- •American Literature : Colonial America -- prose and poetry
- •18Th & 19th Century American Prose
- •18Th & 19th Century American Poetry
- •Modernist Poetry
- •Modernist Novel
- •Harlem Renaissance
- •Post-Modern & Contemporary Poetry
- •Contemporary American Novel and Drama
- •British Literature Medeival and Early British literature
- •Renaissance
- •Important Quotations
- •Important Quotations
- •Important Quotations
- •The Restoration -- Historical Context
- •Restoration Commedy
- •Colley Cibber
- •William Congreve
- •Oliver Goldsmith
- •Richard Brinsley Sheridan
- •The Rivals (1775)
- •The School for Scandal (1777)
- •William Wycherley
- •The Restoration Aphra Behn (1640 - 1689)
- •John Bunyan
- •Samuel Butler
- •Hudibras
- •“Epigram on Milton”
- •“A Song for St. Cecilia’s Day”
- •Anne Finch (1661-1720)
- •John Milton (1609-1674)
- •“How Soon Hath Time”
- •“On Shakespeare”
- •“On the Late Massacre in Piedmont”
- •“When I Consider How My Light Is Spent” (also sometimes called “On his blindness”)
- •Aeropagitica
- •Of Education
- •Samson Agonistes
- •Lycidas
- •Alexander Pope (1688–1744)
- •"The Rape of the Lock"
- •*“Essay on Criticism”
- •“Essay on Man”
- •The Dunciad
- •“Eloisa to Abelard”
- •“To a Lady”
- •Joseph Addison & Richard Steel
- •Jonathan Swift (1667-1745)
- •*Gulliver’s Travels
- •A Modest Proposal
- •A Tale of a Tub
- •“A Description of a City Shower”
- •The Scriblerus Club
- •Late 17th & 18th Century British poetry The Cavalier Poets
- •Thomas Carew
- •“An Elegy upon the Death of the Dean of St. Paul’s, Dr. John Donne”
- •Robert Herrick
- •“To the Virgins, To Make Much of Time” (often compared to Marvell’s ‘Coy Mistress’)
- •“Upon julia's clothes”
- •"Upon Julia’s Breasts"
- •“The Night Piece, to Julia"
- •“Corinna’s Going a-Maying”
- •Ben Jonson (1572 – 1637)
- •“To the Memory of My Beloved Master William Shakespeare”
- •“To Penhurst”
- •“On My First Son”
- •Volpone
- •Metaphysical Poets
- •John Donne (1572-1631)
- •"The Canonization"
- •“The flea”
- •“A Valediction Forbidding Mourning”
- •*“The Sun Rising”
- •“Air and Angels”
- •*Holy Sonnets: XIV
- •*Holy Sonnets: X
- •*"The Bait"
- •"The Ecstacy"
- •An Anatomy of the World
- •George Herbert
- •“The Pulley”
- •“The Collar”
- •“Easter-Wings"
- •"The Altar"
- •Richard Lovelace
- •“To Lucasta, on Going to the Warres"
- •"To Althea from Prison"
- •Andrew Marvell
- •* “To his Coy Mistress”
- •“The Definition of Love”
- •“On Mr. Milton's Paradise Lost”
- •The “Mower” poems
- •"An Horatian Ode: Upon Cromwell's Return from Ireland"
- •"Graveyard Poets"
- •Thomas Gray (1716-1771)
- •*“Elegy Written in a Country Churchyard"
- •"On The Death Of a Favourite Cat, Drowned In a Tub Of Gold Fishes"
- •“The Progress of Poesy”
- •“The Bard”
