- •About the Authors
- •Dedication
- •Authors’ Acknowledgments
- •Table of Contents
- •Introduction
- •What’s Not (And What Is) in This Book
- •Mac attack!
- •Who Do We Think You Are?
- •How This Book Is Organized
- •Part I: AutoCAD 101
- •Part II: Let There Be Lines
- •Part III: If Drawings Could Talk
- •Part IV: Advancing with AutoCAD
- •Part V: On a 3D Spree
- •Part VI: The Part of Tens
- •But wait . . . there’s more!
- •Icons Used in This Book
- •A Few Conventions — Just in Case
- •Commanding from the keyboard
- •Tying things up with the Ribbon
- •Where to Go from Here
- •Why AutoCAD?
- •The Importance of Being DWG
- •Seeing the LT
- •Checking System Requirements
- •Suddenly, It’s 2013!
- •AutoCAD Does Windows (And Office)
- •And They’re Off: AutoCAD’s Opening Screens
- •Running with Ribbons
- •Getting with the Program
- •Looking for Mr. Status Bar
- •Let your fingers do the talking: The command window
- •The key(board) to AutoCAD success
- •Keeping tabs on palettes
- •Down the main stretch: The drawing area
- •Fun with F1
- •A Simple Setup
- •Drawing a (Base) Plate
- •Drawing rectangles on the right layers
- •Circling your plate
- •Nuts to you
- •Getting a Closer Look with Zoom and Pan
- •Modifying to Make It Merrier
- •Hip-hip-array!
- •Stretching out
- •Crossing your hatches
- •Following the Plot
- •A Setup Roadmap
- •Choosing your units
- •Weighing up your scales
- •Thinking annotatively
- •Thinking about paper
- •Defending your border
- •A Template for Success
- •Making the Most of Model Space
- •Setting your units
- •Making the drawing area snap-py (and grid-dy)
- •Setting linetype and dimension scales
- •Entering drawing properties
- •Making Templates Your Own
- •Setting Up a Layout in Paper Space
- •Will that be tabs or buttons?
- •View layouts Quick(View)ly
- •Creating a layout
- •Copying and changing layouts
- •Lost in paper space
- •Spaced out
- •A view(port) for drawing in
- •About Paper Space Layouts and Plotting
- •Managing Your Properties
- •Layer one on me!
- •Accumulating properties
- •Creating new layers
- •Manipulating layers
- •Using Named Objects
- •Using AutoCAD DesignCenter
- •Copying layers between drawings
- •Controlling Your Precision
- •Keyboard capers: Coordinate input
- •Understanding AutoCAD’s coordinate systems
- •Grab an object and make it snappy
- •Other Practical Precision Procedures
- •Introducing the AutoCAD Drawing Commands
- •The Straight and Narrow: Lines, Polylines, and Polygons
- •Toeing the line
- •Connecting the lines with polyline
- •Squaring off with rectangles
- •Choosing your sides with polygon
- •(Throwing) Curves
- •Going full circle
- •Arc-y-ology
- •Solar ellipses
- •Splines: The sketchy, sinuous curves
- •Donuts: The circles with a difference
- •Revision clouds on the horizon
- •Scoring Points
- •Commanding and Selecting
- •Command-first editing
- •Selection-first editing
- •Direct object manipulation
- •Choosing an editing style
- •Grab It
- •One-by-one selection
- •Selection boxes left and right
- •Perfecting Selecting
- •AutoCAD Groupies
- •Object Selection: Now You See It . . .
- •Get a Grip
- •About grips
- •A gripping example
- •Move it!
- •Copy, or a kinder, gentler Move
- •A warm-up stretch
- •Your AutoCAD Toolkit
- •The Big Three: Move, Copy, and Stretch
- •Base points and displacements
- •Move
- •Copy
- •Copy between drawings
- •Stretch
- •More Manipulations
- •Mirror
- •Rotate
- •Scale
- •Array
- •Offset
- •Slicing, Dicing, and Splicing
- •Trim and Extend
- •Break
- •Fillet and Chamfer and Blend
- •Join
- •When Editing Goes Bad
- •Zoom and Pan with Glass and Hand
- •The wheel deal
- •Navigating your drawing
- •Controlling your cube
- •Time to zoom
- •A View by Any Other Name . . .
