- •Unit 1. Matching exercises
- •Unit 2. Some Samples of Stylistic Analysis and Practical Assignments for Stylistic Analysis
- •I. Samples of Stylistic Analysis
- •II. Extracts for comprehensive stylistic analysis
- •Chapter xlviii
- •IV. Word combinations and sentences for stylistic analysis Assignments:
- •Words and word combinations suggested for reproducing dialogues in narrative form.
- •Appendix 1. The scheme of stylistic analysis
- •2. Give a summary of the extract (or the story) under consideration (the gist, the content of the story in a nutshell).
- •3. State the problem raised (tackled) by the author.
- •4. Formulate the main idea conveyed by the author (the main line of the thought, the author’s message).
- •6. Define the prevailing mood (tone, slant) of the extract.
- •7. The composition of the extract (or the story).
- •8. Give a detailed analysis of each logically complete part.
- •Appendix 2. Main Notions
- •Appendix 3. Summary
- •Appendix 4. How to write a Summary
- •Information can be:
- •Appendix 5. The Frame of a Summary
- •Connectors and Sequence Markers
- •1. Logical connectors and sequence markers
- •I) Contradiction:
- •2. Textual connectors and sequence markers
- •Appendix 6. Stylistic devices
- •1. Repetition and Variation
- •2. Contrast
- •3.Imagery and Analogy
- •4. Other stylistic devices
- •List of authors whose texts were used in exercises
- •List of materials used
Appendix 5. The Frame of a Summary
Introduction: 1 paragraph (1 – 2 sentences) Facts to be mentioned: the author, the title, the genre and the theme of the text, its appreciation.
The body: 2 – 6 paragraphs.
Conclusion: 1 paragraph.
In all: 250 words, 10 – 15 logical connectors
Connectors and Sequence Markers
1. Logical connectors and sequence markers
a) Cause:
therefore so accordingly consequently as a consequence/result hence (formal) thus (formal) because of this that's why (informal)
b) Contrast:
yet however nevertheless still but even so all the same (informal)
c) Condition:
then in that case
d) Comparison:
similarly in the same way
e) Concession:
anyway at any rate
I) Contradiction:
in fact actually as a matter of fact indeed
g) Alternation:
instead alternatively
2. Textual connectors and sequence markers
a) Addition:
also in addition moreover furthermore besides too overall what's more (informal) in brief/short
b) Summary:
to sum up then overall in brief/short
c) Conclusion:
in conclusion finally lastly to conclude
d) Equivalence:
in other words that means namely that is to say or rather
e) Inclusion:
for example for instance say such as as follows (written) e. g. (formal and written)
f) Highlight:
in particular in detail especially notably chiefly mainly
g) Generalisation:
usually normally as a rule in general for the most part in most cases on the whole
h) Stating the obvious:
obviously naturally of course clearly
Appendix 6. Stylistic devices
1. Repetition and Variation
stylistic device |
definition |
example |
effect |
alliteration |
recurrence of initial sound |
“The fair breeze blew, the white foam flew.” |
to convey auditory images |
accumulation |
series of expressions (adjectives, cliches, examples, images) that contribute increasingly to meaning |
“He came, saw, fought and won” |
to make the language livelier
|
anaphora |
repetition of first word(s) of line/clause |
In every town, in every house, in every man, in every woman and in every child .... |
|
leitmotif |
a dominant recurrent theme (word, phrase, emotion, idea) associated with a certain idea, person or situation and accompanying its/his/her reappearance throughout the text |
|
gives the text a structure and stresses the theme by repeating it |
climax |
the point of highest dramatic tension or a major turning point in the action of the text or the point of greatest dramatic interest in a play |
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