- •Robert Blair
- •Robert Burns (late 1700s)
- •"A Red, Red Rose"
- •"Tam o’ Shanter: a Tale" (1790)
- •“A Fond Kiss”
- •18Th & 19th Century British Prose Henry Fielding
- •Shamela and Joseph Andrews
- •The History of Tom Jones, a Foundling
- •Samuel Richardson (1689 –1761)
- •Pamela, or Virtue Rewarded
- •Clarissa
- •Gothic Novel
- •Horace Walpole’s The Castle of Otranto
- •Anne Radcliffe’s The Mysteries of Udolpho and The Italian
- •M. G. Lewis’s The Monk
- •Jane Austen's Northanger Abbey
- •Jane Austen
- •Sense and Sensibility
- •Pride and Prejudice
- •Emily Bronte (1818 – 1848)
- •Wuthering Heights
- •Samuel Butler (1835-1902)
- •The Way of All Flesh (1903)
- •Erewhon (1872)
- •Fanny Burney (1752-1840)
- •Evelina
- •Charles Dickens David Copperfield
- •The Pickwick Papers
- •Bleak House
- •Nicholas Nickleby
- •Great Expectations
- •Hard Times (1854)
- •Oliver Twist
- •George Eliot (1819 – 1880)
- •Middlemarch
- •Silas Marner
- •Adam Bede (1859)
- •Thomas Hardy
- •Tess of the d'Urbervilles
- •The Mayor of Casterbridge
- •Jude the Obscure
- •Far from the Madding Crowd
- •Hardy's Poetry
- •William Thackeray (1811-1863)
- •Vanity Fair
- •19Th Century Essayists
- •John Ruskin
- •John Stuart Mill (1806-1873)
- •John Henry, Cardinal Newman
- •Thomas Carlyle
- •British Romantic Poetry William Blake (1757–1827)
- •"Songs of Innocence"
- •“The Lamb”
- •Songs of Experience
- •“The Tyger"
- •“Mock On, Mock On, Voltaire, Rousseau”
- •The Marriage of Heaven and Hell
- •Visions of the Daughters of Albion
- •“London”
- •Lord Byron
- •“She Walks in Beauty”
- •"Manfred"
- •Byronic Hero
- •Childe Harold’s Pilgrimages
- •“Kubla Khan”
- •“The Rime of the Ancient Mariner”
- •John Keats (1795-1821)
- •Endymion
- •“The Eve of St. Agnes”
- •Isabella
- •“La Belle Dame sans Merci”
- •Theory from the Letters
- •“Ode on a Grecian Urn”
- •“Ode on Melancholy”
- •“Ode to a Nightingale”
- •**“On First Looking Into Chapman’s Homer”
- •“Ode to Autumn”
- •Percy Bysshe Shelley (1792-1822)
- •"Adonais: An Elegy on the Death of John Keats”
- •“Mont Blanc: Lines Written in the Vale of Chamouni”
- •“Ode to the West Wind”
- •*“Ozymandias”
- •Prometheus Unbound
- •Matthew Arnold
- •“Dover Beach”
- •“To Marguerite—Continued”
- •Robert Browning (1812-1889)
- •“The Bishop Orders His Tomb at Saint Praxed’s Church”
- •“Fra Lippo Lippi”
- •**“My Last Duchess”
- •*“Porphyria’s Lover”
- •Gerard Manley Hopkins (1844 - 1889)
- •*“The Windhover”
- •“Carrion Comfort”
- •*“Pied Beauty”
- •“Spring and Fall”
- •‘Thou art indeed just, Lord, if I contend’
- •Christina Rossetti
- •Goblin Market
- •“Remember”
- •Dante Gabriel Rossetti
- •“A Superscription”
- •"The ballad of dead ladies"
- •Alfred Lord Tennyson
- •*“Ulysses”
- •*In Memoriam a.H.H.
