It is what she had intended to do in any case. She had not expected to have allies. Koda nods. "Count me in."

Half an hour later, Koda is back on the road toward the ranch house that serves as the guerilla force’s headquarters, part of the small convoy that has picked up the Colonel and the bridge guards and left others in their place. The driver ahead of her, one Corporal Lizzie Montoya, is a maniac, her tires spraying snow in arcing fountains as she bumps and crunches along through the ice at reckless speed. Koda drives with one foot half on the brake in case Montoya skids off the road or into the lead vehicle. Miraculously, the Corporal does not kill herself or anyone else.

A mile and a half from the bridge, they come to clear pavement, and the sudden change jolts up through Koda’s back and shoulders. Ahead of them on the road, coming nearer, seven huge silver shapes loom against the sky like prehistoric beasts. Wings canted back, bristling with missiles that jut out from underneath their bellies like spines, they might be pterodactyls set down to roost. Movement catches her eye, and Koda glances up.

A hawk glides smoothly across the white sky. Something eases inside Koda, a tension she scarcely has known was there. It is a good sign, she thinks, lelah wakan.

When she takes the turn that leads toward a slim column of smoke to the west, the hawk follows.

3

An old, old song pounds through Kirsten’s head. She navigates the Interstate with the attention of a barrel-rider, avoiding wrecked trucks, spilled cargo, here and there a corpse. As the frozen asphalt stretches out between her van and the city, though, obstacles become fewer. She still passes the occasional abandoned vehicle, doors broken and hanging open like the valves of a plundered clamshell. She has no way of knowing whether the occupants have escaped or been taken. She cannot slow down to find out, cannot concern herself with the wounded or the possibly salvageable. Her own survival is paramount. She tells herself over and over again that this is not the Highway to Hell. Through Hell, maybe, but not to Hell. It is the highway to Minot, North Dakota, and it is already more than all the hell she ever thought she would see.

Keep it simple. Keep it literal.

Somewhere around noon she crosses the thin spike of West Virgina that juts up between Pennsylvania and Ohio. Her forehead and scalp, which have ached dully since her collision with the steering wheel, have begun to itch with the dried blood from her wound. Little flakes sift down every now and then into her eyes, blurring her vision momentarily. Her bladder, in fact her whole abdomen, has felt for the last half hour as though a whole firing squad of porcupines has used her for target practice. For twice that time she has been promising herself to hold on in fifteen-minute increments. Finally, Asimov settles the matter for her, whining piteously and batting at the door handle with one huge paw.

"Okay, boy. I get you. Hang on just a few minutes more." She reaches over to ruffle his ears and receives an exceptionally slobbery lick in return. "God," she mutters, "how I do love gratitude."

Just over the Ohio line, the Interstate dips to pass under a railroad bridge. Kirsten pulls over and ducks into an embrasure between the concrete struts. Asimov finds himself a satisfactory pillar near the further side of the overpass and irrigates it copiously. The puddle steams in the frigid air.

Asimov quarters the patch of highway, nose down and tail stiff, snuffling ecstatically at a sprayed stain on the cement and lifting his leg to obliterate it with one last, joyful squirt. Kirsten allows him to run off some of the stiffness of the hours in the van, stretching her own cramped legs and shoulder at the same time. When the cold begins to seep through her insulated boots, she whistles her dog back to the van. "Asimov, come! Let’s go!"

He wheels to obey, then freezes, ears straight up. He gives two sharp barks, whines and repeats the alarm. Without even thinking, Kirsten grabs the gun off the van’s seat. "What is it, boy? Where?"

Asimov barks yet again, and this time she hears it. Faint at first but coming steadily nearer, the steady whup-whup of a helicopter’s rotor sweeps toward them down the highway.

"Asimov!"

This time her voice is sharp, and he comes to her. Holding his collar with her left hand, her right gripping the automatic, Kirsten crouches down behind the bulk of the van. In her thoughts she makes herself small. Transparent. Not there.

The noise grows louder and louder until it seems to Kirsten that the chopper must be hovering directly above them. Maybe even landing on the tracks over her head. By the sound it is a large craft, a Black Hawk, maybe, or an Apache gunship. Definitely not a two-seater bubble. It is low enough that the rotor wash kicks up snow, making little funnel clouds and eddies in the drifts piled against the sides of the culvert. The racket is deafening.

