- •Theory of translation
- •Contents
- •Part I. General issues of translation chapter 1. What Is Translation? § 1. Translation studies
- •§ 2. Semiotic approach
- •§ 3. Communicative approach
- •§ 4. Dialectics of translation
- •Inseparability of form and meaning.10
- •4.Translation and culture are inseparable.
- •§ 5. Translation invariant
- •§ 6. Unit of translation
- •Chapter 2. Types of translation § 1. Classification criteria
- •§ 2. Machine translation
- •§ 3. Translation and interpreting
- •§ 4. Functional classification
- •Chapter 3. Evaluative classification of translation § 1. Adequate and equivalent translation
- •§ 2. Literal translation
- •§ 3. Free translation
- •§ 4. The concept of ‘untranslatability’
- •Chapter 4. Translation Equivalence § 1. Types of equivalence
- •Equivalence
- •§ 2. Pragmatic level
- •§ 3. Situational level
- •§ 4. Semantic paraphrase
- •§ 5. Transformational equivalence
- •§ 6. Lexical and grammatical equivalence
- •§ 7. The levels of equivalence hierarchy
- •Chapter 5. Ways of Achieving Equivalence § 1. Types of translation techniques
- •§ 2. Translation transcription
- •§ 3. Transliteration
- •§ 4. Cаlque translation
- •§ 5. Grammar transformations
- •§ 6. Lexical transformations
- •§ 7. Complex transformations
- •Chapter 6. Translation Models § 1. Translation process
- •§ 2. Situational model of translation
- •§ 3. Transformational model of translation
- •§ 4. Semantic model of translation
- •§ 5. Psycholinguistic model of translation
- •Notes to part I
- •Part III. Grammar problems of translation
- •Chapter 1. Formal differences between source text and target text
- •Chapter 2. Translating finite verb forms §1. Translating tense and aspect forms
- •§2. Translating passive voice forms
- •§3. Translating the subjunctive mood forms
- •Chapter 3. Translating non-finite verb forms §1. Translating the infinitive
- •§2. Translating the gerund
- •§3. Translating the participle
- •§4. Translating absolute constructions
- •Chapter 4. Translating causative constructions §1. Types of causative constructions
- •§2. Constructions with causal verbs
- •§3. Constructions with the verbs to have, to get
- •§4. Causative constructions with non-causal verbs
- •Chapter 5. Translating pronouns §1. Translating personal pronouns
- •§2. Translating possessive pronouns
- •§3. Translating relative pronouns
- •§4. Translating the pronoun one
- •§5. Translating the pronouns каждый / все
- •§6. Translating partitive pronouns some / any
- •§7. Translating demonstrative pronouns
- •Chapter 6. Translating the article
- •§1. Translating the indefinite article
- •§2. Translating the definite article
- •§3. Translating the zero article
- •Chapter 7. Translating attributive clusters §1. Features of the attributive phrase
- •§2. Translating the attributive cluster.