- •“The Lady of Shalott”
- •“The Lotus-Eaters”
- •“Mariana”
- •“To e. FitzGerald”
- •The Idylls of the King
- •*“Break, Break, Break”
- •British and Irish Modernism
- •Irish Literary Revival
- •J. M. Synge
- •William Butler Yeats
- •Sean o’Casey
- •Oscar Wilde Samuel Beckett (1906-1989)
- •Waiting for Godot
- •Happy Days
- •George Bernard Shaw (1856-1950)
- •*Pygmalion (1913)
- •Arms and the Man
- •Man and Superman (1902)
- •Major Barbara (1905)
- •Mrs. Warren’s Profession
- •Oscar Wilde (1854-1900)
- •The Picture of Dorian Gray The Importance of Being Earnest
- •The Ballad of Reading Gaol
- •Poetry w.H. Auden (1907-1973)
- •**“Musée des Beaux Arts”
- •*“In Memory of w.B. Yeats”
- •“Lay your sleeping head, my love”
- •A.E. Housman (1859-1936)
- •"When I was one-and-twenty"
- •"Terence, this is stupid stuff"
- •"To an Athlete Dying Young"
- •Dylan Thomas (1914-1953)
- •“Do not go gentle into that good night”
- •“And Death Shall Have No Dominion”
- •*“Fern Hill”
- •William Butler Yeats (1865-1939)
- •"The Lake Isle of Innisfree"
- •"When You are Old"
- •"The Wild Swans at Coole"
- •**"The Second Coming"
- •“Sailing to Byzantium”
- •" Leda and the Swan"
- •“Crazy Jane Talks with the Bishop”
- •Stanza VI from “Among School Children”
- •“The Dolls”
- •Fiction Joseph Conrad (1857-1924)
- •Heart of Darkness
- •Lord Jim
- •The Secret Sharer
- •E.M. Forster (1879-1970)
- •Where Angels Fear to Tread (1905)
- •A Room with a View
- •Howards End
- •A Passage to India (1924)
- •The Road to Colonus
- •"What I Believe"
- •*Aspects of the Novel
- •James Joyce (1882-1941)
- •Dubliners
- •Portrait of the Artists as a Young Man
- •Ulysses
- •Finnegans Wake
- •D.H. Lawrence (1885-1930)
- •The Rainbow (1915)
- •Women in Love
- •Sons and Lovers (1913)
- •“The Odour of Chrysanthemums”
- •“The Horse Dealer’s Daughter”
- •Lawrence's non-fiction
- •Virginia Woolf (1882-1941)
- •Mrs. Dalloway
- •A Room of One's Own
- •Postmodern/Contemporary British Literature Philip Larkin
- •Antiquity and "World" Literatures Classical Literature
- •The Trojans
- •The Gods and Immortals
- •The Eclogues
- •Cupid and Psyche (Roman myth)
- •Albert Camus (1913-1960)
- •The Plague
- •The Fall
- •The Stranger
- •Gustave Flaubert (1821-1880)
- •Madame Bovary
- •The Sentimental Education
- •Molière (1622-1673)
- •Tartuffe
- •Jean Racine
- •Jean-Paul Satre (1905 – 1980)
- •No Exit
- •Stendhal (1783-1842)
- •The Red and the Black
- •Anton Chekhov (1860-1904)
- •The Seagull (1896)
- •The Cherry Orchard (1904)
- •Three Sisters (1901)
- •Fyodor Dostoyevsky (1821-1881)
- •Notes from Underground
- •* Crime and Punishment (1866)
- •* The Brothers Karamazov (1880)
- •Leo Tolstoy
- •What is Art?
- •War and Peace
- •Anna Karenina
- •Thomas Mann (1875-1955)
- •Buddenbrooks
- •“Death in Venice”
- •The Magic Mountain
- •Henrik Ibsen
- •A Doll’s House
- •An Enemy of the People
- •The Wild Duck
- •Hedda Gabbler
- •Chinua Achebe (b. 1930)
- •Things Fall Apart (1958)
- •Nadine Gordimer (b. 1923)
- •Jorge Luis Borges (1899-1986)
- •“The Library of Baebel”
- •Gabriel García Márquez (b. 1928)
- •One Hundred Years of Solitude
- •Literary Terms, Verse Forms, Meter, etc.
- •Literary Terms, Verse Forms, Meter, etc.
- •Grammar
- •The Sonnet
- •Italian Sonnet (Petrarchan)
- •The English (or Shakespearian) Sonnet
- •Spenserian Sonnet
- •Curtal Sonnet
- •Literary Theory
- •Formalism
- •New Criticism
- •Structuralism
- •Post-structuralism
- •Deconstructionism
Thomas Carew
A Cavalier poet, his elegy to Donne contrasts from the otherwise bawdy, worldly and cynical nature of his poetry.
