bernold technique dembouchure
.pdf13
Vocalise n° 4
sin'.
6 s-
[=J''
rip• |
s #t |
la |
411-
AIL
=k15
6
6
6 |
U • |
• |
|
|
b
#s-
|
|
#-• |
b: |
6L |
i |
6+ |
6 |
6 |
|
|
¡Fs
AP-
-0-
ST 8803
Vocalise n° 5
ST 8803
15
pa Vocalise n° 6
6
^f |
|
|
f |
|
^.f |
|
|
|
|
|
|
# r |
. |
|
• |
4r ^ |
1 |
^.. : |
. |
|
|||
|
|
|
|
||
|
|
|
c..1 .12' I |
q |
|
|
|
|
"...11•001 |
^ |
6 ^- 6
b
6,
^
B
ji ci |
L1 n J |
♦ b•. ^- 6 |
^ IL6:Lf |
|
|
qt |
|
c1 ^ |
Ls;. |
|
|
E ! |
L |
6 |
|
b ' r[2:
tm.:^ ---
b
b
6
q•
zio ,r.
bs
6
ST 8803
POP
, 16
r
▪ Vocalise n° 7
3 |
_ |
|
|
|
|
ilMho= t.11EZ |
|
|
Mr INI•TIMINIMO |
|
|
|
|
iT- |
|
|
|
|
n215.111111MIT |
ra |
mf |
cresc. |
. . 3 |
dim |
ma
6 |
• |
|
|
|
|
|
|
|
|
6. |
• |
|
|
|
4„,=
bs A- |
AIL |
6: 6 |
|
|
.611P .. : 6± 6..
— —
bt
6s. s
O
^
ST 8803
Vocalise n° 8 -
!
nif
sim.
17
Veillez à la modulation à la deuxième mesure ; faites une nuance afin de la souligner.
Pay attention to the modulation in the second bar ; highlight it with a nuance.
dolce |
p |
|
|
mf sub. |
|
6,:
• |
6+- |
|
8 |
o |
|
||
|
#r |
||
|
|
||
|
|
|
^
e,
o |
r |
• #-
• b+^ q
b q
-♦ #i
6: o
6
#!-
#r ##
s s
b^.
6
AIL |
Fine |
|
• |
o |
o |
J• |
I |
|
|
(r) |
|
|
|
|
|
^ |
|
t$- |
|
|
|
|
|
|
|
o^ |
|
bt |
|
|
|
|
6 |
|
|
|
|
a^ |
|
|
|
I |
o |
|
|
|
|
|
|
|
^ |
|
|
|
|
|
|
Z |
|
|
|
|
r |
|
|
|
^ |
#r |
|
|
|
|
D.C. al Fine à l'octave.
ST 8803
18
Vocalise n° 9 - Vocalise avec modulation : mêmes recommandations que n° 8.
Vocalise with modulation. Same recommandations as for vocalise n c8.
|
|
|
|
|
|
|
fl |
|
|
|
|
|
|
|
|
|
|
|
c- |
|
|
|
|
|
|
m^ sub. |
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
• |
6. |
6: |
|
|
|
|
|
|
Fine |
|
|
|
|
|
|
# ^ |
• |
|
||
|
|
|
|
|
|
|
|
|
||
|
|
• |
a. |
|
|
|
• |
|
|
|
|
|
|
|
|
|
• |
|
^ |
||
|
|
|
|
|
|
|
|
|
||
|
|
• |
-0- |
6 f |
• |
|
|
|
|
|
• |
• |
1111- |
|
|
|
|
|
|||
|
|
|
|
|
|
|||||
|
|
6 |
|
I,. |
|
|
||||
|
|
• |
t |
|
|
|
|
• |
|
|
.• ^ |
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
|
#- |
^ |
||
|
|
|
|
|
|
|
|
|||
r |
|
|
|
a= |
|
|
|
|
|
|
. q
^
D.C. al Fine à loctave.
