УДК 811.111 (075.8) ББК81.2Англ-923 Б15

Печатается по решению редакционно-издательского совета БГПУ

Рецензенты:

А. Г. Храмченков, кандидат филологических наук, доцент,

заведующий кафедрой иностранных языков Института

государственной службы Академии управления

при Президенте Республики Беларусь;

А. А. Гаврилович, кандидат филологических наук, доцент

кафедры грамматики французского языка МГЛУ

Баданина Л. Н.

Б15 Travelling («Путешествия»): Учеб.-метод. пособие- Мн.: БГПУ

2004.- 36 с.

ISBN 985-435-879-8

В пособие включены тексты, упражнения, ситуации и диалоги по теме «Путешествия». В нем предусмотрена работа с языковым материалом, совершенствование навыков устной речи. Использованы тексты и диалоги из оригинальной английской литературы.

Адресовано студентам БГПУ, изучающим английский в качестве дополнительной специальности.

УДК 811.111(075.8) ББК 81.2Англ-923

От автора

Современная система образования требует обоснования разработки и реализации ряда педагогических, организационно-методических задач, опирающихся на самоконтроль и само­развитие личности. Данные проблемы стоят перед студента­ми, изучающими иностранные языки в качестве дополнитель­ной специальности.

Цели пособия - расширить умения и навыки устной речи на основе усвоения речевых образцов, содержащих новые лексические и грамматические явления; продолжить углуб-' ленное изучение материала, предусмотренного учебным планом по темам «Travelling by Train» («Путешествие самоле­том») и «Travelling by Plane» («Путешествие поездом»). В учебном пособии использованы материалы современных английских и американских авторов.

Пособие состоит из 2 разделов: первый включает текст по теме «Travel!ing by Train», упражнений и ситуаций к ней, вто­рой посвящен теме ((Travelling by Plane» с серией текстов и диалогов, описывающих реальные жизненные ситуации по этой проблеме. Предложенная разработка темы «Путешест­вия» отражает современные модели речевого общения и бу­дет способствовать эффективному овладению программным материалом.

Isbn 985-435-879-8

©Л. Н. Баданина, 2004 © УИЦ БГПУ, 2004

Text. SEEING PEOPLE OFF

By Max Beerbohm

On a cold grey morning of last week I duly turned up at Euston to see off an old friend who was starting for America.

Overnight, we had given a farewell dinner, in which sadness was well mingled with festivity.

And now, here we were, stiff and self-conscious on the platform; and framed in the window of the railway-carriage, was the face of our friend; but it was as the face of a stranger - a stranger anxious to please, an appealing stranger, an awkward stranger.

«Have you got everything?)) asked one of us, breaking the silence.

«Yes, everything,)) said our friend, with a pleasant nod. ^v There was a long pause.

One of us, with a nod and a forced smile at the traveller, said:

«Well!»

The nod, the smile, and the unmeaning monosyllable were returned conscientiously. [ _t V ъ у j \ 'tv, \ з сЛ ■ i.

Another pause was broken by one of us with a fit of coughing. It was an obviously assumed fit, but it served to pass the time. There was no sign of the train's departure.

A middle-aged man was talking earnestly to a young lady at the next win­dow but one to ours. His fine profile was vaguely familiar to me. The young lady was evidently American, and he was evidently English; otherwise I should have guessed from his impressive air that he was her father.

In a flash I remembered. The man was Hubert Le Ros. But how he changed

since last I saw him! That was seven or eight years ago, in the Strand. He was then (as usual) out of engagement, and borrowed half-a-crown. It seemed a privilege to lend anything to him. He was always magnetic. And why his magnetism had never made him successful on the London stage was always a mystery to me. He was an excellent actor.

It was strange to see him, after all these years here on the platform of Euston, so prosperous and solid. It was not only the flesh he had put on, but also the clothes, that made him hard to recognize. He looked like a banker. Anyone would have been proud to be seen off by him.

«Stand back, please!»

The train was about to start and I waved farewell to my friend. Le Ros did not stand back. He stood clasping in both hands the hands of the young American.

«Stand back, sir, please!»

He obeyed, but quickly darted forward again to whisper some final word. I think there were tears in her eyes. There certainly were tears in his when , at length , having watched the train out of sight, he turned round.,

He seemed, nevertheless, delighted to see me. He asked me where I had been hiding all these years: and simultaneously repaid me the half-crown as though it had been borrowed yesterday. He linked his arm in mine, and walked me slowly along the platform, saying with what pleasure he read my dramatic criticism every Saturday. I told him, in return, how much he was missed on the stage.

