- •Alexander kamensky
- •4.5. Conclusions 93
- •5.7. Conclusions 108
- •7.8. Conclusions 163
- •8.7. Conclusions 202
- •9.6. Conclusions 205
- •9.2.2. Grammar 209
- •9.4. Aims of teaching reading in a secondary school 219
- •9.5. How to teach reading 224
- •9.6. Conclusions 233
- •Introduction
- •1.1. Reasons for learning languages
- •1.2. Success in language learning
- •1.2.1. Motivation
- •1.2.2. Extrinsic motivation
- •1.2.3. Intrinsic motivation
- •He teaches good pronunciation.
- •He explains clearly.
- •He speaks good English.
- •1.3. Motivational differences
- •1.3.1. Children
- •1.3.2. Adolescents
- •1.3.3. Adult beginners
- •1.3.4. Adult intermediate students
- •1.3.5. Adult advanced students
- •1.4. Conclusions
- •2. Areas of a native speaker knowledge
- •2.1. Pronunciation
- •2.1.1. Sounds
- •2.1.2. Stress
- •2.1.3. Intonation
- •2.2. Grammar
- •2.3. Vocabulary
- •2.4. Discourse
- •2.4.1. Appropriateness
- •2.4.1.1. Communicative competence
- •2.4.1.2. Interaction with context
- •2.4.1.3. Structuring discourse
- •2.4.2. Global communicative competence
- •2.5. Language skills
- •2.5.1. Skills and sub-skills
- •2.6. Conclusions
- •3. What a language student should learn
- •3.1. Pronunciation
- •3.1.1. The importance of listening
- •3.2. Grammar
- •3.2.1. The importance of language awareness
- •3.3. Vocabulary
- •3.3.1. Vocabulary in context
- •3.4. Discourse
- •3.4.1. Language functions
- •3.5. Skills
- •3.6. The syllabus
- •3.6.1. Structures and functions
- •3.6.2. Vocabulary
- •3.6.3. Situation, topic and task
- •3.6.4. The syllabus and student needs
- •3.7. Language varieties
- •3.8. Conclusions
- •4.1. Methods of language teaching
- •4.1.1. Traditional learning theories and approaches
- •4.1.1.1. Grammar-translation method
- •4.1.1.2. Direct method
- •4.1.2. Behaviourism: Audio-lingual method
- •4.1.3. Cognitivism
- •4.1.3.1. Structural approach
- •4.1.3.2. Structural-situational method
- •4.1.3.3. Situational syllabus
- •4.1.4. Communicative approach
- •4.1.5. Functional-notional courses
- •Functions and notions
- •4.1.6. Acquisition and learning
- •Intonation
- •4.1.7. Task-based learning
- •4.1.8. Humanistic approaches
- •4.1.9. Self-directed learning
- •4.1.10. Neuro-Linguistic Programming
- •4.2. Foreign language learning
- •4.3. Input and output
- •4.4. A balanced activities approach
- •4.5. Conclusions
- •5. Teaching the productive skills
- •5.1. The nature of communication
- •5.2. The information gap
- •5.3. The communication continuum
- •Communicative Activities
- •5.4. Stages in language learning/ teaching
- •5.4.1. Introducing new language
- •5.4.2. Practice
- •5.4.3. Communicative activities
- •5.4.4. The relationship between different stages
- •5.5. Integrating skills
- •5.6. Speaking and writing
- •5.7. Conclusions
- •6. Typology of exercises in teaching english
- •6.1. What is an exercise: Psychological and pedagogical background
- •6.1.1. Exercise as an item of teaching
- •6.1.2. Teaching curve
- •6.1.3. Structure of an exercise
- •Exercise
- •1. Instruction
- •2. Model
- •3. Control
- •6.2. Different approaches to the problem of classification of exercises
- •6.3. Criteria of classification of exercises: Types and kinds
- •6.4. System of exercises
- •6.4.1. Basic notions of a system, subsystem, complex, series, cycle, group of exercises
- •4 Skills
- •6.4.2. Characteristics of the system of exercises
- •6.4.3. Basic methodological principles of constructing the system of exercises
- •6.5. Conclusions
- •7.1. Speaking as a skill
- •7.2. Aims of teaching speaking in a secondary school
- •7.3. Linguistic peculiarities of dialogical speech
- •7.3.1. Functional correlation of dialogue replies
- •7.3.2. Structural correlation of replies
- •7.3.3. Kinds of dialogical unit
- •7.3.4. Functional types of dialogue
- •7.4. Stages of teaching dialogue
- •7.4.1. Dialogical unit as an item of teaching
- •7.4.2. Communicative situations
- •7.4.3. Four faces of a situation