- •Looking Around in Layout Land
- •Degenerating and Regenerating
- •Getting Ready to Write
- •Simply stylish text
- •Taking your text to new heights
- •One line or two?
- •Your text will be justified
- •Using the Same Old Line
- •Turning On Your Annotative Objects
- •Saying More in Multiline Text
- •Making it with Mtext
- •It slices; it dices . . .
- •Doing a number on your Mtext lists
- •Line up in columns — now!
- •Modifying Mtext
- •Gather Round the Tables
- •Tables have style, too
- •Creating and editing tables
- •Take Me to Your Leader
- •Electing a leader
- •Multi options for multileaders
- •How Do You Measure Up?
- •A Field Guide to Dimensions
- •The lazy drafter jumps over to the quick dimension commands
- •Dimension associativity
- •Where, oh where, do my dimensions go?
- •The Latest Styles in Dimensioning
- •Creating and managing dimension styles
- •Let’s get stylish!
- •Adjusting style settings
- •Size Matters
- •Details at other scales
- •Editing Dimensions
- •Editing dimension geometry
- •Editing dimension text
- •Controlling and editing dimension associativity
- •Batten Down the Hatches!
- •Don’t Count Your Hatches. . .
- •Size Matters!
- •We can do this the hard way. . .
- •. . . or we can do this the easy way
- •Annotative versus non-annotative
- •Pushing the Boundary (Of) Hatch
- •Your hatching has no style!
- •Hatch from scratch
- •Editing Hatch Objects
- •You Say Printing, We Say Plotting
- •The Plot Quickens
- •Plotting success in 16 steps
- •Get with the system
- •Configure it out
- •Preview one, two
- •Instead of fit, scale it
- •Plotting the Layout of the Land
- •Plotting Lineweights and Colors
- •Plotting with style
- •Plotting through thick and thin
- •Plotting in color
- •It’s a (Page) Setup!
- •Continuing the Plot Dialog
- •The Plot Sickens
- •Rocking with Blocks
- •Creating Block Definitions
- •Inserting Blocks
- •Attributes: Fill-in-the-Blank Blocks
- •Creating attribute definitions
- •Defining blocks that contain attribute definitions
- •Inserting blocks that contain attribute definitions
- •Edit attribute values
- •Extracting data
- •Exploding Blocks
- •Purging Unused Block Definitions
- •Arraying Associatively
- •Comparing the old and new ARRAY commands
- •Hip, hip, array!
- •Associatively editing
- •Going External
- •Becoming attached to your xrefs
- •Layer-palooza
- •Creating and editing an external reference file
- •Forging an xref path
- •Managing xrefs
- •Blocks, Xrefs, and Drawing Organization
- •Mastering the Raster
- •Attaching a raster image
- •Maintaining your image
- •Theme and Variations: Dynamic Blocks
- •Lights! Parameters!! Actions!!!
- •Manipulating dynamic blocks
- •Maintaining Design Intent
- •Defining terms
- •Forget about drawing with precision!
- •Constrain yourself
- •Understanding Geometric Constraints
- •Applying a little more constraint
- •AutoConstrain yourself!
- •Understanding Dimensional Constraints
- •Practice a little constraint
- •Making your drawing even smarter
- •Using the Parameters Manager
- •Dimensions or constraints — have it both ways!
- •The Internet and AutoCAD: An Overview
- •You send me
- •Send it with eTransmit
- •Rapid eTransmit
- •Bad reception?
- •Help from the Reference Manager
- •Design Web Format — Not Just for the Web
- •All about DWF and DWFx
- •Autodesk Design Review 2013
- •The Drawing Protection Racket
- •Autodesk Weather Forecast: Increasing Cloud
- •Working Solidly in the Cloud
- •Free AutoCAD!
