- •About the Authors
- •Dedication
- •Authors’ Acknowledgments
- •Table of Contents
- •Introduction
- •What’s Not (And What Is) in This Book
- •Mac attack!
- •Who Do We Think You Are?
- •How This Book Is Organized
- •Part I: AutoCAD 101
- •Part II: Let There Be Lines
- •Part III: If Drawings Could Talk
- •Part IV: Advancing with AutoCAD
- •Part V: On a 3D Spree
- •Part VI: The Part of Tens
- •But wait . . . there’s more!
- •Icons Used in This Book
- •A Few Conventions — Just in Case
- •Commanding from the keyboard
- •Tying things up with the Ribbon
- •Where to Go from Here
- •Why AutoCAD?
- •The Importance of Being DWG
- •Seeing the LT
- •Checking System Requirements
- •Suddenly, It’s 2013!
- •AutoCAD Does Windows (And Office)
- •And They’re Off: AutoCAD’s Opening Screens
- •Running with Ribbons
- •Getting with the Program
- •Looking for Mr. Status Bar
- •Let your fingers do the talking: The command window
- •The key(board) to AutoCAD success
- •Keeping tabs on palettes
- •Down the main stretch: The drawing area
- •Fun with F1
- •A Simple Setup
- •Drawing a (Base) Plate
- •Drawing rectangles on the right layers
- •Circling your plate
- •Nuts to you
- •Getting a Closer Look with Zoom and Pan
- •Modifying to Make It Merrier
- •Hip-hip-array!
- •Stretching out
- •Crossing your hatches
- •Following the Plot
- •A Setup Roadmap
- •Choosing your units
- •Weighing up your scales
- •Thinking annotatively
- •Thinking about paper
- •Defending your border
- •A Template for Success
- •Making the Most of Model Space
- •Setting your units
- •Making the drawing area snap-py (and grid-dy)
- •Setting linetype and dimension scales
- •Entering drawing properties
- •Making Templates Your Own
- •Setting Up a Layout in Paper Space
- •Will that be tabs or buttons?
- •View layouts Quick(View)ly
- •Creating a layout
- •Copying and changing layouts
- •Lost in paper space
- •Spaced out
- •A view(port) for drawing in
- •About Paper Space Layouts and Plotting
- •Managing Your Properties
- •Layer one on me!
- •Accumulating properties
- •Creating new layers
- •Manipulating layers
- •Using Named Objects
- •Using AutoCAD DesignCenter
- •Copying layers between drawings
- •Controlling Your Precision
- •Keyboard capers: Coordinate input
- •Understanding AutoCAD’s coordinate systems
- •Grab an object and make it snappy
- •Other Practical Precision Procedures
- •Introducing the AutoCAD Drawing Commands
- •The Straight and Narrow: Lines, Polylines, and Polygons
- •Toeing the line
- •Connecting the lines with polyline
- •Squaring off with rectangles
- •Choosing your sides with polygon
- •(Throwing) Curves
- •Going full circle
- •Arc-y-ology
- •Solar ellipses
- •Splines: The sketchy, sinuous curves
- •Donuts: The circles with a difference
- •Revision clouds on the horizon
- •Scoring Points
- •Commanding and Selecting
- •Command-first editing
- •Selection-first editing
- •Direct object manipulation
- •Choosing an editing style
- •Grab It
- •One-by-one selection
- •Selection boxes left and right
- •Perfecting Selecting
- •AutoCAD Groupies
- •Object Selection: Now You See It . . .
- •Get a Grip
- •About grips
- •A gripping example
- •Move it!
- •Copy, or a kinder, gentler Move
- •A warm-up stretch
- •Your AutoCAD Toolkit
- •The Big Three: Move, Copy, and Stretch
- •Base points and displacements
- •Move
- •Copy
- •Copy between drawings
- •Stretch
- •More Manipulations
- •Mirror
- •Rotate
- •Scale
- •Array
- •Offset
- •Slicing, Dicing, and Splicing
- •Trim and Extend
- •Break
- •Fillet and Chamfer and Blend
- •Join
- •When Editing Goes Bad
- •Zoom and Pan with Glass and Hand
- •The wheel deal
- •Navigating your drawing
- •Controlling your cube
- •Time to zoom
- •A View by Any Other Name . . .