- •Chapter 8. Syntactic changes in translation §1. Communicative structure of the english and russian sentence
- •§2. Word order change due to the functional sentence perspective
- •§3. Sentence partitioning and integration
- •Chapter 9. Difference in english and russian punctuation §1. Principles of punctuation in english and russian
- •§2. Differences in comma usage
- •§3. Using the dash
- •§4. Using quotation marks
- •§5. Using the colon and semicolon
- •§6. Using the ellipses
- •§2. Interaction of word semantic structures
- •§3. Word connotation in translation
- •§4. Intralinguistic meaning
- •Chapter 2. Translating realia §1. Culture-bound and equivalent-lacking words
- •§2. Types of culture-bound words
- •§3. Ways of translating culture-bound words
- •§4. Translating people’s names
- •§5. Translating geographical terms
- •§6. Translating published editions
- •§7. Translating ergonyms
- •Chapter 3. Translating terms §1. Translation factors
- •§2. Translation technique
- •§3. Terms in fiction and magazines
- •Chapter 4. Translator’s false friends
- •Chapter 5. Phraseological and metaphorical translation §1. Metaphor and the phraseological unit
- •§2. Interlingual metaphoric transformations
- •§3. Ways of translating idioms
- •§4. Challenges in translating idioms
- •Chapter 6. Metonymical translation §1. Definitions
- •§2. Lexical metonymic transformation
- •§3. Predicate translation
- •§4. Syntactic metonymic transformations
- •Chapter 7. Antonymic translation §1. Definition
- •§2. Conversive transformation
- •§3. Shifting negative modality
- •§4. Reasons for antonymic translation
- •Chapter 8. Differences in russian and english word combinability §1. Reasons for differences in word combinability
- •§2. Translation of adverbial verbs
- •§3. Translating condensed synonyms
- •Chapter 9. Translating new coinages: differences in russian and english word building
- •§1. Compounds
- •§2. Conversion
- •§3. Affixation
- •§4. Abbreviation
- •Notes to part IV
- •Part V. Pragmatic problems of translation
- •Chapter 1. Translation pragmatics
- •§1. Concept of pragmatics
- •§2. Text pragmatics
- •§3. Author’s communicative intention
- •§4. Communicative effect upon the receptor
- •И молвил он: «в былое время
- •На голове стою.»
- •§5. Translator’s impact
- •Chapter 2. Speech functions and translation §1. Language and speech functions
- •§2. Interpersonal function and modality in translation.
- •§3. Expressive function in translation
- •§5. Conative function in translation
- •Chapter 3. Functional styles and translation §1. Functional style, register: definition
- •§2. Translating scientific and technical style
- •§3. Translating bureaucratic style
- •§4. Translating journalistic (publicistic) style
- •Chapter 4. Rendering stylistic devices in translation
- •§1. Translation of metaphors and similes
- •§2. Translation of epithets
- •§3. Translation of periphrase
- •§4. Translation of puns
- •“Bother! Said Pooh… “What’s that bit of paper doing?”
- •§5. Translation of allusions and quotations
- •Chapter 5. Translation norms and quality control of a translation §1. Norms of translation
- •§2. Quality control of the translation.
- •Chapter 6. Translation etiquette §1. Professional ethics, etiquette, and protocol
- •§2. Code of professional conduct
- •§3. Protocol ceremonies
- •Notes to part V appendix 1. Russian-English Transliteration Chart
- •Appendix 2. Russian-English-Chinese Transliteration Chart
- •Учебное издание Зоя Григорьевна Прошина теория перевода
- •Part II. History of translation Chapter 1. Western traditions of translation § 1. Translation during antiquity
- •§ 2. Translation in the middle ages
- •§ 3. Renaissance translation
- •§ 4. Enlightenment translation (17-18th c.)
- •§ 5. Translation in the 19th century
- •§ 6. Translation in the 20th century
- •Chapter 2. History of russian translation § 1. Old russian culture and translation
- •§2. Translation in the 18th century
- •§ 3. Russian translation in the first half of the 19th century
- •§4. Translation in the second half of the 19th century
- •§5. Translation at the turn of the century
- •§6. Translation in the 20th century
- •Notes to part 2
§ 6. Translation in the 20th century
The 20th century is called the age of translation, since it has touched all spheres of life - social, economic and cultural.
In the 19th century translation was mostly concerned with fiction, a unilateral means of communication among educated people. In the 20th century, foreign classics continue to be translated in popular series, like English Penguin Classics (1946 - ) and others.
The 19th century’s trade, on the other hand, was carried on in the language of dominating nations, and diplomatic practice was carried on at first in Latin, then in French. The 20th century has seen the translation into all, even minor, languages. In the early 1990s, the United Nations membership was at more than 175 countries, which required simultaneous translation into their respective languages.
Multinational companies have appeared all around the world, increasing the need for translation. Special translation agencies have appeared to translate contracts, instruction manuals, and technical information. This created a translation industry.
The scientific and technological revolution has emphasized the role of translation for promoting discoveries and new technologies.
In the twentieth century, English has come to occupy the place of Latin as an international language worldwide. English is used in trade, business, science, and the mass media. Therefore, the number of translations into English far outweigh those into any other language.