«Ah, yes», he said, «I never act on the stage nowadays)).

He laid some emphasis on the word «stage», and I asked him where, then, he did act.

«On the platform,» he answered.

«You mean,» said I, «that you recite at concerts?))

He smiled.

«This,» he whispered, striking his stick on the ground, «is the platform I mean».

«I suppose,)) he said presently, giving me a light for the cigar which he had offered me. «you have been seeing a friend off ?»

He asked me what I supposed he had been doing. I said that I had watched him doing the same thing.

«No,» he said gravely. «That lady was not a friend of mine. I met her for the first time this morning, less than half an hour ago, here,» and again he struck the platform with his stick.

I confessed that I was bewildered. He smiled.

«You may,» he said, «have heard of the Anglo-American Social Bureau.»

I had not. He explained to me that of the thousands of Americans who pass through England there are many hundreds who have no English friends. In the old days they used to bring letters of introduction. But the Eng­lish are so inhospitable that these letters are hardly worth the paper they are written on.

«Americans are a sociable people, and most of them have plenty of money to spend. The A.A.S.B. supplies them with English friers.,FifJXper cent of the fees is paid over to the friend. The other fifty is retained by the A.A.S.B. I am not, alas, a director. !f I were,! should be a verynch man in­deed. I am only an employee. But even so I do very well. I am one of the seers-of$>

I asked for enlightenment.

«Мапу Americans,)) he said, «cannot afford to keep friends in England. But They can all afford to be seen off. The fee is only five pounds (twenty-five dollars) for a party of two or more. They send that in to the Bureau, giving the date of their departure, and a description by which the seer-off can identify them on the platform. And then - well, then they are seen off».

«But is it worth it?» I exclaimed.

«Of course it is worth it,» said Le Ros. «lt prevents them from feeling out of it. It earns them the respect of the quard. It saves them being despised by their fellow-passengers- the people who are going to be on the boat. Be­sides, it is a great pleasure in itself. You saw me seeing that young lady off. Didn't you think I did it beautifully?))

_v«Beautifully,» I admitted. «I envied you. There was I -»

«Yes, I can imagine. There were you, shuffling from foot to foot, staring blankly at your friend, trying to make conversation, I know. That's how I used to be myself, before I studied, and went into the thing professionally. I don't say I am perfect yet. A railway-station is the most difficult of all places to act in, as you discovered for yourself.»

«But,» I said, «I wasn't trying to act. I really felt.»

«So did I, my boy,» said Le Ros. «You can't act without feeling. Didn't you see those tears in my eyes when the train started? I hadn't forced them.. I tell you I was moved. So were you, I dare say. But you couldn't have pumped up a tear to prove it. You can't express your feeling. In other words, you can't act. hi anyTate^lie added kindly, «not in a railway-station.»

«Teach те!» I cried.

He looked thoughtfully at me.

«Well,» he said at length, «the seeing-off season is practically over. Yes, I'll give you a course. I have a good many pupils on hand already; but yes,» he said, consulting an ornate note-book, «I could give you an hour on Tues­days and Fridays.»

His terms, I confess, are rather high. But I do not grudge the investment.

Speech Patterns

1. I hate seeing people off. I prefer being seen off myself.

2. ! can't help feeling I should so mucn'ro oe in his place.

3. With a car one can travel comfortably for long distances without getting too tired

4. There is nothing like travel by air.

5. It's far quicker than any other method.

6. It takes days to do the journey by other.nvuzc^i ^

7. There is no travel so fine as by boat.

8. No one can deny that walking is the cheapest method^ of travelling. Ex. I

Learn the speech patterns. Make sentences by analogy. Turn the sen­tences into questions.

Ex. II

Complete the sentences using the speech patterns.

1. i hate ....

2. I can't help feeling ....

3. You can travel comfortably without....

4. Travelling by plane is far....

5. Learning at night is far....

6. There is nothing like ....

7. There is no way to learn a foreign language so effective as ....

8. No one can deny that....

Ex. Ill

Translate into English

1. Я не отрицаю, что вы правы.

2. Я не могу не волноваться..

3. Я очень не люблю работать по ночам.

4. Я не люблю, когда меня прерывают в разговоре.

5. Этот метод намного легче, чем остальные.

6. Нужны годы, чтобы овладеть иностранным языком.

7. Нет такого способа для сохранения здоровья, как заниматься спортом и много ходить пешком.

8. Я предпочитаю, чтобы мне это объяснили.