- •Looking Around in Layout Land
- •Degenerating and Regenerating
- •Getting Ready to Write
- •Simply stylish text
- •Taking your text to new heights
- •One line or two?
- •Your text will be justified
- •Using the Same Old Line
- •Turning On Your Annotative Objects
- •Saying More in Multiline Text
- •Making it with Mtext
- •It slices; it dices . . .
- •Doing a number on your Mtext lists
- •Line up in columns — now!
- •Modifying Mtext
- •Gather Round the Tables
- •Tables have style, too
- •Creating and editing tables
- •Take Me to Your Leader
- •Electing a leader
- •Multi options for multileaders
- •How Do You Measure Up?
- •A Field Guide to Dimensions
- •The lazy drafter jumps over to the quick dimension commands
- •Dimension associativity
- •Where, oh where, do my dimensions go?
- •The Latest Styles in Dimensioning
- •Creating and managing dimension styles
- •Let’s get stylish!
- •Adjusting style settings
- •Size Matters
- •Details at other scales
- •Editing Dimensions
- •Editing dimension geometry
- •Editing dimension text
- •Controlling and editing dimension associativity
- •Batten Down the Hatches!
- •Don’t Count Your Hatches. . .
- •Size Matters!
- •We can do this the hard way. . .
- •. . . or we can do this the easy way
- •Annotative versus non-annotative
- •Pushing the Boundary (Of) Hatch
- •Your hatching has no style!
- •Hatch from scratch
- •Editing Hatch Objects
- •You Say Printing, We Say Plotting
- •The Plot Quickens
- •Plotting success in 16 steps
- •Get with the system
- •Configure it out
- •Preview one, two
- •Instead of fit, scale it
- •Plotting the Layout of the Land
- •Plotting Lineweights and Colors
- •Plotting with style
- •Plotting through thick and thin
- •Plotting in color
- •It’s a (Page) Setup!
- •Continuing the Plot Dialog
- •The Plot Sickens
- •Rocking with Blocks
- •Creating Block Definitions
- •Inserting Blocks
- •Attributes: Fill-in-the-Blank Blocks
- •Creating attribute definitions
- •Defining blocks that contain attribute definitions
- •Inserting blocks that contain attribute definitions
- •Edit attribute values
- •Extracting data
- •Exploding Blocks
- •Purging Unused Block Definitions
- •Arraying Associatively
- •Comparing the old and new ARRAY commands
- •Hip, hip, array!
- •Associatively editing
- •Going External
- •Becoming attached to your xrefs
- •Layer-palooza
- •Creating and editing an external reference file
- •Forging an xref path
- •Managing xrefs
- •Blocks, Xrefs, and Drawing Organization
- •Mastering the Raster
- •Attaching a raster image
- •Maintaining your image
- •Theme and Variations: Dynamic Blocks
- •Lights! Parameters!! Actions!!!
- •Manipulating dynamic blocks
- •Maintaining Design Intent
- •Defining terms
- •Forget about drawing with precision!
- •Constrain yourself
- •Understanding Geometric Constraints
- •Applying a little more constraint
- •AutoConstrain yourself!
- •Understanding Dimensional Constraints
- •Practice a little constraint
- •Making your drawing even smarter
- •Using the Parameters Manager
- •Dimensions or constraints — have it both ways!
- •The Internet and AutoCAD: An Overview
- •You send me
- •Send it with eTransmit
- •Rapid eTransmit
- •Bad reception?
- •Help from the Reference Manager
- •Design Web Format — Not Just for the Web
- •All about DWF and DWFx
- •Autodesk Design Review 2013
- •The Drawing Protection Racket
- •Autodesk Weather Forecast: Increasing Cloud
- •Working Solidly in the Cloud
- •Free AutoCAD!