There are two possibilities. The helicopter may be operated by human soldiers or law enforcement officers. If it is, they might be able to get her to Minot in half a day.

Or the crew may not be human. In that case, she will destroy as many as she can.

Finding out is not worth the risk.

The pitch of the rotor changes, intensifies unbearably for half a minute. Then the sound begins to recede, fading finally somewhere to the west and north of the overpass. Whatever has drawn the pilot’s attention, it is not one more derelict vehicle on the highway. It is only when her heart dislodges itself from her throat and begins to slow that she realizes it has been beating like a trip hammer to the rhythm of the blades. Her mouth feels cotton-dry. From somewhere deep in her mind a childhood memory rises up. Ms. Tannenbaum’s Sunday School class, little Passover lambs molded of papier maché and covered with fringed and curled white tissue paper.

Take some of the blood and put it on the sides and tops of the door-frames . . . eat with your cloak tucked into your belt, your sandals on your feet and your staff in your hand. Eat it in hast; it is the Lord’s Passover. On that same night I will pass through Egypt and strike down every firstborn. . .The blood will be a sign for you on the houses where you are; and when I see the blood, I will pass over you.

Somehow the words have remained with her, overlaid by the smell of polymer glue and newsprint on a hot spring morning in Southern California, where her father had been stationed at Thirty-Nine Palms.

Shakily Kirsten gets to her feet and sets down the gun. "Stay, Asimov."

As he waits patiently, she tops off the gas tank from the jerry cans she has stashed in the back of the van. Then she wets her bandana with as little water as possible and scrubs the dried blood from her forehead. There is a faint tinge of red when she brings it away; she is still bleeding slightly. She ties a fresh strip around her forehead, eats a granola bar while she studies the map. When she is certain the helicopter will not return, she whistles Asimov onto the front seat and sets out again onto the open road.

4

The ranch is good sized, though smaller than her family’s by a good bit. Which isn’t all that surprising, given Clan Rivers has managed to hold on to their piece of land since Time Immemorial, or so it seems.

The main house is a long, rectangular structure with several outbuildings trailing behind like goslings to their mother.

Dakota steps out of her truck into snow that is nearly knee deep, and watches as the others likewise exit their vehicles and head for the promising warmth of the house. She follows along slightly behind, taking careful inventory of those with whom, for better or for worse, she’s thrown in her lot.

For the tough Air Force Colonel, she feels a rather immediate kinship, which gives her pause, given that outside of her family, she trusts very few. While more than intelligent enough to realize that circumstances sometimes make for strange bedfellows, she believes that in this case, perhaps, circumstances have very little to do with things.

The others—those she’s met, anyway—seem capable, and very loyal to their commanding officer.

Her internal musings are interrupted by Montoya, who, with a rakish grin and a flourishing bow, ushers her inside the house. The interior is over warm, given the bitterness of the outside air, and she pauses for a moment as the flush of warming blood hits her tanned skin, painting her in a rosy hue. Montoya notices the flush and, mistaking the reason for it, tips the striking Vet a wink, which is abruptly cut off as cool blue eyes laser into hers.

"I’ll…um…you know…just go over….there…."

The young corporal is gone with a speed that surprises even her commander. Allen tries hard to keep a smile from her lips as she rapidly deduces the reason for the young woman’s alacrity. It’s a failed effort as those same blue eyes move to meet her own, twinkling with wry amusement. Allen covers her mouth and laughs, shoulders shaking with mirth.

"Dakota?"

Koda swings around to see a handsome, well-built man standing just inside the doorway, his dark eyes wide with surprise.

"Manny?"

The young man’s face breaks into a beaming grin and he crosses the room in three long strides, arms wide. The two tightly embrace for long seconds while the others, bemused, look on. Finally, Manny pulls away and looks up. "Damn, woman, when are you gonna stop growing?"

"You’re just shrinking, sprout," Dakota replies, reaching up and scrubbing her hand over the bristles of his buzz-cut.

Ducking his head, the younger man smiles ruefully and rubs his own hand over his scalp, remembering when his hair was as long, glossy and lush as Dakota’s. Then he stiffens and the smile drops from his face. "Koda? Your family?"

"They’re fine, Manny. As are yours. Mother told me they’d been talking on the CB."

