- •IMPORTANT SAFETY INFORMATION
- •How to Use This Manual
- •The Big Picture
- •Knobs, Keys, and Jacks
- •The Front Panel
- •The Back Panel
- •AES/EBU Digital Audio Input/Output (Professional)
- •S/P DIF Digital Audio Input/Output (Consumer)
- •Getting Around and Altering Parameters
- •Adjusting the Brightness and Contrast of the Display
- •The "Areas" of the H8000FW
- •Understanding the Display and SOFT KEYS
- •Using the Cursor Keys, the SELECT key, the NUMERIC KEYPAD, and the KNOB
- •Ganged Parameters
- •Entering or Changing Text
- •QuickStart Or "Nearly Instant Gratification"
- •Hooking Up and Internal Routing
- •Things to Know about Routing
- •Loading Routing Configurations
- •4 Channel series Routings
- •8 Channel series Routings
- •Stereo Dual Machine Routings
- •4 channel Dual Machine Routings
- •4 Channel parallel routings
- •8 Channel parallel routings
- •Complex FireWire Routings
- •Analog & FireWire AB
- •ADAT & AES8 I/O
- •The I/O Identifier
- •Setting Input Levels
- •Effecting Things
- •"Panic" Muting
- •Loading Programs
- •Parameters
- •"Tweaking" and Saving "Tweaks"
- •Wrap Up
- •Mounting and Handling
- •Memory Cards
- •The Comprehensive Input / Output Scheme
- •Routing Configuration
- •Connecting real world inputs to the H8000FW
- •CONFIGURING THE MAIN INPUTS
- •Configuring the DSP input sources
- •Configuring the MAIN Outputs
- •Connecting to the H8000FW’s outputs
- •Configuring the outputs
- •Further Input and Output options
- •DIN 1/2 Allows the Selection of Either AES/EBU or S/P DIF for the First Digital Input Pair.
- •OPTO out – allows use of optical output connector for optical S/P DIF (H8000FW only)
- •Signal Flow Example
- •Storing and Loading Routing Configurations
- •Programs’ Effect on Routing Decisions
- •Controlling Levels
- •The Level Meters
- •Controlling the Level of the Analog and Digital Inputs
- •Input Levels, Wet/Dry Ratios, and Output Levels for Each DSP
- •Controlling the Level of the Analog and Digital Outputs
- •Digital Setup
- •Digital Setup Overview
- •Sampling Rates
- •The System Sampling Rate – A Digital Audio Primer
- •Using the Internal Clock
- •Selecting the Internal Clock’s Rate
- •The Status of The Digital Inputs When Using the Internal Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the Internal Clock
- •Using an External Clock
- •Selecting the External Clock
- •The Status of the Digital I/Os When Using the External Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the External Clock
- •Sample Rate Conversion (SRC)
- •Word Clock Termination
- •Word Length (Bits)
- •Input Word Length
- •Output Word Length
- •Bypassing and Muting
- •System Bypass
- •Machine Bypass
- •External Controllers
- •Setting Up the External Controllers
- •Foot Pedals 1 and 2
- •MIDI Setup
- •External Modulation and Trigger Menu Pages
- •"Manually" Selecting an External Controller for Modulation
- •"Manually" Selecting the External Controller for Triggers
- •External Controller Selection
- •Parameters Common to Both External Modulation and External Trigger Menu Pages.
- •MIDI Running Status
- •Automatically" Selecting a MIDI External Controller
- •Scaling the External Controller
- •The Concept Behind "Redirection" - External Assigns 1-8 and Trigs 1 & 2
- •Remote Controlling Parameters
- •Remote Controlling Triggers
- •MIDI Groups
- •Program Load, Save, Delete, Etc.
