- •Unit one
- •I will teach you in my verse
- •I will keep you, Suzy, busy,
- •Viscous, viscount, load and broad,
- •Ivy, privy, famous; clamour
- •Is a paling stout and spiky?
- •It's a dark abyss or tunnel:
- •Islington and Isle of Wight,
- •I like them all!
- •Unit two
- •I'm Joe Linn, I come from San Francisco. I'm leaving for Peking.
- •I'm going to learn Chinese. I know some words already
- •I hope you like Peking.
- •Unit three
- •It’s cuz we're concentrating
- •Is reality’s accordion. Unexpectedly
- •I thought this was
- •I took drama
- •Into my own hands and alongside
- •I told you not to do it and you did it again!
- •Unit four
- •Violently engaged. But it was the artists
- •I looked left toward the little bridge,
- •Incredibly enough, being led
- •In servizio sulla Linea Mediterraneo - Nord America sailing 1968
- •Unit five
- •It was “about breeding.”. Breeding yes, I flashed the thought of all the deaths
- •In the birdcage
- •In the face of “what counts
- •It’s pennies”. In o-eight
- •Unit six
- •In the feminist fable
- •Into activist or choose to manifest
- •In smokey loops
- •Unit seven
- •Is That Why They Call Them Flower Children?
- •In a high school senior play, shouting
- •In broken English and rapid Greek about tanks
- •Into citizens, just now, in the streets of Prague.
- •I was running
- •In the gutters
- •I still see blue sky and sea under sun and wind
- •Is a little dock, still a black rock beach, footprints
- •Unit eight
- •In search of Athena and Apollo’s
- •In different, steaming jungles in Vietnam.
- •Unit nine
- •Voice spilling. He will not
- •Voices soften thick air and as they sing every
- •If you run after two hares you will catch neither.
- •Unit ten
- •In rural Turkey?
- •I feel sure that was the afternoon
- •Unit eleven
- •In Athens the Greek music
- •I squint myself into your eight and ten year old eyes to conger
- •Into a monster. Other answers are better buried.
- •Sideducking Your Question
- •Family Game
- •Irresistible
- •Is a room whose boundaries invite me to compose
- •Is a room
- •Answering Machine
- •Into the room where only
- •The Business of a Clean Sweep
- •The Night House
- •Into half truths. Simply an issue of light.
- •In her house in the middle
- •University Weather
- •Clinic Wait
- •Is in an exam.
- •The Baroness of Ballard
- •In hers. He says
- •Is dying but she is hanging-on.
- •Salzbergwerk Berchtesgaden in Germany
- •I forget where we were headed but it rained.
- •It was dark, a musty smell and the guide’s voice
- •Passages in the Bad-Hotel Zum Hirsh
- •Milltown Maltbay, Cookery School
- •Fourth Day at the Literary Seminar
- •In pink overstuffed
- •You Hated to Practice
- •Our Teacher Says Music is Her Mission
- •In a room that is the color of ice. First Rehearsal of the Opera, "Andrea Chénier"
- •Emanuel Ax, Hunger & Taste
- •Barometric Pressure
- •Its little ledges of blue slow motion
- •Inflaming the cheek after the slap.
- •The Question of the Color of the Walls
- •In splats of blistering gold & refresh ourselves in grapefruit.
- •Eau de California
- •The Perfumer
- •Afterimage of the Bird of Passage
- •The Most Important Thing to Save When the House is Burning Down
- •I needed that.
In rural Turkey?
Everybody waved.
People on carts and walking on the road
and the shepherds: everybody except the guards
at armed camps at each edge
of every tiny village surrounded by
quiet hills covered with concrete pillboxes.
I feel sure that was the afternoon
the poet of whom now it’s said, ” belonging
to the past will sing dirges about a shattered
scattered tribe left to wander where in the dark
grave stones line the road”.
Bejan Matur you were born already a poet that day, I feel sure.
Exercise 2. Speak about your favourite University subjects. Write down the most important thoughts. Repeat them for clarity of articulation. Work for precision with a minimum of tension. After you have accurately mastered the phrases for clarity, work for speed in repetition.
Exercise 3. Read the following poem by Carol Levin. Repeat the unknown
words and “jawbreakers” over and over. Comment on the poem. Accuracy first, the speed! Make a recording of the way you sound as you begin your studies, and then make a comparison, re cording every six to twelve months:
The Turks Have A Print For Each Foot
Convince my small girl to place one foot
here and
one foot there
then pants down bend
knees, hunch
over an air seat.
Breezily I say oh sure as if I’d done this dozens
of times. I myself would have loved my own mother
to be holding my blue sweater in one hand and
kleenex in the other with a can do the dodo attitude.
Exercise 4. Discuss the poem with your friend. Quote the text. Speak with distinctness. Remember that you are not in competition with anyone, and that you will progress at your own rate.
Exercise 5. Decode and transcribe a song. Write down the unknown words into your dictionary. Use them in sentences of your own.
Exercise 6. Discuss the decoded song with your friend. Repeat the lines over and over for clarity of articulation.
Exercise 7. Write down your dialogue. Transcribe and read it. Work for precision with a minimum of tension. After you have accurately mastered the phrases for clarity, work for speed in repetition.
Exercise 8. Imagine you and your friend have just visited the movie-theatre. Make up a dialogue on a film you have seen. Use more adjectives and adverbs to convey your emotions. Be aware of the Intonation pattern you choose. Repeat proper names for clarity of articulation.
Exercise 9. You have received an unusual telephone call. Mind the verbs and participles to express you emotions. Speak with distinctness. Comment on the usage of the Intonation patterns.
Exercise 10. Describe your yard. Tell about the friends of your childhood (boyhood).Transcribe the tongue-twisters below. Use them in your story. Choose the Intonation patterns in accordance with the emotions you covey.
I need not your needles, they are needless to me. The soldier’s shoulder surely hurts. Vanity of vanities all is vanity. Fred fed Ted bred and Ted fed Fred bred.
Exercise 11. Read, translate, transcribe and memorize a poem. Repeat for clarity of articulation. Speak about your house, describe the threshold of it. Use as many terms as possible. Pay your special attention to the details. Ask your group mates to express their attitude towards your story.
Threshold Documentary
Outside,
the door doesn’t give
itself away
while the inside
is flamboyant.
Wide,
frame-and-panel, hand rubbed
aged cherry wood
inlaid
with holly stringing.
It glows.
The color reminds one
of the autumn taste of nuts.
The bell packed
from Thailand
sings
above the frame,
its delicate
tongue swings
exits and entrances.
On either side of the door,
bevels
within small pane windows
arch and reflect
colors turned upside
down.
On the porch
people arrive and smile they say
this is a Wizard of Oz window.
Without exception everyone
suspends
the moment of departure
savoring their finger’s embrace
round the jumbo
cherry and ebony
inlaid doorknob. Handcrafted
for hands to hold
before they cross
like sand
slips through the time glass.