- •Going once, going twice, going 123D
- •Your head planted firmly in the cloud
- •The pros
- •The cons
- •Cloudy with a shower of DWGs
- •AutoCAD 2013 cloud connectivity
- •Tomorrow’s Forecast
- •Understanding 3D Digital Models
- •Tools of the Trade
- •Warp speed ahead
- •Entering the third dimension
- •Untying the Ribbon and opening some palettes
- •Modeling from Above
- •Using 3D coordinate input
- •Using point filters
- •Object snaps and object snap tracking
- •Changing Planes
- •Displaying the UCS icon
- •Adjusting the UCS
- •Navigating the 3D Waters
- •Orbit à go-go
- •Taking a spin around the cube
- •Grabbing the SteeringWheels
- •Visualizing 3D Objects
- •Getting Your 3D Bearings
- •Creating a better 3D template
- •Seeing the world from new viewpoints
- •From Drawing to Modeling in 3D
- •Drawing basic 3D objects
- •Gaining a solid foundation
- •Drawing solid primitives
- •Adding the Third Dimension to 2D Objects
- •Creating 3D objects from 2D drawings
- •Modifying 3D Objects
- •Selecting subobjects
- •Working with gizmos
- •More 3D variants of 2D commands
- •Editing solids
- •Get the 2D Out of Here!
- •A different point of view
- •But wait! There’s more!
- •But wait! There’s less!
- •Do You See What I See?
- •Visualizing the Digital World
- •Adding Lighting
- •Default lighting
- •User-defined lights
- •Sunlight
- •Creating and Applying Materials
- •Defining a Background
- •Rendering a 3D Model
- •Autodesk Feedback Community
- •Autodesk Discussion Groups
- •Autodesk’s Own Bloggers
- •Autodesk University
- •The Autodesk Channel on YouTube
- •The World Wide (CAD) Web
- •Your Local ATC
- •Your Local User Group
- •AUGI
- •Books
- •Price
- •3D Abilities
- •Customization Options
- •Network Licensing
- •Express Tools
- •Parametrics
- •Standards Checking
- •Data Extraction
- •MLINE versus DLINE
- •Profiles
- •Reference Manager
- •And The Good News Is . . .
- •APERTURE
- •DIMASSOC
- •MENUBAR
- •MIRRTEXT
- •OSNAPZ
- •PICKBOX
- •REMEMBERFOLDERS
- •ROLLOVERTIPS
- •TOOLTIPS
- •VISRETAIN
- •And the Bonus Round
- •Index
Chapter 18: Everything from Arrays to Xrefs 403
One use of Overlay mode is to avoid circular references. If drawing A references drawing B, which references drawing C and then C references A, you have an infinite loop. If C references A as an overlay, though, C doesn’t see B, and so the loop is broken.
Layer-palooza
When you attach or overlay an xref, AutoCAD adds new layers to your current drawing that correspond to the layers in the xref-ed DWG file. The new layers are assigned names that combine the drawing name and layer name. For example, if you xref the drawing MYSCREW.DWG (which has the layer names GEOMETRY, TEXT, and so on), the xref-ed layers will be named MYSCREW|GEOMETRY, MYSCREW|TEXT, and so on. By creating separate layers corresponding to each layer in the xref-ed file, AutoCAD eliminates the potential problem with blocks that we warn you about in Chapter 17, when layers have the same name but different color or linetype in the two drawings.
Creating and editing an external reference file
To create a file that you can use as an external reference, just create a drawing and save it. That’s it. You can then create or open another drawing
and create an external reference to the previous one. The xref-ed drawing appears in the host drawing as a single object, very much like a block insert. In other words, if you click any object in the xref, AutoCAD selects the entire xref. You can measure or object snap to the xref-ed geometry, but you can’t modify or delete individual objects in the xref, Instead, you open the xref drawing to edit its geometry.
The XOPEN command provides a quick way to open an xref-ed drawing for editing. You just start the command and pick any object in the xref. Alternatively, you can select the xref from the External References palette
and then right-click and choose Open to open one or more xrefs for editing. See the “Managing xrefs” section, later in this chapter, for more information.
An alternative to opening the xref-ed file when you need to edit it is to use the REFEDIT command. Use REFEDIT (short for Reference Edit) to edit the external file from within the host drawing, rather than having to open the reference in its own window. Look up REFEDIT in the AutoCAD online help system’s Command Reference.
With several xrefs attached to your drawing, or with a very complex xref, it can be difficult to tell which objects belong to the drawing you’re editing, and which are part of the xref. You can fade your xrefs as follows:
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404 Part IV: Advancing with AutoCAD
1.Open a drawing containing an external reference drawing.
Alternatively, you can attach a drawing to your current drawing by following the steps in the “Becoming attached to your xrefs” section, earlier in this chapter.
2.On the Insert tab, click the Reference panel label to open the Reference slideout.
The Reference slideout also contains the Edit Reference button, which runs the REFEDIT command.
