- •Improvised dialog is indicated in parentheses.
- •Interior, reserved train compartment
- •Irresistible charm, I'm too attractive to be let loose.]
- •Interior of railway compartment
- •Interior, further down the corridor
- •Interior of compartment
- •It's all your fault.
- •Interior, dancing club
- •Interior, le circle club
- •Interior, [dress circle lounge] ballroom
- •Interior, theatre dress circle
- •Interior, stage
- •Is furious.
- •Interior, ramp
- •In the dressing room till you do.
- •Interior, backstage theatre corridor
- •Interior, dressing room
- •Interior, corridor on way to dressing room
- •Indicates the girl on the poster.) Alright, Sonny Jim, this is all going
- •Interior, t.V. Studio floor
- •Interior, t.V. Control room
- •Interior, make up room
- •In the uniform of officers in Wellington's army. Together with the boys
- •Interior, t.V. Studio floor
- •Ignored by the girls who don't recognise him. Realising this he goes back
- •Interior, t.V. Control room
- •I get paid for doing something I love doing. (He laughs and with a
- •It was so in the end I wound up giving it all away... But I didn't
- •It for them.]
- •Interior, t.V. Theatre near stage door
- •In the tiled room and out come the rubber hoses [but I'll defy you
- •In the cloth cap while I sort this lot out.
- •Villains.
- •Is entirely empty and no one is even in sight. As he reaches the top of
- •Interior, police station
- •Interior, tv theatre auditorium
- •Interior, studio corridor
Interior, theatre dress circle
The BOYS come up the stairs into the Dress Circle proper. GRANDFATHER and
SHAKE are sitting there having a picnic of beer and sandwiches.
GEORGE: Come on - drag that was, wasn't it? Couldn't even get a jam
buttie, could you?
JOHN: No, I didn't get anything.
PAUL: (ironically, to Grandfather and Shake) Anything to spare?
GRANDFATHER: We've just finished, Pauly. George, write us your John Henry
on this picture.
[GEORGE: Sure.]
PAUL: [Ah well.] Eh, look (at that. Is that our set)!
He points, and from PAUL's P.O.V. we see on stage, the setting up of the
show, scenery and lights, cameras and sound equipment are being put into
position by a small army of studio staff. DANCERS and SINGERS are milling
about as well.
[PAUL: Let's go and muck in.]
[JOHN: Aye, before anyone stops us.]
JOHN: Well, should we go down and have a go?
They exit to rows of the Dress Circle and go through the entrance down
the narrow stairs to the stalls and on to the stage that is built and
extended right into the stalls which are partly covered up.
(PAUL: (as they are hidden from view) Come on lads, trees and
everything.)
(RINGO: There's a - there's a lot of fellers for one set.)
(PAUL: I love trees.)
(GEORGE: Look at the birds.)
(PAUL: Just passing through.)
SHAKE: Where are ye?
Interior, stage
Everyone is so busy that they hardly notice the BOYS, who wander about
and examine the studio equipment. A load of three drum sets are being
brought on stage [and a voice shouts out:]
[PAUL: Here... here. (to TECHNICIAN) How do you do?]
[RINGO: Morning.]
[PAUL: Hey Norm, have you got my guitar? We'll have a tune up.]
[VOICE: Here, what about these electric guitars?]
[SHAKE: Where are they?]
[VOICE: [back here, mate.] On the stage, down here.]
[SHAKE: (going towards the voice) coming.]
RINGO is busy setting up his drums, and MEN are setting up the other
sets. He drops a stick and the FLOOR MANAGER retrieves it and is about to
tap the drum. The FLOOR MANAGER is a languid young man.
RINGO: Leave them drums alone.
FLOOR MANAGER: Oh, surely one can have a tiny touch.
RINGO: If you so much as breathe heavy on them, I'm out on strike.
FLOOR MANAGER: Aren't you being rather arbitrary?
RINGO: That's right retreat behind a smoke screen of bourgeois cliches. I
don't go round messing about with your earphones, do I?
FLOOR MANAGER: Spoil sport!
RINGO: Well!
RINGO fusses like a mother hen clucking over his drums. The FLOOR MANAGER
Is furious.
GEORGE: He's very touchy about those drums. They loom large in his
legend.
[RINGO gives his drums a defiant crash JOHN and PAUL stop whatever they
are up to and hurry over.]
PAUL: What's up?
GEORGE: (pointing) He's sulking again.
JOHN: I'll show him.
Song: "If I Fell"
[He picks up a set of drum sticks and bashes back at RINGO, who does a
more complicated drum roll. GEORGE now joins in and to PAUL's
encouragement a drum duel starts completely naturally and improvised.
During this encounter the work proceeds around them and the guitars are
brought on and SHAKE sets them to working order. PAUL first, then JOHN
and GEORGE take up their own instruments and out of the drum duel emerges
one of their numbers.]
(JOHN picks up his guitar and begins playing. The intro of the song "If I
Fell" has no percussion and RINGO sulkily continues to adjust his kit,
but by the time the song is over he is smiling and playing.)
(JOHN: Pardon, excuse.)
(RINGO: Yes?)
(JOHN: I'd like more drums, there.)
(PAUL: I think it's on the third bit... )
(GEORGE: Yes, yes.)
(JOHN: On the third bit - there - more drums.)