9. Мне бы очень хотелось показать вам Минск.

DIFFERENT METHODS OF TRAVEL

Personally I hate seeing people off. I prefer being seen off myself and feel terribly envious of any friend who is going anywhere. I can't help feeling I should so much like to be in his place.

If you are fond of travelling you see and learn at home, though you may read about them in books and newspapers, and see pictures of them on TV and at the cinema. The best way to study geography is to travel and the best way to get to know the people is to meet them in their own homes.

Those who wish to travel, either for pleasure or on business have at their disposal various means of transport. There's, for instance, the humble, inex­pensive bicycle. Then there's the motor-cycle, with which you can travel quickly and cheaply, but for long journeys it's rather tiring. With a car one can travel comfortably for long distances without getting too tired.

There is nothing like travel byirfainejj is more comfortable, more conve­nient and of course far quicker than any other method. There is none of the dust and dirt of a railway or car journey, none of the trouble of changing from train to steamer and then to another train. Airplanes carry passengers to vari­ous parts of the world in almost as many hours as it takes days to do the jour­ney by other means.

^v But most of us still have to use trains. With a train you have speed, com­fort and pleasure combined. From the comfortable comer seat of a railway carriage you have a splendid view of the whole countryside. If you are hun­gry, you can have a meal in the dining-car; and if the journey is a long one, you can have a wonderful bed in a sleeper. Besides, do you know any place that's more interesting than a big railway-station? There is the movement the excitement, the gaiety of people going away or waiting to meet friends. There are the shouts of the porters as they pull luggage along the platforms to the waiting trains, the crowd at the booking-office getting tickets the hungry and thirsty ones hurrying to the refreshment rooms before the train starts. A train is standing at one of the platforms ready to leave. Some of the passengers are looking out of the windows watching the late-comers who are hurrying looking for empty seats. On another platform a train has just come in; some passengers are getting out, others are getting in. Those who've not taken the precaution of getting their tickets beforehand are waiting in queues at the booking office. At the bookstalls people are choosing books, magazines or newspapers for the journey at the cloakroom others are depositing or with­drawing their luggage.

No, really! Do you know a more exciting place than a big railway-station?

Luxurious ships cross seas and oceans from one continent to another.

There is no travel so fine as by boat. I love to feel the deck of the boat un­der my feet, to see the rise and fall of the waves, to feel the fresh sea wind blowing in my face and hear the cry of the sea-gulls. And what excitement, too, there is in coming into the harbour and seeing round us all the ships, steamers, cargo-ships, sailing ships, rowing boats.

You may say what you like about aeroplane flights, sea voyages, railway journeys or tours by car, but give me a walking tour any time. What does the motorist see of the country? But the walker leaves the dull broad highway and goes along little winding lanes where cars can't go. He takes paths through the heather, he wanders by the side of quiet lakes and through the shade of woods. He sees the real country, the wild flowers, the young birds in their nests, the deer in the forest; he feels the quietness and calm of nature.

And besides, you are saving your railway fare travelling on foot. No one can deny that walking is the cheapest method of travelling.

So I say: a walking tour for me.

to take the precaution of

in queues

to deposit luggage

to withdraw luggage

to snatch

hasty

time to spare harbour to be seasick rough highway winding heather to wander

Words and expressions

to be fond of

to feel envious of

to travel on business

to have at one's disposal

humble

inexpensive

bicycle

to do the journey to fly - flew - flying a sleeper excitement qaiety luggage to look out of to get in (out)

Notes on synonyms

travel n: the act of travelling for the purpose of discovering something new or in search of pleasure; e.g .He is writing a book about his travels in Africa.

journey n: the act of going from one place to another, usually taking a rather long time. e.g. it's a three days' journey by train. Going on a journey is always exciting.

voyage n: a rather long journey, esp. by water or air; e.g. The idea of an Atlantic voyage terrified her: she was sure to be seasick all the time.

9

trip n: a journey, an excursion, freq. a brief one, made by land or water;

e.g.

Did you enjoy your weekend trip to the seaside?

tour л: a journey in which a short stay is made at a number of places, the traveller finally returning to the place from which he had started, e.g. On our tour

we visited Oxford, Cambridge and then came back to London.

cruise n [kru:z]: a sea voyage from port to port; e.g. The Mediterranean cruise promised many interesting impressions.

hitch-hiking n: travelling by getting free rides in passing automobiles and walking between rides; e.g.. Hitch-hiking is a comparatively new way of trav­elling which gives one a chance to see much without spending anything.

