
Wedded9 she was some years, and to a man
Of fifty, and such husbands are in plenty;
And yet, I think, instead of such a ONE
Twere10 better to have TWO of five-and-twenty,
Especially in countries near the sun:
And now I think on't, "mi vien in mente",11
Ladies even of the most uneasy virtue
Prefer a spouse12 whose age is short of thirty.
63
Tis a sad thing, I cannot choose but say,
And all the fault of that indecent sun,
Who cannot leave alone our helpless clay'3,
20 But will keep baking, broiling14, burning on,
That howsoever15 people fast16 and pray,
The flesh is frail17, and so the soul undone:
What men call gallantry18, and gods adultery,
Is much more common where the climate's sultry19
glossy: shiny.
clustered:grouped together.
eyebrow: line of hair above the eye.
aerial: light and delicate.
beam: radiance.
ran: contained.
sooth: truth.
dumpy: short and plump.
wedded: married.
'Twere: it would be.
"mi vien in mente": (Italian) it comes to my mind.
spouse: marriage partner.
clay: body.
broiling: making hot.
howsoever: however.
fast: abstain from eating.
frail: weak.
gallantry: polite attentiveness to women
sultry: oppressively hot and humid.
What is the rhyme scheme of the poem?
How many syllables are there to the line? Is the number regular? And the number of strong stresses?
What do you think is the function of the final rhyming couplet? What does Byron attempt to do with this couplet?
Is Donna Julia an attractive woman? Make a list of the words used to describe her. Do you think the narrator of the poem likes her? Give reasons for your answer.
What is the narrator suggesting in lines 9-12? Where else in the poem does he reinforce this concept?
What is the attitude of the narrator towards heat and the sun? What is the effect of the sun on the human body? Do you think he is being serious?
What is your overall impression of the narrator from this passage?
Does the climate affect the way you feel? Do you think the climate can determine the character of a people?
9. What do you think about marriage between people widely differing ages? What are the possible advantages and disadvantages of marriages of this kind?
Percy Bysshe Shelly Ode to the West Wind
I
O wild West Wind, thou breath of Autumn's being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The winged seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o'er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, O hear!
II
Thou on whose stream, mid the steep sky's commotion,
Loose clouds like earth's decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith's height
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: O hear!
III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,
Beside a pumice isle in Baiae's bay.
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them!
Thou For whose path the Atlantic's level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow grey with fear,
And tremble and despoil themselves: O hear!
IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over heaven,
As then, when to outstrip the skyey speed
Scarce seemed a vision; I would ne'er have striven
As thus with thee in prayer in my sore need.
Oh! lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.
V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth;
And, by the incantation of this verse,
Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened earth
The trumpet of a prophecy! O, Wind,
If Winter comes, can Spring be far behind?
STUDY QUESTIONS
This poem is an interesting and vital combination of Dante's terza rima and the sonnet form. Note how many lines there are to each stanza and work out the rhyme scheme. Are there any examples of imperfect rhyme? Is this sonnet different from the English Shakespearean sonnet in any way?
This is a highly musical poem. Find examples of how Shelley uses sound to reinforce meaning. Take into consideration the following: assonance, consonance and allitteration.
Much use is made of metaphor, simile and personification. Find at least two examples of each in the poem.
Shelley summons up the power and spirit of the wind through verbs of motion: make a list of the verbs he uses to create this sense of movement.
Each of the following headings corresponds to one of the five stanzas. Pair the headings with the stanzas:
• The effect of the wind on the sea
• The poet in relation to mankind
• The effect of the wind on the earth
• The relationship between the wind and the poet himself
• The effect of the wind on the sky
How would you describe the poet's state of mind in the fourth stanza? Why does he feel like this?
Does his state of mind change in the last stanza? If so, how?
What do you think the wind actually represents?
Bearing in mind Shelley's political and social ideas, what do you think the 'prophecy', referred to in line 69, might consist of?
The wind is described as both 'Destroyer' and 'Preserver'. Explain this apparent contradiction. Does the world we live in today require something similar to this creative/destructive force?
11. Do you draw the same kind of inspiration from nature that Shelley once did? Can you think of any moment in your life when nature actually inspired a radical change in your life or outlook?