Due to translation, some authors are better known abroad than in their own countries. For example, T. Dreiser is much better known in Russia than at home, in the U.S. On the other hand, a foreign audience is often more familiar with the translated works of Russian dissidents than are some Russian people.
The twentieth century has witnessed an upsurge of interest in translation studies. International and national professional associations have been founded; translation periodicals (British Translation and Literature, The Translator; American Translation Review; French Traduire, Palimpseste; German Lebende Sprachen, Mitteilungsblatt fur Dolmetscher und Ubersetzer, Der Ubersetzer, Translation Theorie) have been published.
Chapter 2. History of russian translation § 1. Old russian culture and translation
Translation in Russia is traced back to the period of adoption of Christianity in Kievan Rus (988 A.D.), known as the period of the early written documents. Of course, translation was known much earlier: the Greek and the Slavs had to trade and could not do so without interpreting.
Cyril and Methodius, the outstanding scholars, theologians and linguists who were called “the apostles of the Slavs” for their cultural and religious development of the Slavic people, translated the Holy Scriptures into the language later known as Old Church Slavonic (or Old Bulgarian) and invented a Slavic alphabet based on Greek characters. Early Christian translations were philosophical and ethical doctrines of the new religion. These included Lives of Saints, Homilies, Chronicles and the like.
What was typical of Old Russian translations? These were translations, mostly from Greek, according to meaning, which avoided word for word precision. As a matter of fact, they were adapted borrowed works with no name of the translator mentioned. Secular literature was translated rather freely: translators could change a source text to their liking, or simulate someone else’s stories by taking either a plot, an idea, or some poetic image from them to create their own works. As previously discussed, the same trend was characteristic of secular translations in Medieval Western Europe.
The late 13th and early 14th centuries - the Tatar period - was far from being favorable to Kievan culture, and to translation in particular. Despite the Mongol invasion and the Tatar yoke, there was no major influence on Russian culture. There is also no evidence that any single Turkic or Islamic text of religious, philosophical, literary or scholarly content was translated directly into Slavonic or any East Slavic vernacular during this period.88 Greek translations were not in circulation in Rus (Old Russia) in that time.
The second half of the 14th and the beginning of the 15th centuries is characterized as the Second South Slavic Influence on Moscow Rus culture89 (the first southern Slavic wave is related to Cyril and Methodius). A great number of new translations into Old Church Slavonic, carried out in Bulgarian, Serbian, Greek, and Jerusalem monasteries, were brought to Rus. The new Southern Slavic influence on culture resulted in the literal translation of clerical literature. The requirement to translate word for word gained force until the 17th century.90
Translations were no longer anonymous. One of the most eminent figures of the 16th century was Maxim the Greek who came from Greece to Russia to edit clerical books. (Since Maxim the Greek could not write Old Church Slavonic, the written form of the Russian language of the time, he translated from Greek into Latin and his assistants translated the Latin text into Old Slavonic.) Maxim the Greek is believed to have established “the grammar school of translation”91 in Russia, since he paid particular attention to translating grammar structures.
The second half of the 15th century saw a marked turn toward translated secular literature, especially tales of chivalry. These translations grew extensively, especially in the 17th century, as a result of increased cultural contacts with Europe. Works were translated not from Greek only, but also from Latin (as a scientific international language), Polish, and German. The interpreters who served for the Posolsky prikaz (foreign office) were called tolmach. Most of them were half-educated; some of them did not even know literary Russian (Old Church Slavonic), there being a wide gulf between oral and literary Russian. Some of them could hardly speak “living” Russian. Thus their interpretation was of such poor quality that since then the term ‘tolmach’ has carried a strong negative connotation.
Clerics, on the other hand, were much better qualified as translators. Beside translating theological literature, they were ordered to translate various educational and encyclopedic literature.
The 17th century is considered the period of “the synthetic theory of translation”. Translation concepts of the time seemed to synthesize extreme principles: translation by meaning and word-for-word, free and literal translation, a preponderance of grammar and aesthetic aspects.92