Manny lets out a breath of relief. "Thank God. I tried to contact them, but the phones are gone." He looks up at her, face wreathed in sorrow. "I’m sorry about Tali, Koda. She was a good person." He clears his throat. "I tried to make it for the funeral, but we were on maneuvers."

Dakota smiles. "It’s okay, hankashi. She knew you loved her, and that’s what counts, right?"

Sighing, Manny nods, then turns at the sound of his commander clearing her throat. A slight blush colors his skin. "Sorry Colonel. This is Dakota, my shic'eshi."

"Cousin, right?"

The younger man grins. "That’s right. See, you’re learning!"

Allen chuckles.

"We practically grew up together. I haven’t seen her or her family in, what is it now, four years?"

"About that," Dakota agrees.

"Good. I’m glad I could help get the two of you back together then." Allen waves at her junior. "Why don’t you show your cousin where she’ll be bunking for the night. We’re leaving for the base first thing in the morning."

Before Manny can respond, the front door bursts open to admit a florid faced young man wearing Lieutenant’s stripes. "Corporal, that little girl we found, I can’t stop the bleeding."

Allen nods, already throwing her coat back on. "Alright, let’s see what we can do."

Dakota steps between the two. Allen looks at her, eyebrow raised.

"Maybe I can help."

Maggie continues to stare.

"You have any medics?"

Allen shakes her head. "Just pilots. We’ve got basic first aid training, but not much more than that."

"Then I’m the best you’ve got for now." She holds up the triage kit she always carries with her. "I know my way around the human body pretty well."

Allen smiles, relieved. "I’ll take that offer. C’mon."

5

They walk along a shoveled and salted pathway bracketed by several heavily armed soldiers who take up positions along the walk, ever vigilant for intruders. Bypassing the first small cottage, they come to the second just to its right, and Koda follows the colonel inside.

The house is stuffed to the veritable rafters with hollow-eyed refugees, all women and girl-children. It is very warm inside and smells of despair and too many bodies packed too tightly together. The rescued women shuffle out of their way like zombies, making a path to a door along the narrow hallway. Opening the door, Allen gestures Kota to precede her.

The stench of putrescence is overpowering, but Koda, having smelled far worse in her life, keeps her face carefully neutral as she walks over to the small cot upon which a young girl, no more than four, lays.

Her dark, almond eyes are huge and glassy with a fever that paints clown spots of color high on her already ruddy cheeks. Her long, black hair is matted with sweat and dirt, and she stirs restlessly, further tangling the sheet that tries in vain to cover her tiny body.

"She was found…." Maggie starts, but quiets at Dakota’s upheld hand.

"Hi, sweetheart," Koda murmurs, looking down into eyes so large that they seem to swallow the youngster’s face whole. "Not feelin’ so good, huh?"

The girl shifts her gaze, not looking so much to Dakota as through her. Deep, dark, and almost insanely calm pools of helplessness and hopelessness sear into the vet, touching off a sparkstone of rage deep inside. She fights it down with everything she has, keeping her gaze gentle and warm as she can make it.

The girl is Cheyenne. This she can tell by the shape of her face and the color of her skin. "My name is Koda," she murmurs in the girl’s own language. "And I’m going to help make you feel better, okay?"

The girl blinks slowly, a tiny spark of surprise shining in the depths of her glassy, huge eyes.

Dakota responds with a small smile. "Can you tell me your name, little one?"

"He’kase," the girl whispers, voice cracked and dry. Allen murmurs in surprise. It’s the first time the girl has spoken since they found her two days ago. Dakota shoots the colonel a look, then gazes back down at her tiny patient.

"I’m happy to meet you, He’kase," she intones softly.

The young girl’s eyes widen as Dakota bends slightly forward, causing her medicine pouch to slip past the buttons of her shirt. A small, pudgy arm reaches up to brush trembling fingers reverently against the deerhide pouch, causing it to swing slightly.

Dakota smiles. "Can you do me a favor, He’kase?"

The little girl nods somberly.

Reaching up, Koda slips the pouch over her head and presses it into the girl’s hand. "Can you keep this safe for me? I don’t want it to get in the way when I look at your leg, okay?"

He’kase nods again, eyes shining with a light that goes beyond the fever eating at her bones. She holds the pouch tight against her chest, covering it with both hands.

