- •Luke 10:19
- •Veronika didn’t know how long she had slept. She remembered waking up at one point—still with the life-preserving tubes in her mouth and nose—and hearing a voice say:
- •Veronika couldn’t remember. She was having difficulty knowing who she was and what she was doing there.
- •Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana?
- •Veronika laughed.
- •I must get hold of those pills as soon as possible.
- •Veronika didn’t know what to do and stood there paralyzed with fear. A burly, shifty-looking male nurse came over, wanting to know what was going on.
- •I can’t believe it, I never used to be like this. I never used to fight over stupid things.
- •Veronika went back in and walked over to the group gathered in one corner of the room. The people were talking animatedly but fell silent as soon as she approached.
- •Veronika, who was having breakfast with her, heard the request.
- •Veronika watched the woman, still smiling, being strapped to the bed.
- •Veronika started calling to Zedka, shouting, threatening that she would go to the police, the press, the human rights organizations.
- •Veronika laughed. The “neighborhood” were the wards full of crazy people, and those crazy people were, in turn, full of drugs to make them sleep.
- •Veronika was trembling without quite knowing why.
- •Veronika’s trembling changed into low, timid, suppressed sobs. She knelt down, laid her head on the woman’s lap, and cried and cried.
- •Veronika’s remorse over her attempted suicide resurfaced, and she firmly pushed it away again. Now she was feeling something she had never allowed herself to feel: hatred.
- •It would be more normal to eat only when we were hungry , thought the woman, but she said nothing, afraid that he might not let her speak to Veronika.
- •Veronika began to vomit copiously. Once the near-tragedy had passed, some of the crazy people there began to laugh, and she felt humiliated, lost, paralyzed.
- •Veronika opened her eyes. Someone had taken her clothes off. Who? Dr. Igor? Did that mean he had seen her naked? Her brain wasn’t working properly.
- •Veronika had known since childhood that her true vocation was to be a pianist.
- •Veronika stopped playing for a moment and looked out at Mari in the garden. She was wearing only a light jacket against the cold night air? Did she want to die?
- •I must stop thinking. I’ll pretend that everything’s all right and then everything will be.
- •I don’t believe in you, God, but please, help me.
- •Veronika decided she would have to go to bed, but Eduard was still standing by the piano.
- •It was so good that I can see love in everything, even in the eyes of a schizophrenic.
- •Veronika was starting to feel ill; whenever she was given that injection, something bad always happened inside her body.
- •Veronika saw there was no way out.
- •I just have to give her an answer , he thought. There’s no need to call in the nurse to witness the conversation, to avoid any future lawsuits for sexual abuse.
- •In the small and never-used library in Villete, Eduard didn’t find the Koran or Aristotle or any of the other philosophers Mari had mentioned. He found instead the words of a poet:
- •Veronika woke up with a start, in a cold sweat. There was a terrible noise outside, and she needed silence to go on sleeping. But the racket continued.
- •Veronika got up and went over to Eduard. Tenderly she smoothed his hair. She was glad to have someone to talk to.
- •I’ve had an accident.
- •Veronika gave him a long, lingering kiss.
Veronika laughed. The “neighborhood” were the wards full of crazy people, and those crazy people were, in turn, full of drugs to make them sleep.
Her sense of well-being continued, though. She got up and went over to Zedka’s bed, but she was sound asleep too, perhaps recovering from the horrible experience she had been through.
“Go back to bed,” said the nurse. “Good girls should be dreaming of angels or lovers.”
“Don’t treat me like a child I’m not some tame madwoman who’s afraid of everything; I’m raving, hysterical, I don’t even respect my own life, or the lives of others. Anyway, today I feel more vigilant. I’ve looked at the moon, and I need to talk to someone.”
The nurse looked at her, surprised by her reaction.
“Are you afraid of me?” asked Veronika. “In a couple of days’ time I’ll be dead; what have I got to lose?”
“Why don’t you go for a walk, dear, and let me finish my book?”
