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THE BOONDOCK SAINTS screenplay.doc
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In common.

SMECKER

No. This guy is big time.

(points to middle

booth)

These two are street-walking scum.

GREENLY

(kidding)

Then that's what they had in common.

They were all bad guys... now they're

all dead bad guys.

Smecker seems side-tracked and ponderous at Greenly's

observation. He hits the orange buttons and raises the doors.

SMECKER

We got another thing to think about

here. We got us a genuine Kennedy

assassination style bullet theory.

Two guns were used here, guns A and

B. The guy in the middle was done

with both. But this guy...

(denotes right booth)

...he was killed with bullets from

gun A only. And this guy...

(denotes left booth)

...gun B only. But ballistics dug

two slugs out of the wall from over

here where the victim was done with

A.

Smecker points to two bullet holes in the wall of the booth

on the left. Each is marked "B". He walks over to the right

booth where in the exact location are two identical holes

marked "A".

SMECKER

And it's the same story over here.

Why the crossover?

(beat)

Theories.

DOLLY

That's just fucking weird. I have no

idea.

DUFFY

Jesus. I just can't think anymore.

That scene over at the coffee shop

today tapped me out.

SMECKER

What?

DUFFY

A guy went nuts over off of

Commonwealth today. Shot three guys

to death in a coffee shop in broad

daylight. Fled the scene. Don't have

much on him.

SMECKER

(angry)

Why was I not informed of this?

GREENLY

They weren't related. The guy used a

38. No pennies. Totally amateur.

SMECKER

Who were the victims?

GREENLY

A couple of peons for the mob and...

SMECKER

(livid)

Oh that's just BEAUTIFUL! All the

scumbags in the quiet city of Boston

start dropping dead and you think

it's unrelated?! Greenly, the day I

want the Boston Police doing my

thinking for me, I will have a fucking

tag on my toe! Now, get me a squad

car and get me over there. I want

the crime scene photos and any witness

statements. NOW!

Smecker storms from the room. The detectives begin to follow.

Smecker comes barreling back in, shoving them out of the

way. He looks at the bullet holes in the walls marked "A and

B" again. Something has clicked.

SMECKER

(wide-eyed)

Oh... it looks like we got us a

cowboy.

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