- •Unit one
- •I will teach you in my verse
- •I will keep you, Suzy, busy,
- •Viscous, viscount, load and broad,
- •Ivy, privy, famous; clamour
- •Is a paling stout and spiky?
- •It's a dark abyss or tunnel:
- •Islington and Isle of Wight,
- •I like them all!
- •Unit two
- •I'm Joe Linn, I come from San Francisco. I'm leaving for Peking.
- •I'm going to learn Chinese. I know some words already
- •I hope you like Peking.
- •Unit three
- •It’s cuz we're concentrating
- •Is reality’s accordion. Unexpectedly
- •I thought this was
- •I took drama
- •Into my own hands and alongside
- •I told you not to do it and you did it again!
- •Unit four
- •Violently engaged. But it was the artists
- •I looked left toward the little bridge,
- •Incredibly enough, being led
- •In servizio sulla Linea Mediterraneo - Nord America sailing 1968
- •Unit five
- •It was “about breeding.”. Breeding yes, I flashed the thought of all the deaths
- •In the birdcage
- •In the face of “what counts
- •It’s pennies”. In o-eight
- •Unit six
- •In the feminist fable
- •Into activist or choose to manifest
- •In smokey loops
- •Unit seven
- •Is That Why They Call Them Flower Children?
- •In a high school senior play, shouting
- •In broken English and rapid Greek about tanks
- •Into citizens, just now, in the streets of Prague.
- •I was running
- •In the gutters
- •I still see blue sky and sea under sun and wind
- •Is a little dock, still a black rock beach, footprints
- •Unit eight
- •In search of Athena and Apollo’s
- •In different, steaming jungles in Vietnam.
- •Unit nine
- •Voice spilling. He will not
- •Voices soften thick air and as they sing every
- •If you run after two hares you will catch neither.
- •Unit ten
- •In rural Turkey?
- •I feel sure that was the afternoon
- •Unit eleven
- •In Athens the Greek music
- •I squint myself into your eight and ten year old eyes to conger
- •Into a monster. Other answers are better buried.
- •Sideducking Your Question
- •Family Game
- •Irresistible
- •Is a room whose boundaries invite me to compose
- •Is a room
- •Answering Machine
- •Into the room where only
- •The Business of a Clean Sweep
- •The Night House
- •Into half truths. Simply an issue of light.
- •In her house in the middle
- •University Weather
- •Clinic Wait
- •Is in an exam.
- •The Baroness of Ballard
- •In hers. He says
- •Is dying but she is hanging-on.
- •Salzbergwerk Berchtesgaden in Germany
- •I forget where we were headed but it rained.
- •It was dark, a musty smell and the guide’s voice
- •Passages in the Bad-Hotel Zum Hirsh
- •Milltown Maltbay, Cookery School
- •Fourth Day at the Literary Seminar
- •In pink overstuffed
- •You Hated to Practice
- •Our Teacher Says Music is Her Mission
- •In a room that is the color of ice. First Rehearsal of the Opera, "Andrea Chénier"
- •Emanuel Ax, Hunger & Taste
- •Barometric Pressure
- •Its little ledges of blue slow motion
- •Inflaming the cheek after the slap.
- •The Question of the Color of the Walls
- •In splats of blistering gold & refresh ourselves in grapefruit.
- •Eau de California
- •The Perfumer
- •Afterimage of the Bird of Passage
- •The Most Important Thing to Save When the House is Burning Down
- •I needed that.
Sideducking Your Question
How odd I don’t paint the house in words. You love art and are eager
to see. I should show how the roof slopes like a fairytale house and now
we've built bay windows in every room where swans
etched in the panes are flying. Why in the world don’t I explain how
the bed in the bay on the main floor is a bed for you. Fits you
like the story of the three bears, just right!
How odd I don’t use my breath to portray the park on our street
where lovers & mothers & joggers repose above
the magnitude of Puget Sound, distant Olympic peaks, yellow roses.
Odd I don’t expound on the sidewalk flow of dog walkers & laughing
babies in strollers, show you the water bowl on our front lawn
where the word woof is painted in blue, where birds sip & bathe
& pups lap loose-lipped & grinning.
Details unspoken, I restrict myself to neighborhood houses &
the year we were built. Keep to myself the thousands of dollars
in property tax taxing the view, swallow my tongue like a premonition,
knowing you make do a continent away, reading scrunched-up
at your one window that barely bumps out the dark of your two little rooms.
Family Game
Little sister: cover your eyes
and memorize what I say.
I will tell you right off it is a kitchen filled
with the honey glow of cherry wood.
You should know the floor is gray tile,
the floor and wood are reflected
in the ceiling that is a mirror.
Mirrors defy boundaries, amplify infinity.
Step in. On your right at the threshold is the edge
of the white Corian counter above
a swing-out odd shaped shelf offering
peppers, vinegars, oils, and herbs.
On your left another swath of counter
is cluttered with life’s daily cups.
Keep eyes closed, slowly press your palm
against the counter
feel that it’s as cold
as our mother who used to cook here,
who chose to not bring to term her second child.
Listen, the autumn-red tree scrapes
the window, a Steller’s Jay repeats
as if his pitch black peak and body
of bright blue weren’t raucous enough.
His raspy laugh curdles a nerve.
I’m sure he laughs at me,
sees I am playing blind-mans-bluff
by myself, understands
no sister is reflected in this room,
knows I’ve been pretending
you, my best friend, in silence and forever.
Irresistible
Rain drops rest
faceted by streetlight
symmetrical, glistening
and graceful on the
Flowering Plum limb,
long,
wintered and bare.
Repeatedly
they lure, through the night
kitchen window,
my eye.
Rooms
The whole bedroom laughs, red walls undulate.
Chandelier prisms catch
and flick morning sun hysterically about. Windows
clap panes with glee, fling their shutter-mouths
wide to suck-in the pleasure of spring.
Even the bed
Is a room whose boundaries invite me to compose
my body. As my body’s ten trillion cells stir,
each cell is also a complete room
enclosed by a semi-permeable membrane.
This morning the cells are drunk on the dream’s wisecracks,
a good way to enter a day, laughing.
The day itself