- •Unit one
- •I will teach you in my verse
- •I will keep you, Suzy, busy,
- •Viscous, viscount, load and broad,
- •Ivy, privy, famous; clamour
- •Is a paling stout and spiky?
- •It's a dark abyss or tunnel:
- •Islington and Isle of Wight,
- •I like them all!
- •Unit two
- •I'm Joe Linn, I come from San Francisco. I'm leaving for Peking.
- •I'm going to learn Chinese. I know some words already
- •I hope you like Peking.
- •Unit three
- •It’s cuz we're concentrating
- •Is reality’s accordion. Unexpectedly
- •I thought this was
- •I took drama
- •Into my own hands and alongside
- •I told you not to do it and you did it again!
- •Unit four
- •Violently engaged. But it was the artists
- •I looked left toward the little bridge,
- •Incredibly enough, being led
- •In servizio sulla Linea Mediterraneo - Nord America sailing 1968
- •Unit five
- •It was “about breeding.”. Breeding yes, I flashed the thought of all the deaths
- •In the birdcage
- •In the face of “what counts
- •It’s pennies”. In o-eight
- •Unit six
- •In the feminist fable
- •Into activist or choose to manifest
- •In smokey loops
- •Unit seven
- •Is That Why They Call Them Flower Children?
- •In a high school senior play, shouting
- •In broken English and rapid Greek about tanks
- •Into citizens, just now, in the streets of Prague.
- •I was running
- •In the gutters
- •I still see blue sky and sea under sun and wind
- •Is a little dock, still a black rock beach, footprints
- •Unit eight
- •In search of Athena and Apollo’s
- •In different, steaming jungles in Vietnam.
- •Unit nine
- •Voice spilling. He will not
- •Voices soften thick air and as they sing every
- •If you run after two hares you will catch neither.
- •Unit ten
- •In rural Turkey?
- •I feel sure that was the afternoon
- •Unit eleven
- •In Athens the Greek music
- •I squint myself into your eight and ten year old eyes to conger
- •Into a monster. Other answers are better buried.
- •Sideducking Your Question
- •Family Game
- •Irresistible
- •Is a room whose boundaries invite me to compose
- •Is a room
- •Answering Machine
- •Into the room where only
- •The Business of a Clean Sweep
- •The Night House
- •Into half truths. Simply an issue of light.
- •In her house in the middle
- •University Weather
- •Clinic Wait
- •Is in an exam.
- •The Baroness of Ballard
- •In hers. He says
- •Is dying but she is hanging-on.
- •Salzbergwerk Berchtesgaden in Germany
- •I forget where we were headed but it rained.
- •It was dark, a musty smell and the guide’s voice
- •Passages in the Bad-Hotel Zum Hirsh
- •Milltown Maltbay, Cookery School
- •Fourth Day at the Literary Seminar
- •In pink overstuffed
- •You Hated to Practice
- •Our Teacher Says Music is Her Mission
- •In a room that is the color of ice. First Rehearsal of the Opera, "Andrea Chénier"
- •Emanuel Ax, Hunger & Taste
- •Barometric Pressure
- •Its little ledges of blue slow motion
- •Inflaming the cheek after the slap.
- •The Question of the Color of the Walls
- •In splats of blistering gold & refresh ourselves in grapefruit.
- •Eau de California
- •The Perfumer
- •Afterimage of the Bird of Passage
- •The Most Important Thing to Save When the House is Burning Down
- •I needed that.
Unit two
Exercise 1. Read, translate and transcribe the following text. Write down all unknown words into your dictionary. Use them in sentences of your own:
I feel terrible
I've got a headache,
I've got a headache,
I don't want to go to bed.
I've got a fever,
I don't want to do my homework.
I've got a stomachache,
I don't want to take my lunch.
I've got a blister,
I don't want to see my sister.
Every time I have a headache
Mamma takes me to the doctor,
Every time I get a fever
Mamma takes me to the nurse.
Every time I get a toothache
Mamma takes me to the dentist
Every time I see the dentist
I come home feeling worse.
Exercise 2. Repeat for clarity of articulation. Work for precision with a minimum of tension. After you have accurately mastered the phrases for clarity, work for speed in repetition:
Where is Jack?
Where is Jack?
He's not here.
Where did he go?
I don't know.
Where is Mary?
She's not here.
Where did she go?
I don't know.
Where are Sue and Bobby?
They are not there.
Where did they go?
I don't know.
Where's mister Brown?
He is over there.
Where?
Over there and sleeps in the chair.
Exercise 3. Repeat the following poem over and over. Accuracy first, then speed!
My week
Monday
I feel angry today
Please, take out of my way
I’m so mad at the whole world
I feel angry today.
Tuesday
I feel terribly blue
I don’t know what to do
Cause it’s cold and it’s raining
I feel terribly blue.
Thursday
I feel nervous and tense
It just doesn’t make sense
I can’t take off this pressure
I feel nervous and tense.
Friday
I feel happy today
It’s been sunny all day
And I don’t work tomorrow
I feel happy today.
Exercise 4. Make a recording of the way you sound as you begin your studies, and then make a comparison, recording every six to twelve months. Remember that you are not in competition with anyone, and that you will progress at your own rate:
Betty Botta
Betty Botta bought some butter,
"But" she said, 'this butter's bitter,
But a bit of better butter
Will make my butter better'.
So she bought a bit of butter
Better than the bitter butter
And it made the butter better
So it was better.
Betty Botta bought a bit of better butter.
and so on
Exercise 5. Read and sing the following English folk song, translate and transcribe the text. Write down the unknown words and archaisms into your dictionary. Use them in sentences of your own:
Goosier, goosier, gender
Goosier, goosier, gender
Whither shall I wonder?
Upstairs and downstairs
And in my lady's chamber.
Exercise 6. Read, translate and sing the following English folk song, transcribe the text. Give three forms of irregular verbs. Use them in sentences of your own:
Hickory, dickory, dock
Hickory, dickory, dock
The mouth ran up the clock.
The clock struck one
The mouse ran down
Hickory, dickory dock.
Exercise 7. Read the following dialogue. Work for precision with a minimum of tension. After you have accurately mastered the phrases for clarity, work for speed in repetition. Change the proper names and make a dialogue of your own:
Hello, my name's Sue Crisco
Hello, my name's Sue Crisco.
Who are you?