“Because this is a prison, and there’s a prison warden pretending to read a book, just to make others think she’s an intelligent woman. The fact is, though, that she’s watching every movement in the ward, and she guards the keys to the door as if they were a treasure. It’s all in the regulations, and so she must obey them. That way she can pretend to have an authority she doesn’t have in her everyday life, with her husband and children.”
Veronika was trembling without quite knowing why.
“Keys?” said the nurse. “The door is always open. You don’t think I’d stay locked up in here with a load of mental patients, do you?”
What does she mean the doors open? A few days ago I wanted to get out of here, and this woman even went with me to the toilet. What is she talking about?
“Don’t take me too seriously,” said the nurse. “The fact is we don’t need a lot of security here, because of the sedatives we dole out. You’re shivering, are you cold?”
“I don’t know. I think it must have something to do with my heart.”
“If you like, you can go for a walk.”
“What I’d really like is to play the piano.”
“The living room is quite separate, so your piano playing won’t disturb anyone. Do what you like.”
Veronika’s trembling changed into low, timid, suppressed sobs. She knelt down, laid her head on the woman’s lap, and cried and cried.
The nurse put down the book and stroked Veronika’s hair, allowing that wave of sadness and tears its natural expression. There they sat for almost half an hour, one crying, the other consoling, though neither knew why or what.
The sobbing finally ceased. The nurse helped her up, took her by the arm, and led her to the door.
“I’ve got a daughter your age. When you were first admitted, full of drips and tubes, I kept wondering why a pretty young girl, with her whole life ahead of her, should want to kill herself. Then all kinds of rumors started flying around: about the letter that you left behind, which I never believed could be the real motive, and how you didn’t have long to live because of some incurable heart problem. I couldn’t get the image of my own daughter out of my head: What if she decided to do something like that? Why do certain people try to go against the natural order of things, which is to fight for survival whatever happens?”
“That’s why I was crying,” said Veronika. “When I took the pills, I wanted to kill someone I hated. I didn’t know that other Veronikas existed inside me, Veronikas that I could love.”
“What makes a person hate themselves?”
“Cowardice, perhaps. Or the eternal fear of being wrong, of not doing what others expect. A few moments ago I was happy, I forgot I was under sentence of death; then, when I remembered the situation I’m in, I felt frightened.”
The nurse opened the door, and Veronika went out.
How could she ask me that? What does she want, to understand why I was crying? Doesn’t she realize I’m a perfectly normal person, with the same desires and fears as everyone else, and that a question like that, now that it’s all too late, could throw me into panic?
As she was walking down the corridors, lit by the same faint light as in the ward, Veronika realized that it was too late: She could no longer control her fear.
I must get a grip on myself. I’m the kind of person who sticks to any decision she makes, who always sees things through.
It’s true that in her life she had seen many things through to their ultimate consequences, but only unimportant things, like prolonging a quarrel that could easily have been resolved with an apology, or not phoning a man she was in love with simply because she thought the relationship would lead nowhere. She was intransigent about the easy things, as if trying to prove to herself how strong and indifferent she was, when in fact she was just a fragile woman who had never been an outstanding student, never excelled at school sports, and had never succeeded in keeping the peace at home.
She had overcome her minor defects only to be defeated by matters of fundamental importance. She had managed to appear utterly independent when she was, in fact, desperately in need of company. When she entered a room everyone would turn to look at her, but she almost always ended the night alone, in the convent, watching a TV that she hadn’t even bothered to have properly tuned. She gave all her friends the impression that she was a woman to be envied, and she expended most of her energy in trying to behave in accordance with the image she had created of herself.
Because of that she had never had enough energy to be herself, a person who, like everyone else in the world, needed other people in order to be happy. But other people were so difficult. They reacted in unpredictable ways, they surrounded themselves with defensive walls, they behaved just as she did, pretending they didn’t care about anything. When someone more open to life appeared, they either rejected them outright or made them suffer, consigning them to being inferior, ingenuous.
She might have impressed a lot of people with her strength and determination, but where had it left her? In the void. Utterly alone. In Villete. In the anteroom of death.