- •Lecture 1. Period I. The Anglo-Saxons. To a.D. 1066
- •Period II. The Norman-French Period. A.D. 1066 To About 1350
- •Lecture 2. Period III. The end of the middle ages (about 1350 to about 1500). The medieval drama.
- •The medieval drama
- •The reformation.
- •Sir thomas more and his 'utopia.'
- •The elizabethan period.
- •Prose fiction.
- •Edmund spenser, 1552-1599.
- •In general style and spirit, it should be added, Spenser has been one of the most powerful influences on all succeeding English romantic poetry.
- •Christopher marlowe, 1564-1593.
- •Shakespeare, 1564-1616.
- •Ben jonson.
- •Lecture 4. The Seventeenth Century (1603-1660). Prose and Poetry. The Restoration (1660-1700).
- •Lecture 5. The Eighteenth Century, Pseudo-Classicism And The Beginnings Of Modern Romanticism
- •Samuel taylor coleridge.
- •William wordsworth (1770-1850).
- •Robert southey.
- •Walter scott.
- •The last group of romantic poets.
- •Percy bysshe shelley (1792-1832).
- •John keats (1795-1821).
- •Lord macaulay.
- •Thomas carlyle.
- •It will probably be evident that the mainspring of the undeniable and volcanic power of 'Sartor Resartus' is a tremendous moral conviction and fervor.
- •John ruskin.
- •Matthew arnold.
- •Alfred tennyson.
- •Elizabeth barrett browning and robert browning.
- •The novel. The earlier secondary novelists.
- •Charles dickens.
- •William m. Thackeray.
- •George eliot.
- •George meredith (1828-1910).
- •Thomas hardy.
- •Stevenson.
- •Rudyard kipling.
- •Lecture 8. The 20th century english literature
- •William Strachey (1609-1618).
- •George Sandys (1578-1644).
- •John Winthrop (1588-1649).
- •Early Descriptive Writers.
- •Roger Williams, 1606-83.
- •Increase Mather, 1639-1723.
- •Cotton Mather, 1663-1728.
- •The Bay Psalm Book
- •Michael Wigglesworth, 1631-1705.
- •Sarah Kemble Knight, 1666-1727.
- •William Byrd, 1674-1744.
- •Other historical books.
- •Jonathan Edwards, 1703-58.
- •Benjamin franklin: 1706-1790.
- •Second half of the eighteenth century. The revolutionary period: speeches, argumentative essays, state papers.
- •The Declaration and the Constitution.
- •Timothy Dwight, 1752-1817.
- •Revolutionary Songs and Ballads.
- •Francis Hopkinson, 1737-91.
- •Charles Brockden Brown, 1771-1810.
- •James fenimore cooper: 1789-1851.
- •The literary development of new england in the 19th century.
- •Ralph waldo emerson: 1803-82.
- •Henry d. Thoreau: 1817-1862.
- •Nathaniel hawthorne: 1804-1864.
- •In 1849, following his enforced retirement from surveyorship at the custom-house in Salem office, -- the result of political schemes, -- Hawthorne wrote “The Scarlet Letter”.
- •Edgar allan poe: 1809-1849.
- •Lecture 11. Poetry and prose of the 19th century.
- •John greenleaf whittier (1807-1892).
- •James russell lowell (1819-1891).
- •Oliver wendell holmes: 1809-1894.
- •Walt Whitman (1819-1892).
- •Novelists and humorists. Southern Romancers and realistic fiction.
- •W.G. Simms, 1806-1870.
- •Realistic Fiction.
- •Lecture 12. Literature of the new spirit. Fiction at the turn of the 20th century.
- •Fiction since 1870.
- •W. D. Howells (1837-1920).
- •Henry James (1843-1916).
- •Theodore Dreiser (1871–1945)
- •Gertrude Stein (1874–1946)
- •Ezra Pound
- •Thomas Stearns Eliot (1888-1965)
- •F. Scott Fitzgerald and the American Dream
- •Sinclair Lewis (1885-1951)
- •Ernest Hemingway (1899-1961)
- •William Faulkner (1897-1962)
- •John Hoyer Updike
Sinclair Lewis (1885-1951)
American novelist and playwright, and the first American author to be awarded the Nobel Prize in Literature. The award reflected his ground-breaking work in the 1920s on books such as “Main Street”, “Babbitt”, and “Arrowsmith”. He was also awarded the Pulitzer Prize for 'Arrowsmith', but declined it because he believed that the Pulitzer was meant for books that celebrated American wholesomeness and his novels, which were quite critical, should not be awarded the prize.
Sherwood Anderson (1876-1941). American author, poet, playwright, essayist, and newspaper editor, wrote “Winesburg, Ohio” (1919), "The Book of the Grotesque". Many of Anderson's contributions to American Literature reflect his own struggles between the material and spiritual worlds as husband, father, author, and businessman and also cover issues as wide-ranging from labour conditions to marriage.
Early on he was writing his own poetry and short stories, influenced by such notable authors as Carl Sandburg and Gertrude Stein. Possibly because of his early transient life and often straightened circumstances he became known for his stories that gave a voice to small town American characters and their plight with finding the American Dream.
His first novel was published when he was forty – “Windy McPherson's Son” (1916). The same year “Marching Men” (1917) and “Mid-American Chants” (1918) followed. “Many Marriages” (1923) was followed by his autobiography “A Story Teller's Tale” (1924).
His last work is an extensive essay entitled “Home Town” (1940).
His epitaph reads "Life not death is the greatest adventure". Many of his works are still in print.
Ernest Hemingway (1899-1961)
During the twenties, Hemingway became a member of the group of expatriate Americans in Paris, which he described in his first important work “The Sun Also Rises” (1926). Equally successful was “A Farewell to Arms” (1929), the study of an American ambulance officer's disillusionment in the war and his role as a deserter. Hemingway used his experiences as a reporter during the civil war in Spain as the background for his most ambitious novel “For Whom the Bell Tolls” (1940). Among his later works, the most outstanding is the short novel “The Old Man and the Sea” (1952), the story of an old fisherman's journey, his long and lonely struggle with a fish and the sea, and his victory in defeat. Hemingway - himself a great sportsman - liked to portray soldiers, hunters, bullfighters - tough, at times primitive people whose courage and honesty are set against the brutal ways of modern society, and who in this confrontation lose hope and faith. His straightforward prose, his spare dialogue, and his predilection for understatement are particularly effective in his short stories, some of which are collected in “Men Without Women” (1927) and “The Fifth Column and the First Forty-Nine Stories” (1938).
In his writing he cut out unnecessary words, simplified the sentence structure, and concentrated on concrete objects and actions. He adhered to a moral code that emphasized grace under pressure, and his protagonists were strong, silent men who often dealt awkwardly with women. “The Sun Also Rises” and “A Farewell to Arms” are generally considered his best novels; in 1953 he won the Nobel Prize in Literature.