Municipal garden

It has since been converted into a municipal garden. It can be reached by underground railway (although the stations are at a distance from the Park and at a much lower level below the hill), by city buses, or by commercial tourist buses. From October 2013 the entrance to the Park is free but there is an entrance fee to visit the monumental zone (main entrance and the parts containing mosaics). Gaudí's house, "la Torre Rosa," — containing furniture that he designed — can be only visited for an another entrance fee. There is a reduced rate for those wishing to see both Gaudí's house and the Sagrada Família Church.

Park Güell is skillfully designed and composed to bring the peace and calm that one would expect from a park. The buildings flanking the entrance, though very original and remarkable with fantastically shaped roofs with unusual pinnacles, fit in well with the use of the park as pleasure gardens and seem relatively inconspicuous in the landscape when one considers the flamboyance of other buildings designed by Gaudí. One of these buildings houses a permanent exhibition of the Barcelona City History MuseumMUHBA focused on the building itself, the park and the city.^[3][4]

The focal point of the park is the main terrace, surrounded by a long bench in the form of a sea serpent. The curves of the serpent bench form a number of enclaves, creating a more social atmosphere. Gaudí incorporated many motifs of Catalan nationalism, and elements from religious mysticism and ancient poetry, into the Park.

Roadways around the park to service the intended houses were designed by Gaudí as structures jutting out from the steep hillside or running on viaducts, with separate footpaths in arcades formed under these structures. This minimized the intrusion of the roads, and Gaudí designed them using local stone in a way that integrates them closely into the landscape. His structures echo natural forms, with columns like tree trunks supporting branching vaulting under the roadway, and the curves of vaulting and alignment of sloping columns designed in a similar way to his Church of Colònia Güell so that the inverted catenary arch shapes form perfect compression structures.^[5]

The large cross at the Park's high-point offers the most complete view of Barcelona and the bay. It is possible to view the main city in panorama, with the Sagrada Família and the Montjuïc area visible at a distance.

The park supports a wide variety of wildlife, notably several of the non-native species of parrot found in the Barcelona area. Other birds can be seen from the park, with records including short-toed eagle. The park also supports a population of hummingbird hawk moths.

Palace of Versailles: Facts & History

The Palace of Versailles is the central part of a complex that housed the French government, most notably its royalty, during the reigns of Louis XIV (France’s famed “Sun King”), Louis XV and Louis XVI. After the French Revolution in 1789, it ceased to be a permanent royal residence.

Located about 10 miles (16 kilometers) southwest of Paris, it is beside the settlement of Versailles. Before the construction of the palace by Louis XIV, this settlement was little more than a hamlet but by the time of the revolution it had a population of more than 60,000 people, making it one of the largest urban centers in France.

Before the revolution, the Versailles complex included the palace, gardens, a walled-in royal hunting ground, a smaller palatial structure known as the Grand (or Marble) Trianon and an estate used by Marie Antoinette, Louis XVI’s queen. Between the palace and the town there are also buildings that housed the war and foreign affairs ministries, residences for those not entitled to live in the palace, stables and a kennel, among other structures.

The palace was chock full of paintings and sculptures, ornately designed rooms (like the “Hall of Mirrors”) and even technological innovations — such as pressurized water fountains in its gardens that jetted water into the air — and an opera house with a mechanical device that allowed the orchestra pit to rise up to the stage, allowing it to be turned into a dance or banqueting hall.

Overall, the palace was built to impress. “Versailles is a mirage, a sumptuous and theatrical entertainment. It is also a manifestation of glory and power imposed to a great extent by art, luxury, and magnificence,” writes Valérie Bajou, a modern-day curator at Versailles, in her book "Versailles" (Abrams, 2012).

From hunting lodge to palace

The first thing that attracted France’s kings to Versailles was its prolific game. Louis XIII, who lived 1601-1643, bought up land, built a chateau and went on hunting trips. At the time, much of the land around Versailles was uncultivated allowing wild animals to flourish.

The chateau Louis XIII built was little more than a hunting lodge having enough space to house the king and a small entourage. It was the “Sun King,” Louis XIV (1638-1715), a ruler who chose the sun as his emblem and believed in centralized government with the king at its center, who would radically transform Versailles making it the seat of France’s government by the time of his death.

He ruled France for 72 years and in that time transformed Versailles by encompassing Louis XIII’s chateau with a palace that contained north and south wings, as well as nearby buildings housing ministries. A series of gardens, created in a formal style, stood to the west of the palace (one of them today is in the shape of a star) and contained sculptures as well as the pressurized fountains capable of launching water high into the air.

“From the outset Louis attached a supreme importance to these water effects. Their virtuosity formed the star turn of a tour of the gardens,” writes Tony Spawforth, a professor at Newcastle University, in his book "Versailles: A Biography of a Palace" (St. Martin’s Press, 2008). “The effects were the work of engineers whose machines made Versailles a hydraulic as much as an artistic wonder.” Unfortunately, Spawforth notes, problems supplying water meant that the fountains could only be turned on during special occasions.

In addition a grand canal, constructed to the west of the garden and running about a mile long, was used for naval demonstrations and had gondolas, donated by the Republic of Venice, manned by gondoliers.

As the French government moved into Versailles, and the king found himself swamped by work in his palace, he built himself the Grand (also called Marble) Trianon, a more modest palatial structure, about a mile (1.6 kilometers) to the northwest of the palace as a private retreat where only he and those invited could visit. Like the palace itself it had an abundant garden whose smells were said to overpower visitors

“The tuberoses drive us away from Trianon every evening,” wrote Madame de Maintenon in a letter dated Aug. 8, 1689. “The excess of fragrance causes men and women to feel ill.” (Source: Versailles official website)

Scholars have suggested a number of factors that led Louis XIV to build a great palace complex at Versailles and move the French government there. It’s been noted that by keeping the king’s residence some distance from Paris, it offered him protection from any civil unrest going on in the city. It also forced the nobles to travel to Versailles and seek lodging in the palace, something that impeded their ability to build up regional power bases that could potentially challenge the king.

Sparforth notes that the French Duke Saint-Simon (1675-1755) commented on how easy it was to see all the officials he needed because they were all located in one complex. Saint-Simon wrote that someone at Versailles “could see everyone he needed in the space of an hour,” something that would have taken much longer in Paris.