"Thank you."

Stepping down to the foot of the cot, Dakota gently lifts the sheet away from He’kase’s legs. The high, powerful smell of raging infection wafts out from beneath the sheet, causing Maggie to cough softly and turn away for a long moment. She turns back to see Dakota eyeing her, and tries out a weak smile. "I’m okay."

Dakota looks at her for a moment longer before finally returning her attention to her patient.

He’kase’s left thigh is swollen, taut and shiny. Dakota tenderly unwraps the blood encrusted bandage and pulls it away, exposing the wound. The young girl moans in pain, but keeps remarkably still, her trust in Dakota plainly evident.

There is a grotesque starburst of black, purple, red and green surrounding what can only be a bullet hole, black and charred against her tender flesh. The wound seeps blood and a thick green pus that eats into the flesh beyond.

Dakota feels the rage flash through her again, a raging see of red, but she tamps it down with savage intent, her fingers gentle against He’kase’s skin. She can feel a weak, thready pulse both behind the knee and in the foot, the thinks that there’s a fair chance to save the leg if the wound can be properly drained and cleansed.

After another moment, she replaces the sheet, and smiles up at the somber child. Reaching down, she hefts her kit, unbuckles the straps, and looks inside for what she needs. A vial of clear liquid sits close by a number of syringes. She removes both vial and syringe and sets them on the table next to the cot.

"Sweetheart, I’m going to give you some medicine. It will help take the pain away, and it might make you sleepy, but that’s okay."

He’kase’s eyes move from the syringe to Dakota and back again. She swallows once, then nods her quiet acceptance. She doesn’t even flinch when the needle pierces her skin and the stinging fluid burns its way into her muscle.

Disposing of the syringe, Dakota walks again to the head of the cot and, smiling slightly, she tenderly brushes the thick, sweaty bangs from He’kase’s forehead. After a moment, the girl’s eyes close and she falls into a deep, troubled sleep, the medicine pouch cradled safely between her hands.

Maggie quietly approaches, laying a hand on Dakota’s shoulder. She can feel the anger coursing through the tall vet, an anger she knows all too well. Straightening to her full height, Dakota looks down at the Air Force Colonel, her face a stony mask.

"We found her inside a ranch house about five miles south of here," Allen begins. "Her family, what was left of it, were butchered, like cattle." She takes in a deep breath, then lets it out slowly, trying to cool her own rage. "We found her halfway underneath what we assumed to be her father. He was obviously trying to protect her, and I can only guess that those bastards thought they’d done their job. By the time we got there…." She sighs again. "She was already like this. We did the best we could, but…." Her hands lift, as if in supplication to an uncaring god.

"I’ll need some help."

"I can…."

"No, you’ve got a camp to run. If you could get Manny? He used to help me in the clinic when he was younger. I don’t think he’s forgotten what to do."

Maggie nods. "I’ll get him for you right away."

"Thanks."

"No," Allen replies. "Thank you."

6

The road is clear for the rest of the morning. Toward midday, the sky begin to clear, showing streaks of bright blue through the flat grey of the clouds. The glint of the sun off ice is almost a shock, and Kirsten fumbles one-handed in her pack for her dark glasses. Asimov has stretched out across the bench seat with his hind feet in her lap and is snoring and twitching by turns as he chases rabbits or Frisbees or the neighbors’ female golden retriever in his doggy dreams.

The breaking clouds mean increasing cold come nightfall. She will have to find some better shelter than the van for the night or expend precious fuel to run the heater. She does not particularly care for the idea of sipping Shamrock through a straw again if she can help it. "Damn," Kirsten mutters to the oblivious Asimov. "I never thought I’d miss Motel 6."

Or maybe she need not miss it. An empty, deserted motel just might offer possibilities. Better, yet, an abandoned house. She is passing through Ohio farm country, small towns slipping past along the Interstate like beads on a string. Many of these homes, built in the previous century, will have working fireplaces, complete with a couple cords of wood piled outside.

Many of them will be tenanted by the dead, murdered and left where they fell. Kirsten’s hands flex against the steering wheel , tighten. She can deal with death. She has dealt with it. At least here, after several days and nights of snow and ice with the utilities out, the dead will be decently frozen. Grotesque, perhaps; an offense to the eyes but not to the nose and stomach.