ST 8803
19
:,ToCa1ise n° 10 - (D'après J. Andersen : étude op 15 n°1) Attention à la respiration et au |
|
|||||
1 |
|
phrasé : très souple, mais soutenu. |
|
|
|
|
|
|
(Based on J. Andersen : Etude op 15 n°1) Pay attention to the |
|
|||
|
|
breathing and the phrasing : sustained and flexible. |
|
|||
|
|
|
/ |
^ |
^ |
IM" |
|
^•^^i^^ mi |
\ mwir- -..a. IN |
||||
|
/1=MNIMIN _W |
^ |
MO MIEN=J••_ al= |
\C |
||
.ss mw•• mom. |
W n11.0 |
|
.1.110.11^ |
|
||
" a í |
|
|
|
|
MIMI= |
|
VIasishi_mmu.- LJIM= |
|
|
||||
PO |
|
|
|
|
|
|
PO .t_°DUCf.w1111M |
^ |
\ NM ^^W |
|
t 1 |
t\ |
|
^r•^"fi.r= ^^^t ^I |
^ MIME= IIMnIMMIr i |
t MINIM MI= •ItIMO t l^ |
||||
í |
.^^•t:^^ |
^ |
^ immur MI |
|
||
|
i |
^^OM/. |
|
NM M rli^ |
|
|
f sim.
•
^`v^iram= |
|
|
|
4.- 41P- -o- |
|
^ |
^ |
1•111111•111Mr11•11i111•INIff . |
|
‘^ |
|||
= |
|
|||||
^.•^-,^^^^ |
MN MIN =I/7MM |
Er |
|
|
||
1106 v. ^ NI” |
|
n111•=111..M•N=M•1111•' |
^ |
|
^= IIMIIIP_11111.4n1111 |
^i r |
|
'\i |
|
'\.n1111.i- |
|||
t |
s |
i---do- |
|
|
e-- -- |
20
Vocalise n° 11- (D'après J.S. Bach : 14ème prélude du "Clavier bien tempéré" 1er cahier) Pensez à l'inspiration.
(Based on J.S. Bach : "The Well-Tempered Clavier", First Book, Prelude n° 14) Think about the breathing.
!L^ 1^^n^^^ 1^ ^^ ^^n lt = |
^^o^^w•La•^^•^\ n^_ ^ |
|
||||||||
,SL»t ^^^ /t >• ^^^^ i NM,^Mt/i^ |
n21•...\-n ^ |
|
||||||||
/..n It>•n1•nn1111111111-1•MNIM11n1111111•711/ /e ^111MMINI1= n |
M n MN |
L1nMINIMISMINNINIMMI MIN |
||||||||
Vt—\I 11•10.- |
\L\^1MW\.^/^^\n |
^\ ^^ m^t ^ |
mom |
Alm ^n^^ |
||||||
|
|
\ |
r |
|
|
|
||||
•t"7t\tr:m..n 1n MN' NNW >• |
|
|
wall NMI ni^^^mswir/^r.\..\7^^ |
|
||||||
AMMO Iir-nnu:= IMIIIIMIIMINIM n lt |
|
|
anIM 1M' _ MIN =I= =1.011Mr- is 111MIr-M111111n:nn\7 |
|
||||||
i._11MtNNIPMEMINIM INIIIIM\....o. •111117/ NI MIMI -,.7•PMN MINIIIMIW _ MNIMININIMarnNIIIMANNnn=1111111*.:IMM n |
||||||||||
•rNinINMEMEN/•••• - |
^\ |
|
.^^^^^\ ^^^^^ ^^/ ^ s |
^/ ^^^ |
^ |
|||||
— |
|
L\^^^^^\ |
pow |
|
\' |
|
|
|
|
|
sim. |
|
|
|
|
|
|
|
|
|
|
t |
|
|
|
|
|
|
i ^ |
|
||
— |
|
|
|
|
|
|
|
|||
-^ n ^ ^i^•/^.^^^^n7^^^. |
^-i^W ^^^, n:----.- |
|
||||||||
ir•n•i |
|
il 11/7.0MINNI•INNIMIJMI.t7.t7 Mil MIN/ 1MI, _ ANN |
=1nnnn•.\7 |
|
||||||
%.^momews.--.L\ n -----MINN= =Ill n ME 111../11 nt\'•INIMIN•MIMIS.IMININ./7MINIMP•MIIMINMIllINNIPl1n0,'IMMI.= |
