If both ways led to terror and death, what good lay in choice?
Litotes (affirmation is expressed by denying its contrary)
Not hopeless. Not without love. Not a coward. Not too awful.
Phonetic devices
Alliteration (repetition of the same sounds) (phraseologies, advertisements, proverbs, titles)
The woods are lovely, dark and deep.
Onomatopoeia (imitation of sounds they refer to, gives the impression of echoing)
Bow-wow
Rhyme (identity of sounds between syllables or paired groups of syllables, usually at the end of verse lines)
Monosyllabic (masculine rhyme)
Disyllabic (feminine rhyme)
Trisyllabic (glamorous rhyme)
Rhythm (pattern of sounds perceived as the recurrence of equivalent “beats” at more or less equal intervals)
There is grief in the sound
There is guilt in the fame (G. Byron)
Classification of lexical stylistic devices
Interaction of lexical meanings
Primary dictionary and contextual meaning (metaphor, metonymy, idiom, irony)
Primary and derivative meaning (Zeugma, pun)
Logical and emotive meaning (Epithet, Oxymoron)
Logical and nominal meaning (Antonomasia)
Intensification of a feature of thing or a phenomenon
Simile, Hyperbole, Periphrasis
Set expressions
Cliches, Proverbs, Epigrams, Quotations, Allusions, Decomposition of Set Phrases
Zeugma and Pun
Z. – blending together of two or more semantically incompatible word groups, having an identical lexical item.
She took her breakfast and her bath.
P. – bringing out different meanings of one word (polysemy) or using of words alike or nearly alike in sound but different in meaning (homophony). Paronomasia “word play”
She was too beautiful for wards
Oxymoron
Tenor and vehicle are diametrically opposite. Logical M. prevails but emotive is the result of clash between logical and illogical. (sim. – paradox)
The worse – the better, war is peace, freedom is slavery, ignorance is strength
Antonomasia
Proper name of a person, famous for some features is put for a person having the same feature.
PN as CN
Her husband is an Othello
CN as PN
Mr. Know-It-All
Speaking Names
Mrs. Dolittle, Mr. Murderstone
Simile
Intensification of some single feature of a thing by bringing one object (T) in contact with another (V), belonging to entirely different class of things.
Link words as, like
His face remained as immobile as stone
Link words as though, as if
It looked as though he had been tortured
Lexical means to express resemblance
He reminded Julia of an old dog lying in the sun
Trite and familiar
Behave like a bull in a china shop, innocent as a babe unborn
NOT logical comparison (one class of things)
Epithet
Interplay of emotive and logical meaning to give individual perception or evaluation of properties.
Simple or word-epithets
The room was old and tired and uncaring
Compound
Apple-faced woman
Two-step epithets (intensifier)
Marvelously radiant smile
Phrase (hyphenated)
I-am-not-that-kind-of-girl look
Reversed (of-phrase)
Shadow of a smile
Galperin (2 types)
Associated (feature essential to the object described)
Dark forest, careful attention
Unassociated (adds a feature unexpected)
Voiceless sands, smiling sun
Kukharenko
Fixed (through long repetition)
True love, merry X-mas
Figurative (formed of metaphors, metonymies and similes)
Sleepless pillow, dreamlike experience
Periphrasis
Roundabout way used to name some object or phenomenon
(traditional and artistic) – fair sex, better half
Logical periprasis (inherent properties of a thing)
Instruments of destruction
Figurative (imagery – metaphor or metonymy)
Tie a knot, in disgrace with fortune
Euphemistic (avoid mentioning of taboo words or unpleasant things)
To pass away = to die
Hyperbole and Irony
H. – deliberate overstatement or exaggeration of a feature essential to the object
He’s written barrels of interesting stories
Understatement (smallness is exaggerated)
A woman of pocket size
Trite
Haven’t seen you for ages
I. – simultaneous realization of two meanings: the literal meaning is the opposite of the intended meaning.
Nice weather, isn’t it? (on a rainy day)
Negative meaning through positive concepts.
Metonymy
The name of a thing is replaced by the name of associated thing. One name is used instead of another. Existing relations between two objects.
Abstract stands for concrete
It was a representative gathering – science, politics, business
The container is mentioned instead of the contents
He drank one more cup
Material instead of the thing made of it
He examined her bronzes and clays
The maker for the thing made
He had several Picassos
Instrument is put for the agent
His pen is rather sharp
Part for the whole (synecdoche)
The crown = the king, the hand = worker
Trite
Earn one’s bread, to live by pen
Climax (gradation)
Climax (ascending series of words aimed at intensifying events step by step)
Not a dollar – not a penny of my money will I devote to anyone who could be guilty of such a crime.
Logical C. (each word is more intense than the previous one)
But for the M.R.C.P. it’s the most difficult medical exam in the whole school. It’s – it’s a murder! Tul! She’s a lamb, a dove, a fool to him
Emotional C. (words are more powerful from emotional p.o.v.)
She was a crashing, she was a stupendous, she was an excruciating bore
Qualitative C. (intensification of quantity in each group)
Mary had counted the months, the weeks, the days, the hours to Anthony’s return
Antithesis
Stressing certain qualities of the thing described by setting it against another thing possessing contrasting features. Antagonistic ideas are presented by dictionary or contextual antonyms
Developed antithesis
NOT contrast, but stylistically coloured opposition.
Set expressions
Cliché
Lost its originality or effectiveness because of frequent usage