- •7.4.4. System of exercises in teaching dialogical speech
- •7.4.4.1. Exercises of group 1
- •7.4.4.2. Exercises of group 2
- •7.4.4.3. Exercises of group 3
- •7.4.4.4. Exercises of group 4
- •7.5. Psychological and linguistic peculiarities of dialogic and monologic speech. Types of monologue
- •7.5.1. Psychological characteristics of dialogue and monologue
- •7.5.2. Linguistic characteristics of dialogue and monologue
- •7.6. Functional types of monologue
- •7.7. System of exercises in teaching monologic speech
- •7.7.1. Exercises of group I
- •7.7.2. Exercises of Group 2
- •Verbal sound and illustrative (visual) aids
- •7.7.3. Exercises of group 3
- •7.8. Conclusions
- •8. Teaching the receptive skills: listening
- •8.7. Conclusions
- •8.1. Role and place of listening in teaching English
- •8.2. Listening as a skill in real-life communication
- •8.3. Typology of listening
- •8.3.1. Kinds of listening
- •8.3.2. Types of listening
- •8.4. Types of text for teaching listening in school
- •8.4.1. Authentic and non-authentic listening
- •8.4.2. Structure of texts for listening
- •8.4.3. Types of text for listening
- •8.5. Major premises and conditions for effective teaching listening
- •8.5.1. Major premises for listening
- •8.5.2. Conditions for effective listening
- •8.6. System of exercises in teaching listening comprehension in school
- •8.6.1. Preparatory exercises: Isolating the listening skill
- •8.6.2. Preparatory exercises: Non-isolated listening skill
- •8.6.2.1. Exercises in finding grammatical cues
- •8.6.2.2. Exercises in guessing the meaning of unfamiliar words
- •8.6.2.3. Exercises in understanding sentences containing unfamiliar words which do not interfere with comprehension
- •8.6.2.4. Exercises in anticipation
- •8.6.2.5. Exercises in eliciting different categories of meaningful information (time, space, cause, effect, etc.)
- •8.6.2.6. Exercises in estimating types of cohesion
- •8.6.2.7. Exercises in telling the main idea in a group of sentences
- •8.6.2.8. Exercises in developing auditive memory and attention
- •8.6.3. Authentic listening material
- •8.6.3.1. Authentic listening material at the early stages
- •8.6.3.2. Communicative exercises: Teaching listening as a skill
- •8.6.4. Using listening comprehension dialogues in class
- •8.6.5. How to justify the use of songs
- •8.7. Conclusions
- •9. Teaching the receptive skills: reading
- •9.2.2. Grammar
- •9.6. Conclusions
- •9.1. Reading as perception of information
- •9.1.1. Vocalisation and verbose
- •9.1.2. Redundancy
- •9.1.2.1. Uncertainty and information
- •9.1.2.2. Sources of redundancy
- •9.2. Reading as interpretation of information
- •9.2.1. Surface and deep structures
- •9.2.2. Grammar
- •9.2.3. Learning: Knowledge
- •9.2.4. Three faces of memory
- •9.3. Reading as a skill
- •9.3.1. Reading in real life: Functions
- •9.3.2. Interest and usefulness
- •9.3.3. Purpose and expectations
- •9.3.4. Specialist skills of reading
- •9.3.4.1. Predictive skills
- •9.3.4.2. Extracting specific information
- •9.3.4.3. Getting the general picture
- •9.3.4.4. Extracting detailed information
- •9.3.4.5. Recognising function and discourse patterns
- •9.3.4.6. Deducing meaning from context
- •9.4. Aims of teaching reading in a secondary school
- •9.4.1. Reading as a vehicle of teaching
- •9.4.2. Aims of teaching reading in school
- •9.4.3. Kinds of reading mastered in school
- •9.4.4. Techniques of reading and stages of teaching
- •9.5. How to teach reading
- •9.5.1. Teaching reading aloud
- •9.5.1.1. Three methods of teaching reading aloud
- •9.5.1.2. Grapheme-phonemic exercises
- •9.5.1.3. Structural information exercises
- •9.5.2. Teaching silent reading
- •9.5.2.1. The twin problem of analysis and synthesis
- •9.5.2.2. Semantic-communicative exercises
- •9.6. Conclusions
9.2.4. Three faces of memory
There are, in fact, no fewer than three kinds of memory: a sensory store, a short-term memory and a long-term memory.