|
|||||||||
Vr—Ì^ ^\ ^^:.11MISIME/EIN, |
\^.\n^^^.^r^^ \^i^•V'^^ |
|
||||||||
|
|
-,..,...z..^ |
|
|
^ ^ |
|
|
|
||
|
|
|
|
|
|
|
|
|
||
^°núrl. / |
NM NW /MIlf |
=NW 1 |
NNW 1n |
^ ^ |
|
|
^^•/s:^^ n^^^ |
||||||
•IMM/•IN:aNIN^^^^^^^^^7^ 1^!\^MMt ^ n |
MEY=IiJNE =NM NIIIIa^MS |
|||||
/..^V•^^' ^ ^t\^^^^.^/^ ^L\^^ ^^^^>t |
/ |
If= NNW _ ANWE |
|
|||
Vr—i |
\ |
.-----^ ^ |
|
|
-- |
|
|
^t\^n/^ ^^ ^\^^^ ^I |
|
^\^ ^'— |
|||
|
----- |
r7i^^^M.^^^ |
Mn ^ ^^\ |
|||
|
^^n=lir MN /.M |
l=n.nnn.=7n1M.MINIMP7MMlNIMENn |
||||
|
IM |
|
|
|
|
|
|
L_77.411IMINEM/=II |
^ ••n =INN n.1=rM./ ..... ..illWft'n |
||||
|
J>L\ ^/^ |
\^\^n/_^^^\^^^^.^/' |
||||
|
♦• |
|
|
|
Zt : |
===:_s, |
|
|
1, |
||
6 |
! -111. |
||
|
ST 8803
21
Vocalise n° 12 - Attention à la qualité sonore des notes hautes de chaque groupe de doubles croches.
Pay attention to the tone quality of the high notes of each group.
|
^^^fffs |
|
^A^ |
^^rlJtmarm |
|
|
WWIINIIIMWWiNIND9111fif•I |
|
|
|
1n••IMN nn•n•"111111MINIIMMP"WIINNIIMMI |
|
|
|
|
M• MP" r7JrJ^^^^^.^1 |
|
||
|
|
|
1.1^ |
|
< ^ |
• |
^^ |
• |
MN= |
^ii::J•Lr:a^^ t ^^ _ /MU 7^^ ^t ^^^ M t I^^^t• |
||||
í..i^r = |
=IM►•IMI="7n7 NMI= |
MIIMMP7 MEW" ENO MP. MI= IMO ^^ |
||
|
|
|
=IN MI = |
sv-11M1r adlln |
sinn.
.A7^.t^^^^•^^^^--t .t ^^Jf♦ll^^^^^^^^^^-^
r |
|
OIMIIPffSAP1J1111t_^tlllMt.WJ^^r |
|||||
V.1^^7.^^7 |
|
-.^nn.t7^.tw7.^^ |
= |
||||
%D:nw_s-• i |
|
|
|
|
|
Fine |
|
|
|
|
►^ |
n |
|
||
.^r•::^^•^^^7^ n |
M= |
|
|||||
r ^^^^^• |
MN 6" |
+ |
JIP.:1n6n•••7•11111111/.1111.1111111M11 |
|
|||
|
|
t |
|
|
|
||
6 |
• |
• |
• |
• |
• |
0 |
|
• |
|
|
|
^ |
|||
|
|
|
|
|
|||
Yy |
• |
t • |
|
t • |
• |
O |
|
^ • |
|
^ |
|
^ |
|||
G^,^^i^l^+^n |
|
|
|
• |
|||
|
|
r P— |
|
||||
.Q
rnar=i anTL
AL st Ai. ^ s=
D.C. al Fine à l'octave.
ST 8803
l'intervalle de septième à la
Be careful of the seventh in the third bar.
large
mf ._
•
sinn.
f
Fine
a
|
|
|
|
|
|
|
|
|
P"'l |
1 |
|
6a |
-0- |
|
6 |
• 6. |
b^. |
b AL |
• |
|
|
|
|
|
|
|
|
|||||
|
|
|
|
|
|
|
|
|||
|
|
|
|
|
|
|
|
^ 6. |
6 |
6. |
|
|
|
|
|
|
|
|
|
||
s |
AP- |
^ |
• |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
#• |
|
|
|
|
|
|
#4, |
|
|
|
|
|
|
. |
|
|
.n°
|
b |
6 |
|
|
|
|
6 |
bs 6 w.;_ |
^ |
|
^- |
l |
|
6 |
r |
|
|
b* 6 |
||
|
|
|
|
|
|
b10 |
D.C. al Fine a l'octave.
ST 8803