3.Click the Xref Fading button to toggle reference fading off and on.
4.Drag the Xref Fading slider to increase or decrease the level of fading in the reference file.
The default value is 70; increasing the value toward 90 (the maximum) increases the degree of fading, and lowering it reduces the fade level.
Forging an xref path
When you attach an xref, one option is to have the host drawing store the xref’s full path — that is, the drive letter and sequence of folders and subfolders all the way down to the folder in which the DWG file resides — along with the filename. This behavior corresponds to the Full Path setting in the Path Type drop-down list. Figure 18-5 shows the three xref path options. Full Path works fine as long as you never move files on your hard drive or network and never send your DWG files to anyone else — which is to say, it almost never works fine!
Figure 18-5: Follow the path less traveled when you attach an xref.
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Chapter 18: Everything from Arrays to Xrefs 405
At the other end of the path spectrum, the No Path option causes AutoCAD not to store any path with the xref attachment — only the filename is stored. This is the easiest and best option if the host drawings and the xrefs reside in the same folder. However, if the host and the xref are in different folders, you have to browse to find the reference file every time you open the host drawing.
If you prefer to organize the DWG files for a particular project in more than one folder, you’ll appreciate AutoCAD’s Relative Path option, as shown in Figure 18-5. This option permits xref-ing across more complex folder structures but avoids many of the problems that the Full Path option can cause. For example, you may have a host drawing
H:\Project-X\Plans\First floor.dwg
that xrefs
H:\Project-X\Common\Column grid.dwg
If you choose Relative Path, AutoCAD will store the xref path as
..\ Common\Column grid.dwg
instead of
H:\Project-X\Common\Column grid.dwg
This way, if you decide to move the \Project-X folder and its subfolders to a different drive (or send them to someone else who doesn’t have an H: drive), AutoCAD can still find the xrefs.
When attaching an external reference we strongly recommend you check the
Path Type window and make sure it says Relative Path. If not, select Relative
Path from the drop-down list from this window.
When you use Relative Path, you’ll see xref paths that include the special codes — . and .. (single and double period). The single period means this host drawing’s folder, and the double period means the folder above this host
drawing’s folder.
You can report on and change xref paths for a set of drawings with the
Reference Manager (not in AutoCAD LT). See Chapter 20 for more information.
If all these path options and periods leave you feeling punchy, you can keep your life simple by always keeping host and xref drawings in the same folder and using the No Path option when you attach xrefs. On the other hand, it can get a little messy when a file such as a standard title block and border is
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406 Part IV: Advancing with AutoCAD
xref-ed into many different drawings for several different projects, and you want to keep each project’s files in separate folders. The best solution is usually a bit of each; the title block and border can have a specific path in each host, but the other project files don’t.
Managing xrefs
The External References palette includes many more options for managing xrefs after you attach them. Many of these options are hiding in right-click menus. Important options include
List of external references: You can change between the List view and Tree view of your drawing’s external references by clicking the appropriate button at the top of the palette (refer to Figure 18-4). You can resize the columns by dragging the column dividers or re-sort the list by clicking the column header names, just like in Windows Explorer.
Unload: Right-click an xref and choose Unload to make the selected xref disappear from the onscreen display of your drawing and from any plots you do of it, but yet retain the pointer and attachment information. Right-click again and choose Reload to redisplay an unloaded xref.
Reload: Right-click an xref and choose Reload to force AutoCAD to reread the selected xref-ed DWG file from the disk and update your drawing with its latest contents. This feature is handy when you share xrefs on a network and someone has just made changes to a drawing that you’ve xref-ed.
Detach: Right-click an xref in the External References palette and choose Detach to completely remove the selected reference to the external file from your drawing.
Bind: Right-click an xref and choose Bind to bring the selected xref into your drawing and turn it into a block. You might, for example, use this function to roll up a complex set of xrefs into a single archive drawing.
In many offices, binding xrefs without an acceptable reason for doing so is a crime as heinous as exploding blocks indiscriminately. In both cases, you’re eliminating an important data management link. Find out
what the policies are in your company. When in doubt, keep yourself out of a bind. And even when you do have a good reason to bind, you generally should do it on a copy of the host drawing.
Open: Right-click an xref and choose Open to open one or more xref drawings in separate drawing windows. After you edit and save an xref drawing, return to the host drawing and use the Reload option in the External References palette to show the changes.
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