A sensory store is sometimes referred to as a visual image. Here the raw material of perception is briefly retained while information-processing operations begin. Perception is not instantaneous. The decision-making process of integrating incoming information with what is already known and expected takes a significant amount of time, approximately a quarter of a second or more. Information in the sensory store decays very rapidly, in less than a second, and is erased by a new intake of information through a receptor.
A short-term memory. Here raw information is held temporarily while it is processed, i.e. identified, categorised. E.g.: the configuration of black marks on a white page that forms the letter ‘A’ has not been fully processed until the letter is, in fact, identified, or categorised, as an ‘A’.
There’s much less information in short-term memory than in sensory store. In fact, it can hold only about 4 or 5 separate items. This information is lost unless some form of internal rehearsal constantly renews it. Because its capacity is very limited, short-term memory is decrypted (erased) if new information comes in before the information it contains has been disposed of. Unlike sensory store, there’s no absolute limit to how long information can be kept in short-term memory. But because we constantly want to pass new information through the bottleneck of its limited capacity, its effective duration is only a few seconds at the most. However, re-encoding visual information into its sound correlation usually makes it possible to hold this information from 15 up to 30 seconds.
A long-term memory. It appears to have no storage limitations at all. Anything that ever gets into long-term memory stays there permanently. However, two limitations on long-term memory prevent us from using it as effectively as we might. 1) In the first place, it takes time to get information into it (aggravating the short-term memory bottleneck); 2) secondly, we need special retrieval procedures (or rules) for getting information out. The reason we so often ‘forget’ knowledge we once had is not that it has left our long-term memory, but that we have lost the means of access to it.
In reading, all three aspects of memory must be involved. Visual information is picked up from the printed page and held for less than a second in a sensory store. Much of the information in the sensory store must necessarily be lost, but some is transferred to short-term memory. There it can be held for a few seconds while further information from the sensory store is acquired. New visual information effectively wipes out the content of the sensory store immediately.
How much information gets into short-term memory depends on its form. Short-term memory may contain only 4 or 5 elements at any one time. But each of these elements may be a single letter, or a single word, or a meaning extracted from several words. Since sentence meaning cannot be determined on a sequential word-by-word basis, it is obvious that information from several printed words has to be held in short-term memory at any one time. The load on short-term memory can be reduced by ‘chunking' information into larger units. But this involves making use of syntactic and semantic information that must already be stored in long-term memory. In fact, nothing could be identified (i.e. nothing could be perceived), if a contribution were not made by long-term memory. This is so, because it is there that is lodged the knowledge of the world to which all incoming information must be referred (i.e. to the data of a situational-empirical channel).
The skilled reader keeps his eyes 4 or 5 words ahead of his voice while reading. In other words, a skilled reader keeps his short-term memory fully loaded while he is reading. The short-term memory bottleneck also suggests why even the slightest distraction is enough to make us lose the thread of what we are reading.
The processed elements in short-term memory must be disposed of: either lost altogether or transferred to long-term memory. Getting something into a long-term memory is not an easy task. We can only get items into long-term memory at the rate of one every five seconds. By chunking, we can make sure that each of these items is larger than a single word. Many experiments have shown that we remember meanings much better than actual words. Even so, a good deal of information must be lost between short-term memory and long-term memory. A good reader is the individual who can ensure that the information, lost in the perceptual process, is that, which is least important. He knows in advance what information is the least important, because he already has acquired, as part of his knowledge of the world, the competence to predict just what the nature and the relevance of incoming information is likely to be.