For the first time, she spares a thought for her future self. What will she be when the world is set to rights, assuming it can be?

But that one’s easy. Dead, probably.

Dead long before.

At Zaneville, Kirsten turns off the freeway onto state roads. They will be snowed over and more dangerous, will slow her down even more than the sheen of ice on the Interstate. But they will lead her around Columbus and its suburbs in a wide arc to the south. Even more important, they will lead her around Wright Patterson AFB, where droids are likely to be concentrated. Pulling off into the shelter of a derelict Whataburger beside the exit ramp, Kirsten maps out the route she will take, west and south. There are, she notes, a number of state parks associated with early Native American ruins scattered throughout the Hopewell valley. They might be an even better prospect for overnight than deserted farmhouses. Most had cabins, and most of those cabins would have fireplaces or wood stoves. Because they would have been sparsely populated at best at this season, they would have drawn minimal attention from raiders. Certainly there would be no reason for the droids to stake them out or occupy them. The danger, if any, would come from other refugees like herself.

Highway 22 winds through vacant farmland, the fields blanketed with knee-high drifts of snow. The trees stand bare to the winds, skeletal shapes against the western sky as the sun stands down toward evening. Here and there a dark shape perches in the branches, head hunched down into its shoulders; sometimes there are two huddled together. Owls or ravens--she cannot be sure at the distance. Except for the growl of the truck’s engine and Asimov’s occasional whine as a foraging hare makes its way laboriously through the snow, the landscape is utterly silent.

It lulls her as she should not let it, and so she is shocked and momentarily disoriented when she sees the roadblock ahead. The vehicles drawn up on the sides of the pavement are pickups and SUV’s, none of them with flashers or official markings. Among them she can make out burly shapes muffled in two or three layers each of Polartec and down. Some wear balaclavas or ski masks; others have pulled their caps down so far they almost meet the scarves and turned-up collars around their necks. As she slows, Kirsten can see the clouds of mist that rise about them with their breath. One man’s greying eyebrows and beard are stiff with crusted frost. He holds a shotgun braced with its butt against his hip.

Even the most lifelike of the droids do not breathe warm air that clouds with the cold. Humans, then.

There are only two possibilities. These are free people defending their land, or they are the scum that disaster always brings to the surface. If she stops, she may find help.

Or she may be robbed, killed, raped, handed over to the droids. The choices are the same as they were under the railroad bridge.

Without hesitation, Kirsten shoves her foot down hard on the accelerator, and the van, still gaining speed when it crashes through the sawhorse barriers at 80 miles an hour, scatters the startled guards in all directions. From behind her she hears the boom of the shotgun, and a sharp crack that can only be a rifle, but she is already beyond their range. Asimov, rudely awakened by the sudden speed, has regained his balance and is sitting backwards in the front seat, paws draped over the headrest, barking maniacally in her ear. Then the yaps give way to a deep-chested baying that sends atavistic tingles up her spine. "Wonderful, just wonderful," she mutters. "The Hound of the Baskervilles, alive and well and—what the fuck?!

A moving shape has appeared in her rear-view mirror, hurtling along behind her through the rutted snow. It is close enough that she can see a gun barrel protruding from the passenger window.

"Down, Asimov!" she snaps. "Lie down, now!"

Aggrieved but obedient, he settles once again along the bench seat, his head below the level of the windows.

"Stay!" she orders, and pushes the accelerator clear down to the floor.

The van lurches, half-skidding down the road, spraying snow from its tires in sheeting arcs as high as the roof. A bullet whangs by, hitting the edge of the mirror frame and kicking shards of metal loose to ping against the plexiglass windshield. Spiderweb cracks appear suddenly before her eyes, breaking the flat white expanse before her into a kaleidoscope pattern in monotone. The van buckets and lurches beneath her, so that all her concentration goes into wrestling the steering wheel to keep them from running off the road.

The van sits high off the road. Unless her pursuers are inexplicably stupid or too drunk to think at all, they will eventually start shooting low, for her tires. She cannot afford that. Nor can she risk a hit to the gas cans in the back, which will send her, Asimov and quite possibly the remaining human population of the United States, up in a cloud of greasy smoke.

"Asimov!" she orders. "Play dead!"

Asimov, already denied the canine pleasures of the hunt, glances over his shoulder at her, offended and disbelieving.