- •Categorizing Programs
- •Categorized by Effects Type
- •Categorized by Similar Programs (Banks)
- •Loading Programs
- •Loading a Program Remotely
- •Loading a Program Via a MIDI Program Change Message
- •Triggering the Next or Previous Program to Load
- •Saving a Program
- •Copying Programs
- •The "Size" of a Program and Its Ramifications for Storage
- •Updating a Program
- •Renaming a Program
- •Deleting a Program
- •Parameters
- •System Tempo
- •System Timer
- •Taps
- •Textblocks
- •Graphics and Curves
- •Storing and Loading Setups
- •Miscellaneous Setup Options
- •Transmitting and receiving Data
- •Setting Up the Serial Port
- •Dumping Data and Receiving Data Dumps
- •Controlling One H8000FW from Another H8000FW
- •Sending A Program From One the H8000FW to Another
- •Sequencing With MIDI
- •Connecting user-supplied crystals and external clocks
- •Service and Start-Up Options
- •Fixing Internal Memory Problems
- •Fixing PCMCIA SRAM Memory Card Problems
- •Changing the Internal Battery
- •Clear Setup
- •Software Version and Accessories
- •Start-Up Options
- •Making connections between the H8000FW and the computer.
- •Setting the sample rate and buffer size for the system
- •Synchronizing connected audio devices
- •Configuring the H8000FW for Throughput
- •Device Settings
- •Device Description
- •Device nickname
- •Measured Sampling Rate
- •Status
- •Global Settings - Bus Page
- •Master
- •Sample Rate
- •Sync Source
- •Buffer Size
- •Unique ID
- •Operation Mode
- •Global Settings - WDM Page
- •Set WDM Channel Maps
- •Global Settings - DPC Page
- •Global Settings -System Page
- •Global Settings -Info Page
- •PAL, Driver version
- •Viewing the H8000FW’s Configuration
- •Setting Up the H8000FW for Default Audio Output
- •Configuring the H8000FW for Output with Logic Pro
- •Creating an Aggregate Audio Device
- •Routing Audio to the H8000FW
- •Configuring Logic Pro for H8000FW Input and Output
- •An Example of Using Logic Pro with the H8000FW
- •Step-by-Step Descriptions of the Routing Process Flow
- •Sample Rates
- •Frequency Response
- •Digital Inputs/Outputs
- •Analog Input (XLR Balanced Inputs)
- •Analog Output
- •Remote Control Inputs
- •Remote Control Outputs
- •MIDI Connections
- •Memory Card Interface
- •Factory Preset Capabilities (at 48k sampling)
- •Power
- •Size
- •Weight:
Routing Configuration
Because of the large numbers of routing options and possible configurations, routings are most usefully loaded as presets, which can be accessed
by pressing and holding the PROGRAM key. In those cases where the factory-supplied routings are not sufficient, time may be saved by picking the nearest one and making such modifications as are required. The result can then be saved under a new name. For completeness, a description of each routing option follows.
All the individual routing pages are accessed from the main SETUP page.
Connecting real world inputs to the H8000FW
Different versions of the H8000FW support a wide range of possible inputs, as described in the chart below. Be aware that, as described above, when using either effects unit (DSP), the external inputs must be connected to the MAIN Inputs block. This limits the number of channels that can feed the effects units to eight, the number of inputs to the MAIN Inputs block. In many cases, external inputs may be connected to external outputs without this limitation, as described later.
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Analog |
AES/EBU |
ADAT |
FireWire |
H8000 |
2 channels |
8 channels |
8 channels |
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H8000A |
4 channels |
4 channels |
8 channels |
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H8000FW |
4 channels |
12 channels |
8 channels |
16 channels |
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CONFIGURING THE MAIN INPUTS
The MAIN Inputs block is used as a binding post to select the inputs that are to be fed to DSP A or DSP B. Each unit in the H8000FW series has a number of default inputs, which only connect to the corresponding input of the MAIN Inputs block as shown below:
The other inputs may be connected to any channel of the MAIN Inputs block.
See Further input options to select SPDIF 1&2 or Analog 1&2 on the H8000.