- •Going once, going twice, going 123D
- •Your head planted firmly in the cloud
- •The pros
- •The cons
- •Cloudy with a shower of DWGs
- •AutoCAD 2013 cloud connectivity
- •Tomorrow’s Forecast
- •Understanding 3D Digital Models
- •Tools of the Trade
- •Warp speed ahead
- •Entering the third dimension
- •Untying the Ribbon and opening some palettes
- •Modeling from Above
- •Using 3D coordinate input
- •Using point filters
- •Object snaps and object snap tracking
- •Changing Planes
- •Displaying the UCS icon
- •Adjusting the UCS
- •Navigating the 3D Waters
- •Orbit à go-go
- •Taking a spin around the cube
- •Grabbing the SteeringWheels
- •Visualizing 3D Objects
- •Getting Your 3D Bearings
- •Creating a better 3D template
- •Seeing the world from new viewpoints
- •From Drawing to Modeling in 3D
- •Drawing basic 3D objects
- •Gaining a solid foundation
- •Drawing solid primitives
- •Adding the Third Dimension to 2D Objects
- •Creating 3D objects from 2D drawings
- •Modifying 3D Objects
- •Selecting subobjects
- •Working with gizmos
- •More 3D variants of 2D commands
- •Editing solids
- •Get the 2D Out of Here!
- •A different point of view
- •But wait! There’s more!
- •But wait! There’s less!
- •Do You See What I See?
- •Visualizing the Digital World
- •Adding Lighting
- •Default lighting
- •User-defined lights
- •Sunlight
- •Creating and Applying Materials
- •Defining a Background
- •Rendering a 3D Model
- •Autodesk Feedback Community
- •Autodesk Discussion Groups
- •Autodesk’s Own Bloggers
- •Autodesk University
- •The Autodesk Channel on YouTube
- •The World Wide (CAD) Web
- •Your Local ATC
- •Your Local User Group
- •AUGI
- •Books
- •Price
- •3D Abilities
- •Customization Options
- •Network Licensing
- •Express Tools
- •Parametrics
- •Standards Checking
- •Data Extraction
- •MLINE versus DLINE
- •Profiles
- •Reference Manager
- •And The Good News Is . . .
- •APERTURE
- •DIMASSOC
- •MENUBAR
- •MIRRTEXT
- •OSNAPZ
- •PICKBOX
- •REMEMBERFOLDERS
- •ROLLOVERTIPS
- •TOOLTIPS
- •VISRETAIN
- •And the Bonus Round
- •Index
Chapter 9: Dangerous Curves Ahead 183
4.Specify a second point on the arc by clicking a point or typing coordinates.
The second point lies somewhere along the curve of the arc. AutoCAD determines the exact curvature of the arc after you choose the final endpoint in the following step. To align the second point with an existing object, use an Object Snap mode.
AutoCAD prompts you to specify the endpoint of the arc; as you move the crosshairs around, AutoCAD shows how the arc will look.
5.Specify the endpoint of the arc by clicking a point or typing coordinates.
AutoCAD draws the arc, as shown previously in Figure 9-2.
As you may recall, pressing Enter repeats the last command. What often throws new AutoCAD users is that Enter doesn’t repeat the options of the last command. If you draw an arc by using the Center, Start, End option, for example, pressing Enter isn’t going to repeat that method — it’s going to repeat the ARC command in its default form, and the three points you pick probably won’t give you the arc you meant to draw. Bottom line: Watch the command line!
Solar ellipses
In case you’ve forgotten your ninth-grade math, an ellipse is like a squished circle (please excuse the technical jargon). Mathematically, an ellipse is defined by a major (long) axis and a minor (short) axis. These axes determine the ellipse’s length, width, and degree of curvature. An elliptical arc is an arc cut from an ellipse.
The AutoCAD ELLIPSE command provides a straightforward way of drawing an ellipse: You specify the two endpoints of one of its axes and then specify an endpoint on the other axis. But like the ARC command, the ELLIPSE command offers a bunch of other options:
Arc: Generates an elliptical arc, not a full ellipse. You define an elliptical arc just as you do a full ellipse. The methods that we discuss in this section for creating an ellipse apply to either.
Center: This option requires that you define the center of the ellipse and then the endpoint of an axis. You can then either enter the distance of the other axis or specify that a rotation around the major axis defines the ellipse. If you choose the latter, you can enter (or drag the ellipse to) a specific rotation angle for the second axis that, in turn, completely defines the ellipse.
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184 Part II: Let There Be Lines
Rotation: With this option, you specify an angle which defines the curvature of the ellipse — small angles make fat ellipses (0 degrees creates a circle, in fact), and large angles make skinny ellipses. After dinner tonight, if you’ve eaten everything including the vegetables, pick up your dinner plate and hold it up vertically in front of you and look straight on at it. It will look like a circle. Now slowly rotate it about its vertical axis until you are looking edge-on. In between, you will have seen every possible ellipse as defined by the rotation angle.