"Play dead, dammit!"

With a sigh of almost human frustration, Asimov sags loose-limbed onto the seat as Kirsten brakes abruptly and sends the van into a wild skid that whips it tailpipe first across the opposite lane, hauling so hard on the wheel that her shoulders ache. The truck comes to a stop facing her pursuers, whose pickup swerves wide to avoid her and ends half in and half out of a roadside ditch concealed by the mounded snow. Kirsten pulls the bandage off her head, bringing fresh blood, and slumps across the steering wheel. Her finger presses lightly on the trigger of the gun in her lap.

She hears both doors of the pickup open and close, to the accompaniment of obscenities. Then feet, scrunching through ice and crusted snow.

The latch on her own door clicks, and she can smell burnt cordite. Then a voice. "Oh, hell, Brad. It’s just a girl and her dog. She’s bleeding." There is another click as Brad opens the passenger door.

Kirsten shoots the first man, angling the barrel of her gun high, to take him in the chest. As she squeezes the trigger, she yells, "Take him, Asimov! Hold!" and feels the dog’s weight launch itself out of the van. A roar fills her ears as a shotgun discharges less than a yard away, followed by an angry, human yell. "Off! Get off me, goddam you!"

Kirsten raises her head, getting a firmer grip on her gun, and slides out of the van. The man she has shot is sprawled on his back, arms flung wide, blood pouring from his mouth into his beard and grey plaid muffler. As she watches, his eyes fix, staring somewhere past her shoulder.

"Steve! Steve? What the fuck’s going on here? Answer—" The voice is suddenly cut off, and Kirsten hears a flurry of movement, ending in a low growl from Asimov.

"Hold, boy!" she calls to him. "Hold!"

"Goddam you, you bitch, what’ve you done to my bro—"

This time Asimov’s growl is deeper as it cuts off the voice. "Good boy, Asimov! Hold!"

Steve has fallen partly onto his rifle. Wishing that she did not have to know his name, Kirsten has to shift him to extract it. A last, wheezing sigh escapes his lungs as she turns him, startling her so that she almost drops the weapon. The man on the other side of the truck, Brad, is yelling again. She wishes that she did not know his name, either.

Very deliberately, not thinking, Kirsten walks around the front of the truck. Asimov’s outsize paws are planted on Brad’s chest, his jaws clamped onto the man’s throat. He has not drawn blood, only snarls and clamps down a little tighter each time his prey cries out. The man’s eyes follow Kirsten’s movements. She sees his death in his eyes.

Slowly, very deliberately, not thinking, Kirsten shoulders the rifle and shoots Brad in the head. Blood blossoms on the snow, unfolding in crimson and scarlet like the petals of a rose. Flower of evil.

Just as deliberately, Kirsten picks up Brad’s 12-guage and lays it on the floor of the van. In the foundered pickup, she finds shells for both the shotgun and the rifle. Two sleeping bags lie rolled up on the back bench; Kirsten takes them. Finally she reaches under the dash and tears out the ignition wires, cutting them off short with a pair of snippers she finds on the console between the seats. It is quicker than shooting out the tires, and it makes less noise.

Her hands are sweating inside her gloves. On her way back to the van she begins to shake. At first it is only a fine shiver, like a chill over her skin. Then reaction takes possession of her, adrenaline rattling her bones together and buckling her knees beneath her. She makes her way around Brad’s corpse and hauls herself back up onto the seat. Asimov follows, and huddles up against her, nudging her shoulder with his nose. He whimpers softly as she gasps, half-choking, for breath.

Part of it, she knows in a rational corner of her mind, is pure physiology. That part will pass if she does not feed it

The other part, which may never pass at all, is that she has just killed two men who were almost certainly innocent of harm.

Because she could not take the chance.

She tells herself she needs to get moving again. The sound of the shots will have carried. When Brad and Steve do not return to their companions promptly, the other men at the barricade will come looking for them. And then they will come looking for her.

She needs to throw them off her trail and she needs to find shelter. And she needs to do both by nightfall. She has perhaps two hours.

When her hands are steady enough, she turns starts the van again, turns carefully so that she does not run over the two dead men, and sets out again toward the south.