53
N Inputs channel |
H8000 input |
H8000A input |
H8000FW input |
1 |
AES/EBU 1 / SPDIF 1 |
Analog 1 |
Analog 1 |
2 |
AES/EBU 2 / SPDIF 2 |
Analog 2 |
Analog 2 |
3 |
AES/EBU 3 |
Analog 3 |
Analog 3 |
4 |
AES/EBU 4 |
Analog 4 |
Analog 4 |
5 |
AES/EBU 5 |
AES/EBU 1 / SPDIF 1 |
AES/EBU 1 / SPDIF 1 |
6 |
AES/EBU 6 |
AES/EBU 2 / SPDIF 2 |
AES/EBU 2 / SPDIF 2 |
7 |
AES/EBU 7 / Analog 1 |
AES/EBU 3 |
AES/EBU 3 |
8 |
AES/EBU 8 / Analog 2 |
AES/EBU 4 |
AES/EBU 4 |
in |
1 |
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Analog |
2 |
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3 |
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4 |
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in |
1 |
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AES/EBU |
4 |
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2 |
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3 |
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2 |
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in |
3 |
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4 |
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ADAT |
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5 |
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6 |
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7 |
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8 |
Thus, using the H8000FW as an example, the fifth channel of MAIN Inputs (shown to the right of the inputs) may be connected to the first channel of AES/EBU in (the corresponding default input), or any channel of AES in, FireWire1 in or FireWire2 in or
ADAT in.
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SP/DIF |
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Analogin |
1 |
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opto |
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SP/DIF |
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SP/DIF |
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4 |
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1 |
1 |
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inAES/EBU |
1 |
1 |
inMain |
1 |
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coax1 |
coax2 |
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2 |
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3 |
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4 |
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11 |
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6 |
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6 |
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1 |
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7 |
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7 |
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12 |
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1 |
8 |
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13 |
FireWire1in |
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2 |
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AES in |
3 |
FireWire2in |
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2 |
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14 |
3 |
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4 |
ADATin |
3 |
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17 |
6 |
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15 |
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5 |
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4 |
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16 |
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18 |
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7 |
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6 |
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1 |
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8 |
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3 |
in |
3 |
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4 |
4 |
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Main |
The MAIN Inputs block is configured using the inputs menu under the |
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5 |
5 |
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6 |
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6 |
SETUP key. This example shows: |
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7 |
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7 |
Analog in 1 and 2 connected to MAIN Inputs 1 and 2 |
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8 |
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8 |
ADAT in 1 and 2 connected to MAIN Inputs 3 and 4
AES/EBU in 1 and 2 connected to MAIN Inputs 5 and 6
ADAT in 1 and 2 connected to MAIN Inputs 7 and 8
54
CONFIGURING THE DSP INPUT SOURCES
Any DSP input may be fed from any of the MAIN Inputs block outputs, or from any output of either DSP. Note that the MAIN Inputs block’s channel names change to show what is connected to it – in the example below it is connected to Analog in 1-4 and AES/EBU in 1-4.
in |
1 |
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Analog |
2 |
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3 |
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4 |
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in |
1 |
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AES/EBU |
4 |
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2 |
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3 |
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1 |
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in |
3 |
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4 |
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ADAT |
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5 |
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6 |
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7 |
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1
2
3
4
5
6
7
8
Main in
1
2
3
4
5
6
7
8
11
22
33
4DSP 4
5 A 5
66
77
8 8
11
22
33
4DSP 4
5 B 5
66
77
8 8
CONFIGURING THE MAIN OUTPUTS
The main outputs may be fed from any DSP output or from any of the MAIN Inputs. Up to two signals may be connected to each output. There are two pages - one for channels 1-4, feeding the main Analog outputs as shown above, and another for channels 5-8, feeding the main AES/EBU outputs.
Here we have DSP A 1-4 and DSP B 1-4 feeding Main output channels 1-4 (Analog). This means that, for example DSP A out 1 and DSP B out 1 are mixed together to feed Main out 1.
11
22
33
4DSP 4
5 A 5
66
77
8 8
11
22
33
4DSP 4
5 B 5
66
77
8 8
1
2
3
4
5
6
7
8
Main out
1
2
3
4
5
6
7
8
55
Here we have DSP A 5-8 feeding MAIN Output channels 5-8 (Digital)
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1 |
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in |
2 |
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3 |
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AES/EBU |
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6 |
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4 |
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5 |
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7 |
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8 |
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1 |
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2 |
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in |
3 |
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4 |
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ADAT |
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5 |
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6 |
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7 |
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8 |
1
2
3
4
5
6
7
8
Main in
1
2
3
4
5
6
7
8
1 |
1 |
2 |
2 |
33
4DSP 4
5 |
A 5 |
6 |
6 |
77
88
11
22
33
4DSP 4
5 B 5
66
77
8 8
56
1
2
3
4
5
6
7
8
Main out
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
ADAT out AES/EBU out
1
2
1
2
SP/DIF
Analog