Ex. I

^vQuestions on the text.

1. What means of travel do you know? 2. Why are many people fond of travelling? 3. Why do some people like travelling by train? 4. Do you like travelling by train? What makes you like/dislike it? 5. What are the advan­tages of a sea-voyage? 6. What are the advantages of hitch-hiking? 7. What kind of people usually object to travelling by air? 8. What are advantages or disadvantages of travelling by air? Have you ever travelled by air? How do you like it? 9. What do you think about walking tours? 10. What is, in your opinion, the most enjoyable means of travel? 11. What way of travelling af­fords most comfort for elderly people? (Give you reasons). 12.Do you think travel helps a person to become wiser?

Ex. II

Fill in appropriate words (consult the list of synonyms): 1. I'd be delighted to go on a sea^TblJt my wife has never been a good sailor, so we can't join you. 2. Last week we made.a wonderfuli?.^pto the mountains. It took us four hours by coach. 3.The ItaliarT^was really exciting. We visited a number of wonderful towns and then returned to Rome. The ip:*¹ back to Moscow by railway took us about three days. 4. It is delightful to come ashore after a long X. and to feel solid ground under one's foot. 5.Many times on his longU'.,'in, th'e^efSths of Africa, in the jungle of the Amazon he faced danger, starvation and death. 6.At the beginning of ₍the last century going from Petersburg to Moscow was described asiS#Now it is but a night's-h" by night train, a six hours'-;.^ by day train or an air⁷:.. of an hour and a half. 7.I'm just reading a very amusing book about a pleasure party making a Ca­ribbean... in somebody's yacht. 8.Young people are naturally fond of... as a way of visiting new places and seeing things: it is cheap and gives one a feel­ing of freedom and infinite horizons. 9. I'm told you're going on a^.io the Far East. lO.Theyre planning a⁴?"* on some Baltic resorts. They've a new car, you know. 11. You're looking pale. A ... to the seaside will do you good.

Ex. Ill

Role-playing.

You are a family deciding on the type of holiday you will go on next sum­mer. Then report to the other families on your final decision, explaining the reasons for your choice. Point out advantages and disadvantages, giving warning based on personal experience.

Ex. IV

Make up dialogues. Suggested situation:

A. Two friend are discussing different ways of spending their holiday. They both want to travel, but one of them is an enthusiast ready for anything and the other is a cautious and a sceptical person. (Use the following: there is nothing like travel by air/by sea, etc., it is more convenient to .. .; there is none of the ...; speed, comfort and pleasure combined; there is no travel so fine as by...; the rise and fall of the waves; coming in to the harbour; that's all right for those that like it; when the sea is rough; hitch-hiking; it's risky, isn't it? I prefer to be on the safe side; I'd rather stay at home.)

B. A person who has just returned from a foreign cruise is answering the questions of an eager listener. (Use the following: a most exciting experi- ence; I really envy you; do tell me all about it; where did you sail from? what were your ports of call? go sightseeing; what was the place that im- pressed you most? I didn't think much of...; the journey was tiring; but you did enjoy it, didn't you?)

TRAVELLING BY TRAIN

Topical Vocabulary to go (travel) by train to take (catch) a train by train, on a train, in a train to miss the train

espress, fast, through, long-distance, slow, local trains to commute ■ ■■• ■ ■ ■ - ••

to travel first, second class railway booking-office to book, get tickets

first, second class, day return, single tickets

' inquTry*office ^information bureau

information on, about

to be booked up (sold out) ^->о^₍

porter

non-smoker

carriage

compartment

lower, upper berths, a corner seat dining-car, buffet toVavel light, heavy

cloak room, left luggage office ,■■ - . _r inspector, ticket collector (extra)fare, charge, at halfprice to punch tickets

to hold good (about tickets) - быть действительным How long is a ticket valid for a luggage rack

to start, move, come in, leave, get out, arrive (about trains)

to arrive at (on) a platform

to arrive in a city, at a place

to be due at a place •

to be due in some time

personal belongings

to let the window down ^r ■ • ■

bedding

to change trains exit г v v⁴ entrance

TRAVELLING BY TRAIN IN BRITAIN

One of the first things a foreigner notices about British railways is the plat­forms. They are higher than in most parts of the world. The platform is almost on a level with the floor of the carriages. You do not, therefore, have to climb up into a railway carriage in Britain. This makes it a little easier to get in and out of the carnage with your luggage.