7

Several hours later, Dakota leaves her patient’s room, wiping her hands on a towel supplied by her cousin. He’kase is resting comfortably in the care of one of the rescued women who has had some Nurse’s Aide training. Her wound is clean and dry, and antibiotics are pumping their way through her tiny system. In place of the medicine pouch, which again holds its customary place around Koda’s neck, the youngster holds an eagle feather, the sacred icon that Manny has held onto since he was shorn of his flowing locks upon first entering the Air Force.

"Damn, Koda. I forgot how good you were at this stuff."

"You’re not so bad yourself."

The cousins share a rueful laugh as they walk through the late November evening, nodding to the soldiers as they pass.

Once inside the main house, Manny takes his leave, scurrying off to the shower.

Maggie looks up from her place at the kitchen table and beckons Dakota over with a smile. A mug of steaming black coffee is already there, as if awaiting her presence. Dakota acquiesces, sitting down with a groan and stretching out her long legs as she lifts the mug to her lips, inhaling the fragrance with a sigh of approval.

"Things went okay?" Maggie guesses from the look on Koda’s face.

"As well as can be expected," Dakota replies, taking a bracing sip of coffee, letting it warm her from the inside out. "Manny hasn’t lost his touch. He’s got the makings of a damn decent medic."

"Better that than a pilot," Maggie jokes.

"Hey!!" Manny yells, filling the doorway with his towel-girded bulk. "I heard that!"

Both women laugh, knowing that the young man before them is as good as it gets when it comes to flying. Absolutely fearless, he can make a jet walk and talk and turn on a dime. He’s one of the best of the best, and everyone knows it.

"Alright, flyboy, get your ass to bed. We’re on the road at 0430."

Snapping off a crisp salute while still managing to retain the hold both on towel and dignity, Manny grins, winks, and turns back down the hall. The soft click of his door shutting puts paid to the conversation.

Silence falls among them, a soft ethereal mist. Peering at Dakota over the rim of her coffee cup, Allen takes in the sharp, clean lines of her face and the energy that seems to hum around her even now, while sitting quietly apparently lost in thought. It’s a sweet Siren’s song, one that Maggie is in no way adverse to hearing.

"See anything interesting?"

Dakota’s warm contralto rolls over her and Maggie is suddenly glad that her mocha skin hides her flush well.

Though not, perhaps, quite as well as she might have liked, given the sparkle of amusement in the crystal eyes turned her way.

"I might," she allows, responding to the tease with a small one of her own. A smile curves her lips, and her gaze is bold and direct, though not overly aggressive. To put the cliché into perspective, Maggie Allen is a woman who knows what she wants and isn’t shy about reaching for it. As career Air Force, she’s seen her share of too many wars and too many deaths and when opportunities for warmth and life present themselves on gilt-edged platters, she rarely hesitates.

The silence between them is almost palpable, filling the shadowed and cobwebby corners of the large living area with a turbulent, humming energy.

Their gazes break at the same time. Maggie looks over at a painting hanging above the mantle in the living room. Dakota looks down at her hands. The ring finger of her left hand looks strangely naked; the small band of paler flesh highlighted like an afterimage of a life long past.

Seven years, Dakota thinks, her thumb rubbing over the pale, soft skin. A time for beginnings. A time for endings. A generation. An itch. Seven virtues and seven vices. Paradise and damnation. Confusion? Maybe. Guilt? A little of that, too.

She sighs.

"I have a room to myself in the back of the house," Allen says, very softly. "One of the perks of being CO." She smiles a little. "I’d like to share it with you tonight."

Dakota looks up then, her gaze piercing and direct. The sharply etched plains of her face soften just slightly, and Allen is stunned once again by the woman’s striking beauty.

"I’d like that."

8

When Dakota next awakens, it’s still dark, and she knows without looking that dawn is a long way off. She stretches slightly, then settles, arms comfortably curled around the warm body in her arms. For a moment, she thinks she’s dreaming, but the hair that brushes against her chest is shorter and coarser than what she’s used to, and the body draped across her is more muscular and compact. It awakens her to the reality of her situation, but the reality is, in truth, not all that unpleasant.

Maggie hums sleepily and, lifting her head just slightly, presses a kiss to the warm, bare breast upon which she is resting her head. "Mmm. Good morning." Her voice is deep and sleep burred and the sound of it reaches into Koda’s belly and twists it pleasantly.

"It is that."

"What time is it?"