- •I opened the door wider and the person on the step, whom I now recognized, slipped, or dodged, into the flat. I retreated into the sitting-room, he following.
- •I opened the door and placed my hand on Arnold's chest. "Go in and look at her," I said to Francis. "There's some blood."
- •I do not know why I thought then so promptly and prophetically of death. Perhaps it was because Rachel, half under the bedclothes, had covered her face with the sheet.
- •I thought, He will soon feel resentment against me because of this. I said, "Naturally I won't mention this business to anyone."
- •I remembered that Arnold had mentioned rather unenthusiastically a "hairy swain," an art student or something.
- •I wondered if these were the views of the late Oscar Belling. "It's a long hard road, Julian, if that's what you believe."
- •I ran in to Arnold. "Could you stay with Priscilla? The doctor said she shouldn't be left alone."
- •I ran in to Arnold. "Could you stay with Priscilla? The doctor said she shouldn't be left alone."
- •I said to Arnold, "You left Priscilla."
- •I felt incoherent humiliation and rage. "You deliberately drove her out. She says you tried to poison her—"
- •I felt utter confusion. Had there been a child after all? Was this she?
- •I said, "I'm not going to wait while you pack these cases." I could not bear to see the girl shaking out Priscilla's things and folding them neatly. "You can send them on to my flat."
- •In the end Rachel and Arnold and Francis and I left the house together. At least, I just turned and walked out, and the others followed somehow.
- •I knew at once from her voice that she was alone. A woman can put so much into the way she says your name.
- •I said soothingly, "There you are, Priscilla. There's your water— buffalo lady. She came back home to you after all."
- •I said, "I suppose we think of the past as a tunnel. The present is lighted. Farther back it gets more shadowy."
- •I jerked away from her. "Rachel, you aren't just doing this to spite Arnold?"
- •I reflected. "Yes."
- •It was not until later that I remembered that she had gone away still wearing my socks.
- •I turned on Arnold, "I don't know what you think that Rachel—"
- •I said, "I don't believe you about you and Christian."
- •I felt some shame in asking her about Arnold and Rachel, but I wanted to be, and now was, sure that they had said nothing damaging about me.
- •I set off along the court and then along Charlotte Street, walking rather fast.
- •I wrote down the Notting Hill address.
- •I had just uttered Julian's name aloud. I got up. "Chris, do you mind, I must go. I've got something very important to do." Think about Julian.
- •I had just uttered Julian's name aloud. I got up. "Chris, do you mind, I must go. I've got something very important to do." Think about Julian.
- •I released Christian slowly and she looked at Arnold and went on laughing in a weary almost contented sort of way, "Oh dear, oh dear—"I'm just off," I said to Arnold.
- •I had not intended to tell him. It was something to do with Pris— cilla that I did. The pity of it. And then a sense of being battered beyond caring.
- •I hesitated. "Yes." There was much that I would have some day to lay before her. But not today.
- •It had begun to rain. I had put on my macintosh and was standing in the hall wondering if tears would help. I imagined pushing Arnold violently aside and leaping up the stairs. But what then?
- •I ran into my bedroom and hurled clothes into a suitcase. Then I returned to the sitting-room.
- •I picked it up. One of the buffalo's front legs was broken off jaggedly near the body. I laid the bronze on its side in the lacquer cabinet.
- •I was asleep two seconds later. We woke at dawn and embraced each other again, but with the same result.
- •I had noticed that. "Yes."
- •I went and locked it and then sat down again facing her. "Are you cold?"
- •I had the strange feeling that I was speaking these words. I was speaking through her, through the pure echoing emptiness of her being, hollowed by love.
- •I was dressing.
- •I thought for a moment. "All right. You might be useful."
- •324 Мультиязыковой проект Ильи Франка www.Franklang.Ru
I opened the door and placed my hand on Arnold's chest. "Go in and look at her," I said to Francis. "There's some blood."
Arnold began to call out, "Let me see you, please, darling, don't be angry, oh please—I pushed him back towards the head of the stairs. Francis went inside and locked the door again, whether out of delicacy or professional caution.
Arnold sat down on the stairs and began to moan. "Oh dear, oh dear, oh dear—" My awkward appalled embarrassment mingled now with a horrible fascinated interest. Arnold, beyond caring about what impression he made, was running his hands again and again through his hair. "Oh I am a bloody fool, I am a bloody fool—I said, "Steady on. What happened exactly?"
"Where are the scissors?" shouted Francis from within.
"Top drawer dressing table," Arnold shouted back. "Christ, what does he want scissors for? Is he going to operate or something?"
"What happened? Look, better move down a bit."
I pushed Arnold and he hobbled stooping, holding the banisters, past the turn of the stair, and sat on the lowest step, holding his head in his hands and staring at the zigzag design of the hall carpet. The hall was always a bit dim because of the stained glass in the door. I went down past him and sat on a chair, feeling very odd, upset, excited.
"Oh Christ, oh Christ. Do you think she'll forgive me?"
"Of course. What—?"
"Thank God," said Arnold. "Do you know, I think she may have been shamming all the time. Anyway, thank God. What should—?"
"There's nothing seriously wrong. She's got a very nasty lump on her head and she's a bit in shock. Could be a touch of concussion. Keep her in bed and keep the room dark. Aspirins, any of her usual sedatives, hot-water bottles, hot drinks, I mean tea and that. Better let her see her own doctor. She'll soon be herself again."
"Oh thank you so much, Doctor," said Arnold. "So she's all right, thank heaven."
"She wants to see you," said Francis to me. We had all moved back up to the landing.
Arnold began again calling, "My darling, please—"I'll deal," I said. I half opened the bedroom door, which was unlocked.
"Only Bradley. Only Bradley." The voice, still almost inaudible, was firmer.
"Oh Christ. This is awful. I've had enough—" said Arnold. "Darling—"You go down and give yourself another drink," I told him.
"I wouldn't mind a drink," said Francis.
"Oh don't be angry with me, darling—"Could you chuck out my mac," said Francis. "I left it in there on the floor."
I went in and threw the macintosh out and closed the door again.
I heard retreating steps as Arnold and Francis went away down the stairs.
"Lock the door, please."
I locked it.
Francis had pulled the curtains and there was a sort of thick pink twilight in the room. The evening sun, now palely shining, made the big floppy flowers on the chintz curtains glow in a melancholy way. The room had the rather sinister tedium which some bedrooms have, a sort of weary banality which is a reminder of death. A dressing table can be a terrible thing. The Baffins had placed theirs in the window where it obstructed the light and presented its ugly back to the road. The plate-glass "table" surface was dusty and covered with cosmetic tubes and bottles and balls of hair. The chest of drawers had all its drawers gaping, spewing pink underwear and shoulder straps. The bed was chaotic, violent, the green artificial— silk coverlet swooping down on one side and the sheets and blankets creased up into a messy mass, like an old face. There was a warm intimate embarrassing smell of sweat and face powder. The whole room breathed the flat horror of genuine mortality, dull and spiritless and final.