The following command line example creates an ellipse by using the default endpoints of the axes method. Figure 9-3 shows an ellipse and an elliptical arc.
Command: ELLIPSE
Specify axis endpoint of ellipse or [Arc/Center]: pick or type the first endpoint of one axis
Specify other endpoint of axis: pick or type the other endpoint of one axis
Specify distance to other axis or [Rotation]: pick or type the endpoint of the other axis
You can create elliptical arcs (as opposed to the circular arcs that the AutoCAD ARC command draws) by using the Arc option of the ELLIPSE command; it can draw a pretty good representation of a snowball trajectory, neglecting air resistance. Alternatively, you can draw a full ellipse and use the TRIM or BREAK command to cut a piece out of it.
Figure 9-3: To make an omelet, sometimes you have to break a few ellipses.
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Chapter 9: Dangerous Curves Ahead 185
Splines: The sketchy, sinuous curves
Most people use CAD programs for precision drawing tasks: straight lines, carefully defined curves, precisely specified points, and so on. AutoCAD is not the program to free your inner artist — unless your inner artist is
Mondrian. Nonetheless, even meticulously created CAD drawings sometimes need free-form curves. The AutoCAD spline object is just the thing for the job.
You can use AutoCAD splines in two ways:
Wing it. Eyeball the location and shape of the curve and don’t worry too much about getting it just so. That’s the free-form, sketchy, not-too- precise approach that we describe in this section.
Specify their control points and curvature characteristics precisely.
Beneath their easygoing, informal exterior, AutoCAD splines are really highly precise, mathematically defined entities called NURBS curves (NonUniform Rational B-Spline curves). Mathematicians and some mechanical and industrial designers care a lot about the precise characteristics of the curves they work with. For those people, the AutoCAD SPLINE and SPLINEDIT commands include a number of advanced options. Look up spline curves in the AutoCAD online help if you need precision in your splines.
Drawing splines is straightforward, if you ignore the advanced options. The following procedure draws a free-form curve with the SPLINE command:
1.Set an appropriate layer as current.
2.Click the Spline Fit button on the Home tab’s Draw panel slideout, or type SPL and press Enter.
AutoCAD starts the SPLINE command and prompts you to specify the start point of the spline. The command line shows
Current settings: Method=Fit Knots=Chord
Specify first point or [Method/Knots/Object]:
3. Specify the start point by clicking a point or typing coordinates.
AutoCAD prompts you to specify additional points:
Enter next point or [start Tangency/toLerance]:
4. Specify additional points by clicking or typing coordinates.
After you pick the second point, press the down-arrow key to display additional options at the Dynamic Input tooltip. (Enable Dynamic Input at the status bar if you need to.) The command line shows
Enter next point or [end Tangency/toLerance/Undo/
Close]:
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186 Part II: Let There Be Lines
Because you’re drawing a free-form curve, you usually don’t need to use object snaps or other precision techniques when picking spline points.
5.Press Enter after you’ve chosen the endpoint of your spline.
AutoCAD draws the spline.
You can specify the start and end tangency of the spline to control the curvature of the start points and endpoints of the spline. If all you’re after is a swoopy free-form curve, just picking points as in this example works fine.
Figure 9-4 shows some examples of splines.
Figure 9-4: A slew of splines.
After you’ve drawn a spline, you can grip edit it to adjust its shape. See Chapter 10 for information about grip editing. If you need finer control over spline editing, look up the SPLINEDIT command in the AutoCAD online help.
Donuts: The circles with a difference
A donut in AutoCAD is another special type of polyline object that you create with (what else?) the DONUT command. (The rectangles and regular polygons we show you in Chapter 8 are also polyline objects.) Creating a donut is a simple way to define a single object that consists of two concentric circles with the space between them filled.
When you start the DONUT command, AutoCAD prompts you for the inside diameter and the outside diameter — the size of the hole and the size of the donut — as measured across their widest points. After you’ve entered these values, AutoCAD prompts you for the center point of the donut. But one donut is rarely enough, so AutoCAD keeps prompting you for additional center points until you press Enter (the AutoCAD equivalent of saying, “No, really, I’m full now!”).
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