The trains that go to and from London are very crowded at the times when people are travelling to work, since about a million people travel to Lon­don to work each day. There are cheap tickets after a certain time of the day, usually about 9.30 when everyone has gone to work. These are called cheap day return tickets. It is often nearly 50% (fifty per cent) cheaper to travel to London after 9.30 than before this time.

On many fast trains to London there is a dining car in which you can buy lunch, dinner or coffee. On others there is a buffet at which it is possible to buy snacks and drinks. Sometimes a waiter from the dining car brings round cups of coffee to the passengers.

There are only two classes in Britain-first and second. A first-class ticket costs 50% morathaaa second-class ticket. On long journeys, there is a ticket inspector, who every^assenger to see if he has the right ticket and is not travelling in the wrong class.

In England train passenger seldom converse with their fellow-travellers even on a long joumey-this is more a national custom than a matter of etiquette. p\\\<

When the passenger reaches the end of his journey and leaves the train he has to give his ticket to the ticket collector at the exit before he can leave the station. If he has luggage and wants someone to carry it for him to a wait­ing car or taxi, he must ask a porter. The porter does not make a charge for this service, but he expects a tip.

1. Use the following expressions in sentences from the text: on a level, to get in (out) of the carriage to be crowded, day return tickets, on fast trains, snacks & drinks, to bring round, to cost, on long journeys, ticket inspector, to converse with, to leave the train, to make a charge for, tip.

2. Ask key-questions on the text.

3. Answer the questions:

1. What is one of the first things a foreigner notices about British railways?

2. When can peopie buy cheaper tickets?

3. Are there any conveniences on British trains?

4. What are the duties of a ticket inspector?

5. Train passengers in Britain seldom converse with fellow-passengers while travelling by train, don't they?

/. On the Platform

1. - Hey, porter, will you see to my luggage, please?

• Yes, sir, what train, please?

• Number 24, to Glasgo.

• This way sir. Platform 11.

2. - Our train's due in ten minutes, so we shall have to be quick about it.

• Yes, you'll have to look alive if you want to catch it.

• Well, good-bye! Sorry to leave you in such a hurry. Remember me to all your people. But where's Johnson? Late as usual!

• Oh, you mustn't worry about him. Here he comes. Now don't forget to give me a look-up some day, and I'll show you round my place. Good-bye!

• (As the train moves off) Now then, Johnson! Bundle (or: hop) in, if you don't want to be left behind.

3. - Here you are, John at last. I've been waiting half an hour for you.

- I'm sorry, I'm late. But I've got in a traffic jam.

a). What troubles me is that

b). The first thing I do before leaving the city j <^

c). Can I get to

d). Can I get a ticket for the ⁴ Is there any

e). Is it convenient to go to .Is it possible to get to Have you ever travelled to

Dialogues

we may miss the train we won't be able to book the tickets,

* in advance the fare is rather high there is no ex­press train to L. (continue)

■I dn hefore leaving the city, booking the tickets to book a ticket (continue/

London sea

Liverpool by air air, sea, railway... rail (continue)

express Liverpool fast train to Manchester passenger Edinburgh

London by air, sea, railway

(continue)

• Here is your ticket. • $ t. .. „ _r ,■>

• Is it a through train? ^VC^N" " /

• Yes, it is. I'm glad we shan't have to change.

• Fine. When is the train due in Edinburgh?

• 9.15. tomorrow.

• it's very convenient. And when is the train leaving?

• In 15 minutes.

• Oh, really. Let's hurry or we'll miss it.

4. Mr. Innes: Ruth, you'd better take Margaret to the Refreshment Room for a cup of morning coffee while I go to the Booking Office and get her a ticket. Miss Collins Thank you, Julian, but I have my Шут tickej.

Mr. Innes: Oh, have you, then I'll just get our pianorm4Icke'tsfrdm the ticket machine, and join you presently.

5. Mr. Innes: Oh, there you are. Your train is due out in half an hour so there's still plenty of time. Have you ordered your coffee?

Mrs. Innes: Yes, we have , and a cup for you, too.

Mr. Innes: That's very kind of you. Oh, here it comes. Sugar, Margaret?

Miss Collins: No, thank you, Julian, no sugar for me.

Mr. Innes: Well, I'm afraid it's time to go now.

Mrs. Innes: Which platform is it?

Mr. Innes: Platform Three. I've looked up it the indicator board. Mrs. Innes: Would you mind giving me my platform ticket and taking Mar­garet along? I just want to go to the bookstall. I won't be a moment. Mr. Innes: All right, come on, Margaret.