“An Elegy upon the Death of the Dean of St. Paul’s, Dr. John Donne”
CAN we not force from widow'd poetry, Now thou art dead, great Donne, one elegy, To crown thy hearse ? Why yet did we not trust, Though with unkneaded dough-baked prose, thy dust, Such as the unscissor'd lecturer, from the flower Of fading rhetoric, short-lived as his hour, Dry as the sand that measures it, might lay Upon the ashes on the funeral day ? Have we nor tune nor voice ? Didst thou dispense Through all our language both the words and sense ? 'Tis a sad truth. The pulpit may her plain And sober Christian precepts still retain ; Doctrines it may, and wholesome uses, frame, Grave homilies and lectures ; but the flame Of thy brave soul, that shot such heat and light, As burn'd our earth, and made our darkness bright, Committed holy rapes upon the will, Did through the eye the melting heart distil, And the deep knowledge of dark truths so teach, As sense might judge what fancy could not reach, Must be desired for ever. So the fire, That fills with spirit and heat the Delphic choir, Which, kindled first by thy Promethean breath, Glow'd here awhile, lies quench'd now in thy death. The Muses' garden, with pedantic weeds O'erspread, was purg'd by thee ; the lazy seeds Of servile imitation thrown away, And fresh invention planted ; thou didst pay The debts of our penurious bankrupt age ; Licentious thefts, that make poetic rage A mimic fury, when our souls must be Possess'd, or with Anacreon's ecstacy, Or Pindar's, not their own ; the subtle cheat Of sly exchanges, and the juggling feat Of two-edged words, or whatsoever wrong By ours was done the Greek or Latin tongue, Thou hast redeem'd, and open'd us a mine Of rich and pregnant fancy ; drawn a line Of masculine expression, which, had good Old Orpheus seen, or all the ancient brood Our superstitious fools admire, and hold Their lead more precious than thy burnish'd gold, Thou hadst been their exchequer, and no more They each in other's dung had search'd for ore. Thou shalt yield no precedence, but of time, And the blind fate of language, whose tuned chime More charms the outward sense : yet thou mayst claim From so great disadvantage greater fame, Since to the awe of thy imperious wit Our troublesome language bends, made only fit With her tough thick-ribb'd hoops to gird about Thy giant fancy, which had proved too stout For their soft melting phrases. As in time They had the start, so did they cull the prime Buds of invention many a hundred year, And left the rifled fields, besides the fear To touch their harvest ; yet from those bare lands, Of what was only thine, thy only hands (And that their smallest work,) have gleaned more Than all those times and tongues could reap before. But thou art gone, and thy strict laws will be Too hard for libertines in poetry ; They will recall the goodly exiled train Of gods and goddesses, which in thy just reign Was banish'd nobler poems ; now with these, The silenced tales i' th' Metamorphoses, Shall stuff their lines, and swell the windy page, Till verse, refined by thee in this last age, Turn ballad-rhyme, or those old idols be Adored again with new apostacy. O pardon me, that break with untuned verse The reverend silence that attends thy hearse, Whose solemn awful murmurs were to thee, More than these rude lines, a loud elegy, That did proclaim in a dumb eloquence The death of all the arts : whose influence, Grown feeble, in these panting numbers lies, Gasping short-winded accents, and so dies. So doth the swiftly-turning wheel not stand In th' instant we withdraw the moving hand, But some short time retain a faint weak course, By virtue of the first impulsive force : And so, whilst I cast on thy funeral pile Thy crown of bays, oh let it crack awhile, And spit disdain, till the devouring flashes Suck all the moisture up, then turn to ashes. I will not draw the envy to engross All thy perfections, or weep all the loss ; Those are too numerous for one elegy, And this too great to be express'd by me. Let others carve the rest ; it shall suffice I on thy grave this epitaph incise:—
Here lies a king that ruled, as he thought fit, The universal monarchy of wit ; Here lies two flamens, and both those the best : Apollo's first, at last the true God's priest.